Sunday, December 6, 2015

Colts Owner: Why I Paid $2.2 Million for Ringo Starr's Drum Kit

Jim Irsay is calling from Pittsburgh, where his Indianapolis Colts will face the Steelers on Sunday, and regretfully not New York's Theater at Madison Square Garden, where an all-star gathering to celebrate John Lennon's 75th birthday is about to take place. The NFL team owner is a well-known Beatles fanatic as well as an avid rock memorabilia collector: In the past few months, Irsay has spent millions of dollars adding Lennon-owned guitars and other Beatles-used instruments to his impressive collection.

Following this weekend's auction of Starr's estate, Irsay added even more essential artifacts to his collection: Ringo Starr's 1963 Ludwig Oyster Black Pearl three-piece drum kit (used on "Can't Buy Me Love" and dozens more essential recordings; Irsay purchased it for $2.25 million) as well as a Rickenbacker guitar given to Starr from Lennon and one of the drummer's iconic pinky rings. Rolling Stone spoke to Irsay exclusively soon after the auction concluded to talk about his latest rock treasures and how accumulating these instruments is a spiritual reunion of sorts for the Fab Four.

"I was 11 years old when the Beatles broke up. I was a Lennon fanatic – I mean, I loved Paul too, but Lennon was the guy – and there was always this dream of the Beatles getting back together; there was always this hope," Irsay says, adding that, like the Beatles themselves, these instruments were long separated after making their mark on music history. "It took over 4 million dollars and 45 years, but we finally got them back together. I know it's a symbolic thing, but it really means a lot to me."

Despite the heavy price he paid for the Starr kit, Irsay expressed some anxiety over whether he'd be outbid. "The auctioneer started bidding at 'Do I have $10 million?' and I thought, 'What the fuck!' I thought some billionaire madman might say 'I have $10 million, what the hell,'" Irsay said. When the opening number was recalibrated to $1 million, the bidding started to heat up, but Irsay finally placed the high bid after some more nervous moments. "It took like five minutes to say 'Going once, going twice.'"

As for the Rickenbacker guitar he purchased Saturday for $910,000, "John gave that to Ringo, and I can remember when they started to [record] The White Album, and Ringo was like 'Fuck this, I'm out of here' with the fighting and stuff. So I know Paul set up a room full of flowers for him, and John gave him that guitar as an apology," Irsay said. "So getting that guitar is really special, and the fact that it's a Rickenbacker makes it really special."

In the spirit of the music, Irsay doesn't plan on just stashing the famed drum kit behind glass; instead, he says he hopes to throw a party – similar to the Lennon tribute in New York – where artists would perform Fab Four songs using the legendary Beatles instruments he's housing in his collection. However, the Colts owner expressed some regret about letting Lennon's "Love Me Do" acoustic guitar slip away at auction, if only because he couldn't add that instrument to his collection.

"I feel I'm just a curator of history. I'm going to pass this thing on as time goes along," Irsay said of his collection, which also features Bob Dylan's 1965 Newport Folk Festival guitar, Lennon's "Paperback Writer" Gretsch guitar and Les Paul's "Black Beauty." "It's just a privilege and an honor."

Irsay, who serves on the Super Bowl Advisory Committee, also gave his seal of approval for Coldplay, the Super Bowl 50 halftime performers. "I think Coldplay is one of the best and biggest bands of the last 15 years, and I think they'll bring the energy," Irsay said. "Coldplay is a great choice. It's always tough to decide what should go in Super Bowl halftime, but I was all for Coldplay. They really have a magical, spiritual ability to do it live."



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Matt Sorum Remembers 'Real Deal' Scott Weiland

Velvet Revolver drummer Matt Sorum reminisced about Scott Weiland and his time with the singer in a new interview recorded just days after Weiland's death at the age of 48. In a long chat with Sirius XM's Matt Pinfield, an emotional Sorum said of his former band mate, "In the end, I just want the world to know that I feel like I made my peace with him."

Sorum says he and Duff McKagan were about to go to dinner and a Gary Clark Jr. concert when they learned of Weiland's death. The two canceled their initial plans in order to reflect about their time with Weiland. Velvet Revolver band mates previously released a statement about the former Stone Temple Pilots vocalist. "We experienced a good chunk of life with Scott and, even in his darkest times, we all had hope and love for him," they wrote.

"I don't know how I felt initially because I can't say it was a shock, but I definitely wasn't expecting it, because I felt Scott was gonna be here longer than this," Sorum told Sirius XM's Lithium. "People know that in the end, we had our differences and the band split up, but the wave of emotions that you feel is more like a family member; it's like if you had a family member that maybe you didn't get along with great but you still loved them, so that's the feeling."

Sorum also called working with Weiland in Velvet Revolver the "highlight" of his career. "Being in a band, obviously in my career, has never been a perfect ride, but the reality of it is rock n' roll is never a perfect ride, real rock n' roll," Sorum said. "And I think Scott Weiland was that guy. He was complicated, yes, but the artistry was magnificent."

Sorum later reminisced about the grueling auditions for the lead singer vacancy in Velvet Revolver and how Weiland blew his future band mates away with his abilities. "When Scott Weiland came in, it was like magic. All of a sudden, here's this guy that can write a melody in about five minutes, and write a lyric, and you have a song that was contemporary," Sorum said. "I just looked at Slash and Duff and I said, 'There's your guy. Scott Weiland. Rock star. The real deal.'"

"These characters that we've lost through the ages, their soul and their heart and everything they've felt in their life goes into their music, and they do that for us," Sorum said.

Listen to Sorum's conversation with Pinfield below:



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Yoko Ono, Willie Nelson, Tom Morello Star in Moving Lennon Birthday Tribute

"Rock & roll is here to stay!" Yoko Ono asserted on the stage of the Theater at Madison Square Garden Saturday night, telling the audience that's what her late husband would have said in response to "Imagine: John Lennon 75th Birthday Concert." Steven Tyler, Eric Church, Aloe Blacc, Willie Nelson, Sheryl Crow and Tom Morello were just a few of the multi-generational luminaries who came together onstage to pay homage to the revolutionary Beatle — the Liverpool songwriter, lionhearted political activist, peacemaker and musical treasure, who would have been 75 years old on October 9th and who died 35 years ago this month. Put on by Blackbird Presents and AMC, the show benefited the poverty-fighting organization Robin Hood.

Kevin Bacon hosted the tremendous, star-packed event — airing on AMC on Saturday, December 19th at 9:00pm ET/PT — which hit every note of Lennon's songwriting personality, his interests, concerns and loves. In the first half of the show, Sheryl Crow played a rollicking serenade of "A Hard Day's Night," the Killers' Brandon Flowers conducted an effervescent sing-along to "Instant Karma," Latin pop sensation Juanes sang "Woman" wearing Lennon's famous New York City shirt, and Train frontman Pat Monahan impressed the crowd with an acrobatic rendition of "Jealous Guy." John Fogerty, the biggest Beatlemaniac in the room, kicked off the night with a striking one-two acoustic punch of "Give Peace a Chance" and "In My Life."

The most memorable performances were by the least-well-known artists. R&B artist Aloe Blacc held the notes of "Steel and Glass" for breathtaking stretches. The song, from Lennon's dark 1974 solo album, Walls and Bridges, is about psychological extremes. "How does it feel to be off the wall?" Blacc wondered with gravitas, standing in a zippered leather jacket with arms folded behind his back. Nashville singer-songwriter Chris Stapleton, who made a splash at this year's CMAs, gave a titillating, bluesy take on "Don't Let Me Down," flanked by Crow and Flowers. Alt-rock band Spoon offered 10 minutes of full-octane rock & roll.

Lennon's activist anthems shone especially bright. The Roots gave "Julia" a hip-hop treatment, while working-class heroes Kris Kristofferson, Tom Morello and harmonica legend Mickey Raphael performed a sobering, stripped-down set in front of a picture of Lennon towering over them with his arms crossed. Morello came back for an anthemic rendition of "Power to the People" with the New York Freedom Choir, which includes representatives of nine different charity organizations in the state. This was the peak performance for so many reasons. Morello's guitar playing was incendiary. He raised his fist to the crowd in solidarity, and, more movingly, simply pointed upward toward the sky. He played his guitar flipped over so it revealed the word "IMAGINE" in all capital letters on the back, and then, after a climactic, toe-curling solo, rested the instrument on the stage in a symbolic gesture of laying down arms.

"John Lennon wrote music that mattered because it said something," said country star Eric Church, who called the evening a 'bucket list' night before launching into one of Lennon's moodiest songs, "Mind Games." Church rekindled the declamatory spirit with his new Nashville brother, Steven Tyler, his partner on a blazing "Revolution." Everyone went wild for Tyler's reprisal of his druggy role as frontman of Future Villain Band from the 1978 musical film Sgt. Pepper's Lonely Hearts Club Band.

"Every song has a story," Ono said to the audience, sporting a whimsical bowler hat and Sgt. Pepper–style blazer with golden epaulets, after a clip played of the Plastic Ono Band singing "Attica State" on a talk show. Lennon and Ono sat on the show's red step, singing about freedom with razor-sharp intent. The archival footage seemed to foreshadow 2015, a year marked by social violence in the United States. The song, like so many others shared that night, carried a message of brotherhood, solidarity and peace: "Happy Xmas (War Is Over)" brought cheer with a children's choir and a Peter Frampton–Crow-Blacc trio. Legendary storyteller Willie Nelson offered a magnificently serene "Imagine," conveying the lyrics in a such a stark, plainspoken way, it was as if the song were being sung for the first time.

"Happy birthday, beautiful boy," Paul McCartney said in a prerecorded video. It was a touching reminder of one of the last songs Lennon gave to the world, "Beautiful Boy," an ode to paternal love that ends with Lennon whispering to his young son Julian, "See you in the morning, bright and early." Hope, joy, and camaraderie filled the theater when the all-star roster joined together to deliver the simplest, truest advice Lennon offered in his lifetime: "Love is all you need."

Set List:

John Fogerty:
"Give Peace a Chance"
"In My Life"

Peter Frampton:
"Norwegian Wood"

Juanes:
"Woman"

Aloe Blacc:
"Steel and Glass"

Sheryl Crow:
"A Hard Day's Night"

Kris Kristofferson and Tom Morello:
"Working Class Hero"

Chris Stapleton, Sheryl Crow and Brandon Flowers:
"Don't Let Me Down"

Chris Stapleton, Kris Kristofferson and Willie Nelson:
"You've Got to Hide Your Love Away"

The Roots:
"Mother"

Spoon:
"Hey Bulldog"
"Cold Turkey"

Willie Nelson:
"Imagine"

Brandon Flowers:
"Instant Karma"

Pat Monahan:
"Jealous Guy"

Eric Church:
"Mind Games"

Tom Morello:
"Power to the People"

Steven Tyler:
"Come Together"

Steven Tyler and Eric Church:
"Revolution"

Peter Frampton, Sheryl Crow and Aloe Blacc:
"Happy Xmas (War Is Over)"

"All You Need Is Love"



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Saturday, December 5, 2015

Ringo Starr's Personal 'White Album' Sells for World Record $910,000

Ringo Starr's personal copy of the Beatles' The White Album, numbered No.0000001, sold for a world record $910,000 Saturday at the Julien's Live auction of instruments and items from Starr and wife Barbara Bach's estate. Starr's White Album carried a pre-auction estimate of $40,000 to $60,000, a number that was easily shattered during bidding.

"We used to play the vinyl in those days," Starr previously told Rolling Stone of his copy of the band's classic 1968 LP. "We didn't think, 'We'll keep it for 50 years and it will be in pristine condition.' Whoever gets it, it will have my fingerprints on it." The copies of The White Album were numbered in sequence, ensuring that whoever purchased Starr's copy would have the first printing produced of the album.

Starr's 1963 Ludwig Oyster Black Pearl three-piece drum kit, used in the recording of "Can't Buy Me Love," "I Want to Hold Your Hand," "She Loves You" and other classics from that era, sold for $2.2 million Friday. The kit was used by Starr in more than 200 performances between May of 1963 and February of 1964 and later employed by Paul McCartney during the recording of his 1970 solo album McCartney.

Indianapolis Colts owner Jim Irsay purchased the drum kit, which hadn't been seen in public for over 50 years. The Colts owner and rock memorabilia enthusiasts previously purchased high-profile instruments like Bob Dylan's 1965 Newport Folk Festival guitar, John Lennon's 1966 "Paperback Writer" Gretsch guitar and Les Paul's "Black Beauty."

Other Starr instruments sold at auction include a drum kit from the "Hello Goodbye" video ($112,000), a Rickenbacker guitar gifted to the drummer from Lennon ($910,000) and a Starr-owned Hofner bass ($22,500). Starr's A Hard Day's Night suit was also sold for $50,000.

Another item that generated a lot of interest on the auction block was a 1971 18-karat yellow gold "Moonphase" Patek Philippe wristwatch. The watch – which sold for $179,000, nearly double its $80,000 estimate – was one of the few items on the block that didn't need the benefit of Starr's ownership to increase its value: As Bloomberg reported, Starr's Patek Philippe wristwatch was incredibly rare, one of only 586 made, attracting watch enthusiasts more so than Beatles fanatics. When the same model Patek Philippe was auctioned in November 2012, it drew a closing bid of $136,000.



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Chance the Rapper Slams 'Goofy,' 'Exploitive' 'Chi-Raq'

Spike Lee has come under fire from critics and Chicagoans alike for turning the Windy City's widespread issues with gun violence into a musical-comedy for his new film Chi-Raq, and now Chance the Rapper has added his voice to the chorus of detractors slamming the film. In a series of tweets, the Chicago native blasted the film, calling it "goofy," "exploitive and problematic."

"Let me be the one from Chicago to personally tell you we not supporting this film out here," Chance said of Chi-Raq Friday. "That shit get ZERO love out here. Shit is goofy and it's a bunch of ppl from NOT around here telling you to support that shit. The people that made that shit didn't do so to 'Save Lives.' It's exploitive and problematic."

Chance also took issue with the film's plot, which reworks Aristophanes' Lysistrata — an Ancient Greek comedy about women withholding sex from soldiers in order to end the Peloponnesian War – and places the story in present-day, violence-ridden Chicago. "Also the idea that women abstaining from sex would stop murders is offensive and a slap in the face to any mother that lost a child here," the rapper tweeted.

Much of the criticism for Chi-Raq stems from a belief that Lee, a director born and bred in New York, was the wrong filmmaker to tackle the topic of violence in Chicago. "You don't do any work with the children of Chicago, You don't live here, you've never watched someone die here," the rapper tweeted. "Don't tell me to be calm."

Hours later, Chance said his criticisms weren't pointed at Lee. "Just clarifying, I'm not damning the director of the film or anyone involved in making it. I am damning the film and the ideas it conveys," he tweeted.

Chance the Rapper isn't the only Chicago rapper to air their displeasure with Chi-Raq: Chief Keef tweeted in November, "Damn Spikey..... Chiraq isn't defined enough on that movie! It should be showing what's really going on." Chief Keef's manager Peeda Pan also told GQ, "If somebody is going to do a Chicago movie and call it 'Chi-Raq' it needs to be somebody from Chicago."



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Friday, December 4, 2015

Read Stone Temple Pilots' Poignant Open Letter to Scott Weiland

Stone Temple Pilots have issued a statement following the death of their former lead singer Scott Weiland, writing a heartfelt note addressed directly to the vocalist. "Let us start by saying thank you for sharing your life with us. Together we crafted a legacy of music that has given so many people happiness and great memories," the band's surviving members – guitarist Dean DeLeo, bassist Robert DeLeo and drummer Eric Kretz – wrote. "With deep sorrow for you and your family, we are saddened to see you go."

Weiland's former bandmates continued, "The memories are many, and they run deep for us. We know amidst the good and the bad you struggled, time and time again. It's what made you who you were. Part of that gift was part of your curse."

Weiland's tenure in Stone Temple Pilots was plagued by hiatuses and breakups as the singer struggled with drug addiction throughout his career. Following the release of the band's breakout LP 1992's Core, STP released 1994's Purple, 1996's Tiny Music… Songs From the Vatican Gift Shop, 1999's No. 4 and 2001's Shangri-La Dee Da before separating.

After a six-year hiatus where Weiland served as frontman for Velvet Revolver, STP reunited in 2008, resulting in one more studio album – 2010's self-titled LP – before Weiland was "officially terminated" from the band for good in 2013; he was replaced by Linkin Park's Chester Bennington, who recently announced he would leave the group.

Following Weiland's death Thursday night, his Velvet Revolver band mates also paid tribute to the singer. "We experienced a good chunk of life with Scott and, even in his darkest times, we all had hope and love for him. His artistry will live on, of that, there is no doubt," the Contraband crew wrote. 

Stone Temple Pilots' Open Letter to Scott Weiland
 
Dear Scott,
 
Let us start by saying thank you for sharing your life with us. 
 
Together we crafted a legacy of music that has given so many people happiness and great memories.
 
The memories are many, and they run deep for us. 
 
We know amidst the good and the bad you struggled, time and time again. 
 
It’s what made you who you were.
 
You were gifted beyond words, Scott.
 
Part of that gift was part of your curse.
 
With deep sorrow for you and your family, we are saddened to see you go. 
 
All of our love and respect.
 
We will miss you brother,
 
Robert, Eric, Dean


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Weekend Rock Question: What Is the Best Scott Weiland Song?

The tragic death of Scott Weiland is inspiring us to go back and listen to the music he made throughout his long career. The world first met him in 1992 when Stone Temple Pilots released Core, and in 2004 his career was reinvigorated when he launched Velvet Revolver with former members of Guns N' Roses. He also recorded a series of experimental solo albums, and even a Christmas LP. He leaves behind a vast musical legacy.

Now we have a question for you: What is the greatest Scott Weiland song? We'll count anything he recorded with any of his bands or during his solo career. Feel free to vote for a Stone Temple Pilots classic like "Plush," "Big Empty" or "Interstate Love Song," a Velvet Revolver tune like "Fall to Pieces and "Slither" or something released under his own name like "White Lightning," "Missing Cleveland" or "Barbarella." Vote for whatever Scott Weiland song you want, but please only vote once and only for a single selection.

You can vote here in the comments, on http://ift.tt/1wio6sr or on Twitter using the hashtag #WeekendRock.



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