Christopher Sabec is the co-founder and CEO of the copyright monetization company Rightscorp Inc. He has over 20 years in the music industry as an entertainment lawyer and manager. Some of his more notable clients were the Dave Matthews Band, Hanson, and Jerry Garcia. You can visit his music website here
Friday, September 5, 2014
Monday, July 14, 2014
Where Virtual Meets Real by CHRIS SUELLENTROP
By CHRIS SUELLENTROP
Now available for iPhone and iPad, the mobile game Ingress sends players outdoors to places of interest to claim for one side or another.
Published: July 15, 2014 at 4:00AM
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New Albums by Honeyblood, John Hiatt and the Fred Hersch Trio by JON CARAMANICA
By JON CARAMANICA
Honeyblood, John Hiatt and the Fred Hersch Trio have all released new work.
Published: July 15, 2014 at 4:00AM
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London Theater Journal: Shadowlands by BEN BRANTLEY
By BEN BRANTLEY
Ben Brantley on stage adaptations of Hilary Mantel’s novels and Turgenev’s “Fathers and Sons.”
Published: July 14, 2014 at 4:00AM
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Music Industry Battles for a Piece of the Financial Pie
Christopher Sabec Copyright Law Blog Post
A recent article in The Guardian talks about recent news in the courts regarding US music copyright. The battle is between the music industries powerful lobbying giants vs. the major online music streaming companies. Both are fighting for their piece of the financial pie. The two major players recently combating against one another are the Recording Industry Association of America (RIAA) and Spotify. There are other major music licensing groups in the midst of all of this. Everyone is saying that major revisions are needed considering the changing music industry.
The article states that Christopher Springman, who teaches copyright law at NYU, states that there is not much interest between these major players and the public interest. The main goals for all entities at hand are to make sure that their finances are appropriately in order.
Whereas organizations like Ascap and BMI are attempting to increase the royalty rates given to songwriters, streaming services like Pandora and Spotify are fighting to keep those rates so that they can become profitable. Music is an industry where there is a giant piece of the pie that people are more fighting over than trying to figure out how to make it bigger.
Another point of contentions comes with the mechanical statutory rates, which gives record labels the right to reproduce and distribute songs at an agreed upon price. This gives more power to record labels because they are able to negotiate higher rates, whereas publishers have to stick to the government rates.
Record labels are silent in the midst of all of this turmoil because they don’t have much to complain about. They don’t mind licensing the music that they represent to these interactive services because they are able to negotiate prices for themselves. Musicians, on the other hand, are seeing less and less of the pie as their compensation does not seem to increasing along with the record labels.
This article is based off of this article.
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A Space That’s Fully Inhabited Can Make Little Seem Big Enough by SIOBHAN BURKE
By SIOBHAN BURKE
In “Small Stages,” the choreographer Ellen Cornfield presents a piece on a 6-by-6-foot outdoor platform in SoHo.
Published: July 15, 2014 at 4:00AM
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One Tough Job for an Undercover Cop: Fooling a Soccer Ball by MIKE HALE
By MIKE HALE
“Matador” is a new original spy-meets-sports series on Robert Rodriguez’s El Rey Network.
Published: July 15, 2014 at 4:00AM
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A Side Project for All-Stars by DANA JENNINGS
By DANA JENNINGS
Fantagraphics has published “witzend,” all 13 issues of the magazine created by the comics artist and writer Wally Wood.
Published: July 14, 2014 at 4:00AM
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The Life of Christopher Sabec Part 1
Christopher Sabec Music Blog Post
For Christopher Sabec, 1992 was the year that his passion for music and his education as an attorney converged. Until then, he was busy pursuing his calling in politics and international law, turning to the magic of music primarily as a source of entertainment. At the age of 28, however, a series of fortuitous opportunities in the music business presented themselves to him, forever altering the course of his career and his life goals.
Born in Norfolk, Virginia on December 10, 1964, her was the second of two sons. His father was a Naval officer and his mother was a realtor. After his birth, his family moved to Midway, an island in the Pacific halfway between Hawaii and the Philippines. Two years later, his father was transferred to Washington, D.C. It was there that he experienced one of his earliest memories. Just shy of his third birthday, he was walking hand-in-hand with his babysitter, balancing along a railroad track. They were singing along to Simon & Garfunkel’s 59th Street Bridge Song crackling over the transistor radio that was hanging from her wrist. It’s a vivid memory of his to this day.
Fortunately, by the time he began school, his father had retired and they moved permanently to Fairfax, Virginia, a suburb of Washington D.C. His father’s retirement allowed Christopher to avoid all of the moves usually associated with being in a military family. He attended parochial school until eighth grade, then public high school. A main interest throughout his childhood was his fascination with current events. At a young age, Christopher watched the news and was aware of the political process; he clearly remembers the 1972 primary season and conventions, as well as the resulting Watergate hearings. In school, this interest played itself out in student government. Christopher Sabec ran for office every time he had the opportunity, holding various elected positions along the way. In his senior year of high school, he was elected president of the student body and successfully ran for a sear on the Fairfax County School Board. His position on the board was an incredible learning experience. He represented the interests of over 125,000 students and participated in the board’s discussions and debates involving curriculum issues and appropriations for a budget exceeding $450 million.
To be continued…
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Ready for Unreal Reality? You Need to Calm Down by NEIL GENZLINGER
By NEIL GENZLINGER
“The Hotwives of Orlando” is a parody, but unfortunately the genre is already well beyond parodying.
Published: July 15, 2014 at 4:00AM
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Young Women Under Pressure by BRIAN SEIBERT
By BRIAN SEIBERT
“Elena’s Aria” was performed at the Lincoln Center Festival on Sunday, part of a retrospective of the choreographer Anne Teresa De Keersmaeker’s early work.
Published: July 15, 2014 at 4:00AM
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Primal Storm of Human and Electronic Music by JON PARELES
By JON PARELES
The three-day Hudson Project in Saugerties, N.Y., was one long dance party, and a showcase for the ways human physicality can compete with digital machines.
Published: July 15, 2014 at 4:00AM
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Archie Andrews, Who Loved Betty and Veronica, Dies at 73 by GEORGE GENE GUSTINES
By GEORGE GENE GUSTINES
The beloved son of Riverdale dies a hero in issue No. 36 of “Life With Archie.” He is survived by Jughead.
Published: July 14, 2014 at 4:00AM
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David Mitchell Is Tweeting a New Short Story by ALLAN KOZINN
By ALLAN KOZINN
Mr. Mitchell, the author of “Cloud Atlas” and other books, is publishing a new story in advance of his latest novel, “The Bone Clocks,” coming in September.
Published: July 14, 2014 at 4:00AM
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With Storms Expected, Philharmonic Cancels Central Park Concert by ALLAN KOZINN
By ALLAN KOZINN
The New York Philharmonic will dedicate Tuesday night’s concert to Lorin Maazel after the cancellation of Monday night’s concert in Central Park.
Published: July 14, 2014 at 4:00AM
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Learning ‘Lear’: A Real Run-Through, and a Sneak Peek by JOHN LITHGOW
By JOHN LITHGOW
John Lithgow checks out the set and lighting at the Delacorte Theater, where he will soon step onstage in the title role of “King Lear.”
Published: July 14, 2014 at 4:00AM
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Eclectic Offerings at Baryshnikov Arts Center by ALLAN KOZINN
By ALLAN KOZINN
The center’s fall season will include the premiere of a score for handmade music boxes and prepared auto-harp by the composer and toy piano virtuoso Phyllis Chen.
Published: July 14, 2014 at 4:00AM
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Looking Back at Nadine Gordimer’s Life and Work by JOHN WILLIAMS
By JOHN WILLIAMS
Ms. Gordimer, the South African writer who received the Nobel Prize in Literature in 1991, died on Sunday at 90.
Published: July 14, 2014 at 4:00AM
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Sunday, July 13, 2014
What’s On TV Monday by ADAM W. KEPLER
By ADAM W. KEPLER
Television highlights.
Published: July 14, 2014 at 4:00AM
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A Warhol With Your Moose Head? Sotheby’s Teams With EBay by CAROL VOGEL and MIKE ISAAC
By CAROL VOGEL and MIKE ISAAC
Sotheby’s will begin streaming many of its New York auctions on eBay in hopes of reaching a huge new market.
Published: July 14, 2014 at 4:00AM
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