Friday, October 2, 2015

Rage Against the Machine Bassist Gives Band Update, Talks ISIS, Trump

Rage Against the Machine bassist, former Audioslave member and Wakrat co-founder Tim Commerford has already sounded off on Limp Bizkit and other rap-rock bands that came in the wake of the group's massive success. But in a wide-ranging talk with Rolling Stone, the opinionated musician opened up about the status of RATM, the band's Hall of Fame chances and Zack de la Rocha's latest musical endeavor.

At 47, the self-described "conspiracy theorist" still adheres to the "question everything" motto that defined so much of Rage Against the Machine's ethos. "I can't stop myself from finding information that makes me mad and writing about it," Commerford says. It's this mindset that informs the bassist's non-traditional views, which include notions of staged moon landings and ISIS not really existing. "You don't really want to get me started on this," Commerford says about his conspiracy theorist leanings. We disagree.

It's been 15 years since Rage Against the Machine released their last album. Do you think rock music is in a better or worse spot now compared to 2000?
We're definitely not in the same spot now; there's not a lot going on in the world of rock, and that's a shame. I credit that to the computer. There's a lot of computer rock happening right now. It's an instrument that you don't need to go woodshed in your bedroom to learn how to play. You can not know anything about music and play that thing awesome.

I hear music that's gridded out in a perfect way, and I think kids don't realize that that's what they expect, whether they know it or not. They expect to get this perfect syncopated rhythm, where every snare drum is exactly the same distance apart. Humans can't do that. I'm a fan of "real" music — I love the whole grunge scene and rock music in the Sixties through the Nineties — and it's real; it's guys and girls who spent time learning how to play their instrument and making it sound badass.

"[Rage] are still a band. We might play again."

What do you consider "unreal" music?
I don't necessary consider it "unreal," but it's subjective whether or not the computer is an instrument. I can look at the computer and say, "Yeah, it's an instrument. If it weren't for the computer, there wouldn't be hip-hop or electronic music. It's making some amazing shit, and it can sound amazing and I respect that." But I'm a believer in John Coltrane and Jimi Hendrix. That, to me, is real music. Guys who took their instrument to a place where no other human has ever taken it.

Rage Against the Machine is approaching their first year of eligibility for the Rock and Roll Hall of Fame. Do you care?
It would be funny to me if we got in there. I don't know that I would go because I look at that as, if you take part in that, you're admitting that you're no longer relevant. You're saying, "OK, I'm done. Look, I made it."

Green Day got in this year, and they still release albums.
[Pauses] I hear ya. [Long pause, laughs] If Rage gets inducted into the Rock and Roll Hall of Fame, it'll be interesting to see who shows up. I think it's pretty obvious. I think there's somebody who's going to show up and somebody who's not going to show up and maybe somebody who's going to show up with an enema filled with food coloring and shit all over the red carpet.

Would you guys play if asked?
Anything's possible. We are still a band, and we still might play again. We don't have anything scheduled right now, but you never know what the future will bring.

The band's Wikipedia page lists 2011 as your last active year.
I read something on the Internet the other day where it said, "Former Rage Against the Machine bassist Tim Commerford." I was like, "Fuck you, man. I still play bass in that band. I'm not the 'former' guy. I'm the guy."

When was the last time all four of you were in the same room?
Well, here's something cool: We just played our first show with Wakrat and Zack and Tom [Morello] were there. Zack is my biggest fan and supporter right now. What I'm doing musically is his shit and what he's an expert on. He and I talked for two hours after the show. He loves what I'm doing. I asked him to play a guitar solo for this track I'm working on and he was like, "Oh, I'm in."

He released the One Day as a Lion EP in 2008 and appeared on Run the Jewels' last album, but his solo album has become the Detox of rock.
He's been working his ass off here in the last couple of years. The kid is an amazing musician. He built a studio in his house, and he's there all the time making a One Day as a Lion full album. That's his band, and he's a "one band" kind of guy.

Switching gears, you released a video as Future User showing your actual back surgery as an indictment of the current U.S. health care system. Which presidential candidate would be the best option to fix the problem?
I don't buy into the hype. My advice would be none of them. They're all the same; their campaigns are all funded by the same corrupt corporations that accept the same favors. And I don't care whether a Republican or Democrat wins; the same shit's going to happen. That's why you'll never see me at the ballot box ever.

Does that include Bernie Sanders?
Yes. I don't believe in any of it. It's all bullshit. They're not the ones calling the shots. Whether it's the heads of the corporations or the military guys that have been in there for 30 years, there's no president coming in every four years and telling those motherfuckers what to do.

Donald Trump doesn't need corporate backing.
Oh, I'll tell you whats going to happen right now. He has united these racist people in America to focus on immigration and at the last minute — mark my words — he's going to drop out and he's going to hand the sword over to Jeb [Bush], and Jeb will get all the supporters that Trump has. It'll probably be another eight years of Bush, which sucks but I don't know that that's any different than eight years of Obama. It's a bunch of bullshit just like, "I'm going to get out of Afghanistan and pull the troops out of Iraq." I'm a conspiracy theorist, so you don't really want to get me started on this.

"I don't believe ISIS is real. Go look at those videos, and see if you don't think they're fake."

Yes, I do.
Like, ISIS? I don't believe ISIS is real. ISIS has been an inspiration for a lot of the songs that I wrote with Wakrat. I don't believe that all the different factions in the Middle East have gotten together and said, "OK, we all hate each other and we all hate America, so let's all put on the ISIS uniform and join forces and just become ISIS." That's a bunch of shit. I don't believe the Jihadi John beheading video. Go look at those videos and study them, and see if you don't think they're fake.

You think they're doctored?
They're not real. They're high-def. They have a soundtrack. The parts of those videos that you couldn't fake are edited out. At first, I thought it was edited out by our government so our kids wouldn't be seeing it on the Internet, but no. That's the way those videos came. The knife starts to cut the neck, and then it fades out. There's too much stuff that doesn't look real. They've edited out the parts that would be too hard to fake. We created Jihadi John and ISIS so we can go drop bombs.

What happened to the people who ISIS claimed to have killed in the videos?
They were already dead.

There seems to be a lot of proof of their actual existence. Do you think the U.S. government made it up?
Oh, I think it goes so much deeper than just the U.S. government. It's the same people that put presidents in office all over the world. It's a global conspiracy of people whose names we'll never know, but they're the ones who really run the show because they're the ones with the deepest pockets.

How much of this ideology plays into your lyrics?
It does a lot. I'm a conspiracy theorist. I can't help but look at the lunar landing and go, "We didn't go to the moon." We never went there. My dad worked for NASA on the Apollo missions, and I've always felt it's been fake since I was a kid. The one thing I always questioned: We put the flag on the moon. Why did we put a metal rod on the top of it? Why wouldn't we just plant it into the moon's surface and have the astronaut pull it out and let it go and we can watch it do its dance on the moon. It would've been an image we couldn't have faked and one that we would have never forgotten.

Have you ever been able to tell any astronaut your theory?
I got into it with Buzz Aldrin five years ago at a John Cusack movie premiere. There were a bunch of people gathered around, and I said, "I have a question: You have all these missions to the moon. How come there's no pictures of the flags on the moon?" He said, "Well, those are highly degraded by radiation by now." I said, "You left a lot of stuff on the moon. It seems that somebody with a telescope or satellite would snap a picture of that so we could see it." It'd be on the cover of every newspaper.

You could tell he was getting frustrated, and I asked him why he put a metal rod on top of the flag instead of just letting the flag out and do its thing. He gets all frustrated and says, "I'm just trying to remember what they told me to say." That's what he said! Those were his exact words! Then he and his wife — all plastic surgery-ed up and fake as they can be — bolted out, and I watched them walking down the street and he was just yelling at her. It made him so mad. There are so many different facets of the lunar landing that are just bullshit. It was such a powerful propaganda tool at the time.

Most conspiracy theorists are looked at with a certain amount of skepticism or ridicule, but you seem to take pride in it.
I say, "Question everything." It feels good to find information that doesn't mesh out. I'm into it. I'm proud of who I am. When you hear the [Wakrat] record, it's there for sure.



from RollingStone.com: Music http://ift.tt/1M67k1U
via Christopher Sabec Music

Hear Will Smith's First Song in More Than a Decade

Will Smith returned to music for the first time in a decade Friday with the actor-rapper's appearance on the remix of Colombian dance group Bomba Estéreo's "Fiesta." Smith first heard the Latin Grammy-nominated act's song during a recent trip to Colombia and approached the "electro tropical" group to collaborate on a remix. A music video for the collaboration – which features Smith rapping in Spanish – was recently filmed on Los Angeles and will premiere in the near future.

"Hola mamacita / Go get me a beer-a / The track is the heat / I couldn't let the beat go by without a feature," Smith raps in his first new verse in 10 years. Later on the remix, Smith boasts "No gasoline, I'm a Tesla / Teach game, sensei, professor," name-checks actress Sofia Vergara and refers to himself as "the Fresh one."

"When I was told that Will Smith wanted to collaborate on a remix with Bomba, I couldn't believe it," Bomba Estéreo's founder/multi-instrumentalist Simón Mejia said in a statement. "This opportunity to work with Will was beyond anything we have dreamed of. It's not a traditional featuring – it's just magic. We all had a blast together at the video shoot, and we want to thank Will for being so warm and such a pleasure to work with ... and for rapping in Spanish!"

Smith teased a "Fiesta" collaboration last month when he posted a selfie with the group on Facebook to congratulate them for receiving multiple nominations at the upcoming Latin Grammys.

Other than occasionally appearing on late-night shows or Las Vegas pool parties to beatbox "It Takes Two," Smith has largely abandoned the music industry since the release of his 2005 LP Lost and Found. However, earlier this year, Smith hinted that he might be ready to rejoin the music world after revealing that he hit the studio with Kanye West to work on new tracks.

"I went into the studio with Kanye. I'm thinking about it. I'm exploring," Smith said while promoting his film Focus in February. "I'm not sure what I'm going to do yet, but I'm exploring. I'm in a creative ceiling. My son tells me I have to write out the things I don’t like. I can't write and stop – I have to keep going and going and write them out. I've never worked like that before, but I think I might give that a shot."

Before staging his musical comeback, Smith will next aim for an Oscar nomination for his role in the upcoming football drama Concussion. In 2016, Smith will also appear as a member of DC Comics' Suicide Squad.



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Hear the Infamous Stringdusters' Twangy 'American Girl' Cover

Since first kicking up dust in 2006, the Infamous Stringdusters have amassed their own collection of original songs, spread over five studio albums. But the bluegrass and acoustic-minded road warriors also have a wealth of cover songs in their arsenal, reserved for those extra-special moments of their live show. Now, the band has assembled five of the choicest cuts for a new EP, Undercover

Set for release on October 9th, the project features songs by artists not normally associated with the bluegrass genre, including Pink Floyd and Tom Petty. (Listen to the group's twanged-up cover of Petty's signature hit "American Girl" below.) But Undercover also nods to more country-leaning acts: Johnny Cash's "Big River" and his supergroup the Highwaymen's "Highwayman" are represented, as well as an interpretation of Bob Dylan's "Don't Think Twice, It's All Right."

"We're in the middle of making the next Stringdusters album, but decided that it would be fun to just get in a tight circle in the studio, without headphones, throw some mics up, and play some of our favorite cover songs," guitarist Andy Falco tells Rolling Stone Country. "So we did just that in Denver, and within a few days had this EP, which is essentially a fun live jam session."

Made up of Falco, Dobro player Andy Hall, banjo player Chris Pandolfi, fiddler Jeremy Garrett and bassist Travis Book, the Infamous Stringdusters formed nearly a decade ago in Boston. Since then, they've received  a Grammy nomination and shared the stage with artists as diverse as Phil Lesh and Del McCoury. The group will launch a fall tour on October 29th with a pair of shows in New York City, before hitting Atlanta, Nashville, Denver and other cities. 

The band's Undercover comes on the heels of a string of cover projects and one-offs by a wide range of artists. Singer-songwriter Shawn Colvin released Uncovered, an album of songs by Creedence Clearwater Revival, Bruce Springsteen and others on September 25th; Reba McEntire and Little Big Town's Karen Fairchild and Kimberly Schlapman joined harmony group the Shadowboxers for a run through Dolly Parton's "Jolene" on Wednesday night; and Chris Young enlisted Brad Paisley for Eric Clapton's Number One "Change the World" during Young's homecoming show in Nashville this week.



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Thursday, October 1, 2015

See Reba McEntire Stun Fans With Surprise Club Performance of 'Jolene'

Reba McEntire performed on what is likely the smallest stage she's played in some time last night at the Basement East club in East Nashville. The surprise appearance came during a show by the Shadowboxers, a Nashville-by-way-of-Atlanta vocal group that has been making a name for itself with a series of hot-ticket residencies at the Basement East.

Each showcase by the pop-funk band — whose core is made up of Adam Hoffman, Matt Lipkins and Scott Schwartz — features a specific theme and rotating roster of guests. August's engagement was all soul and funk covers, with Chris Stapleton making a cameo to sing James Brown's "It's a Man's Man's Man's World," while last evening's show highlighted songs with dynamic harmonies, including the Eagles' "One of These Nights," Fleetwood Mac's "The Chain" and the Beach Boys' "Good Vibrations." There was even a faithful set-closing rendition of the Beatles' "Abbey Road Suite."

But it was when the Shadowboxers launched into Dolly Parton's "Jolene" and McEntire emerged from the wings that the crowd lost its collective mind. As a sea of smartphones began blinking "record," McEntire made eye contact with shocked audience members, tightly packed in the sweaty club, while begging the titular Jolene not to take her man. Shortly after, Little Big Town's Karen Fairchild and Kimberly Schlapman also appeared, harmonizing on their own verse and ratcheting up the palpable frenzy.

Nashville's Clare Bowen and promising new songwriter Maren Morris made guest appearances as well during the two-hour set, which also included songs by Crosby, Stills and Nash, Queen and Hall & Oates. The Shadowboxers' next residency — in which they'll perform Michael Jackson's Thriller in its entirety — is set for October 29th.



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Hear Megadeth's Thrashy, Heavy New Song, 'Fatal Illusion'

Megadeth kick off their first new song since 2013's Super Collider album with a heavy, creepy guitar line before kicking into jazz bass and a galloping thrash riff that harks back to the group's early days. The track, "Fatal Illusion," is the first taste of the band's as-yet-untitled upcoming album, as well as their sound after welcoming Lamb of God's Chris Adler on drums and Brazilian lead guitarist Kiko Loureiro into the fold. "It's a fatal illusion to think that evil never dies," frontman Dave Mustaine snarls.

The band recorded the new record in Nashville, but if "Fatal Illusion" is any indication, the whole thing will be a far cry from country. "Over the years, we've always said, 'We're going back to our roots,'" the singer told Rolling Stone earlier this year. "But the naysayers, they just want [Megadeth's 1990 album] Rust in Peace 20 times, which is never going to happen. Because I've never written the same song twice. Unlike a lot of other rock and metal bands that rely on a set formula, I try and make the songs all different.

"The funny thing, though, was that when [David] Ellefson was doing the bass tracks I was telling him, 'This is the "Tornado of Souls" part,' 'This is the "Bad Omen" part,' 'This is the "Black Friday" part,' 'This is the "Holy Wars" part,'" he continued, referencing songs from both Rust in Peace and the group's 1986 album, Peace Sells ... but Who's Buying? "A lot of the things were in that kind of vein. Now, is it going back in time? Hell, I don't know. But I like what I'm hearing."

In the same interview, Mustaine also spoke highly of the band's new additions, Loureiro and Adler, the latter of whom was just a temporary pinch hitter. "He's an amazing musician, very well-rounded," he said of the guitarist. And regarding Adler, he said, "One of the things that was great about having Chris come in was he's been a fan for 30 years and he was able to say, 'Well, this is the stuff I like about my Megadeth,'" he said. "And it was, 'OK, cool.'"



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Kanye West Mulls Loneliness, Luxury on The Game's 'Mula'

Kanye West provides a hype hook on "Mula," a new track from the Game set to appear on the Los Angeles rapper's upcoming double album The Documentary 2, which arrives October 9th.

Produced by West and Sevn Thomas, "Mula" is centered around a sample of Phantogram's "Fall in Love," and Sarah Barthel's vocals waft ominously beneath hard trap percussion. Over that washed out melange, the Game spits a torrent of clever, vicious braggadocio, referencing NBA great Alonzo Mourning and Alonzo Harris — Denzel Washington's character in Training Day — in the same breath, and later boasting about trading in his Jordan sneakers for fresh Yeezys ("No lie, J's on / Take these motherfuckers off and throw some Ye's on").

West, for his part, makes a quick Eazy-E-referencing cameo in the second verse, but otherwise handles vocal duties on the chorus. He periodically matches the sample of Barthel's vocals, but delivers a punchy, straining hook that — in classic Yeezy form — finds him mulling the loneliness and luxury that comes with all that mula.

West is one of numerous high-profile guests set to appear on the Game's highly anticipated sequel to his 2005 debut. Kendrick Lamar, Ice Cube, Drake, Snoop Dogg, Ab-Soul, Diddy, Will.i.am, Fergie, Future and Q-Tip are all set to appear, as is Dr. Dre, who also served as executive producer.

Prior to "Mula," the Game shared the Future-featuring "Dedicated," as well as "100," with Drake. In the video for the latter, the Game gives the Toronto rapper a tour of Compton, highlighting both the struggle and sense of community that define his hometown.

As for West, the musician remains tight-lipped about the progress of his new album, Swish. While he debuted another new track, "Fade," at the New York Fashion Week show for his Yeezy Season 2 line, the rapper has yet to announce a release date or more details about the Yeezus follow-up.



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Don Henley: Kanye West Is 'Arrogant,' Frank Ocean a 'Talentless Prick'

A year after complaining about Frank Ocean sampling "Hotel California," Eagles singer and drummer Don Henley is still bitter. The R&B singer had used the entirety of the Eagles hit in his song, "American Wedding," on his 2011 mixtape Nostalgia, Ultra. "I didn't think he was cool," Henley told The Guardian in a new interview. "I thought he was a talentless little prick. And I still do."

Henley had previously asserted that he felt Ocean did not understand or respect intellectual property, a point he reiterated in the new interview. "Some of these young kids have grown up in a world that doesn't understand or respect copyright material or intellectual property," he complains. "They look at songs as interactive playthings."

The newspaper prodded Henley on by asking him if he'd feel differently if a bigger artist like Kanye West were to sample a song he'd written. "No, I'd be just as pissed off," Henley rejoined. "I don't like him, either."

The Eagle also scoffed at the rapper's humorous 2020 presidential run, which the rapper announced at the MTV Video Music Awards in August. Despite the fact that West's wife, Kim Kardashian, recently said on Ellen that he was "serious" and would "do his best" with campaigning, Henley shrugged the whole thing off and summoned more strong words for the rapper. "He won't be president," he says. "He's either incredibly arrogant or incredibly insecure, or some combination of the two."

Henley has been out promoting his new solo album, Cass County, which finds him reconnecting with his Texas roots and singing country. "It's incumbent on us to export something that has some quality to it, that reflects our culture in ways that are positive and meaningful," he recently told Rolling Stone Country. "In order to do that in country music, we have to go back to the country because this music originated with people who lived in rural America and lived authentic lives."



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