Thursday, July 30, 2015

U2 to Air 'Innocence' Show, Behind-the-Scenes Doc on HBO

Two new U2 films, a behind-the-scenes documentary and a live concert, will air on HBO this fall. The doc, premiering November 7th, will focus on how the group's current Innocence + Experience tour came together, while the concert film will be shot at the band's Paris gig on November 14th and air the same day. Titles for both films have ye to be revealed.

The documentary will feature interviews with all four members of the group, as well as the people who work backstage and helped conceive the band's current tour. The trek has found the band using an surround-sound system, expansive lighting rig and other innovative design ideas. Crew members interviewed include Willie Williams, who has provided tour concepts for the group for more than 30 years, designer Es Devlin, production director Jack Berry, audio director Joe O'Herlihy, executive director Gavin Friday and set designer Ric Lipson, among others.

The doc will also chronicle the challenges and travails that beset the tour early on, such as Bono's debilitating bicycle accident, and how they overcame them. Davis Guggenheim, who directed An Inconvenient Truth, led the production and will direct the film.

The concert film will be shot at the band's stop at Paris' Bercy Arena. Fans can expect the group to play a career-spanning set list, with songs dating back to its 1980 debut Boy, as it has since the beginning of the Innocence + Experience run. It will also show how the group employs three stages on the tour and offer a close-up look at the unique design employed on the trek in action. Longtime collaborator Hamish Hamilton, who has worked on several U2 concert films in the past, will helm the film.

Since it launched in Vancouver in May, the tour has found U2 revisiting old songs they hadn't played in years, welcoming unexepcted guests and other surprises. Recently, the group pulled out "Two Hearts Beat as One" and "October," both of which it had not played live in over 25 years. The band has also brought Lady Gaga and Jimmy Fallon and the Roots onstage and offered a tribute band and young audience member to play with their idols. The North American leg of the tour ends this week before the group resumes the trek in Europe in September.



from RollingStone.com: Music http://ift.tt/1DcjnwX
via Christopher Sabec Music

Morrissey Alleges Sexual Assault at San Francisco Airport

Morrissey claims he was sexually assaulted by a security officer who grabbed his genitals after a routine security check at the San Francisco Airport on July 27th, according to a post from the musician on True to You.

The incident reportedly took place around 2:30 p.m. after Morrissey had finished regular security procedure, without problem, and was gathering his belongings. "I was approached by an 'airport security officer' who stopped me, crouched before me and groped my penis and testicles," Morrissey wrote. "He quickly moved away as an older 'airport security officer' approached."

While Morrissey said he was initially reluctant to lodge a complaint — "as with any complaint against a figure in 'authority,' the complaints are simply collected in order to protect the guilty officer," he wrote — he was convinced to do so by two accompanying members of British Airways Special Services.

But first, Morrissey confronted the officer, identified only as the General Manager on Duty, who responded to his accusations with, "That's just your opinion."

"Apart from 'that's just your opinion,' he would not comment, even though, since the penis and testicles were mine and no one else's, then my opinion must surely have some meaning," Morrissey wrote. "But, of course, what the airport security officer was saying was: your opinion will never count in the eyes of the law."

A spokesperson for San Francisco International Airport did not immediately reply to a request for comment.

Though the incident, as Morrissey noted, was probably captured by a CCTV camera, and despite corroborating accounts from the two Special Service members who witnessed the incident, Morrissey ended his post on a skeptical note.

"In the interests of imperishable bureaucracy my submitted complaint against this 'officer' will obviously be either unread or ignored because, as we all know, on matters of officialism it is not possible to be pleasantly surprised by anything at all," he wrote. "However, what is clear is that, should you find yourself traveling through San Francisco International Airport, you should expect sexual abuse from the so-called 'security officers' who, we are unconvincingly warned, are acting only for our security."



from RollingStone.com: Music http://ift.tt/1INQRUj
via Christopher Sabec Music

How Bully's Alicia Bognanno Went From Studio Geek to Alt-Rock Screamer

Feels Like, the debut album from the Nashville four-piece Bully, opens with a blast of painful catharsis. "I remember getting too fucked up," singer-guitarist Alicia Bognanno, 25, yells at the top of her lungs over churning chords. "I remember showing up at your house/And I remember hurting you so bad/And I remember the way your sheets smelled." For Bognanno, who also wrote, produced and engineered the album, capturing the song's raw intensity on record was no challenge. "'I Remember' is a minute and 25 seconds of screaming," she says. "I used ambient mics on the drums and the vocals to make it feel a little bit like I felt inside."

Most of Feels Like was recorded live in the studio in just a few takes, and Bognanno says she lets instinct take over when it's time to sing. "Part of it being raw and immediate is that I don't really have to prepare much," she says. "Usually I'm singing about real stuff that happened, so it's not hard for me to pull that energy. The minute the song starts, it just kind of finds itself. And after I get done with a song, there's a sigh of relief."

Growing up in Rosemount, Minnesota, a half hour outside Minneapolis, Bognanno took her first audio-engineering class around age 17. "I don't come from a musical family, and I didn't really play any instruments," she says. "That was the first time that I thought, 'Hey, maybe I can actually do something with music.'" After high school, she enrolled at a university in Murfreesboro, Tennessee, to pursue a Bachelor of Science degree in the same field. While she started off learning piano for a music-theory course, she found she was much more comfortable playing a friend's borrowed guitar. "I felt like I couldn't express myself correctly through piano," she says. "There were so many more options on guitar."

Bognanno has mixed feelings about her undergrad experience; on "Trying," the catchiest song on Feels Like, she sings, "There's no flawless education, just a stupid degree." "A lot of people don't finish in an audio-engineering program, and the people that don't finish are really bitter," she says. "All you hear is, 'Oh, there's no money in it.' And I definitely felt isolated through a lot of the program, because there was maybe another girl or two in my classes, if I was lucky. In the end, I'm just glad I found something that I like to do." 

The 120 Minutes–worthy sound that she went on to create with Bully has its roots in her college internship at Electrical Audio, the Chicago studio founded by Nirvana and Pixies producer Steve Albini. Working there, she got to meet some of her alt-rock heroes — "Kim Deal came through one day, which was really cool, because I'm obviously a Breeders fan," she says — but Bognanno was most excited about using the studio's analog equipment to develop her own recording technique during off-hours. "My head doesn't work the same that Pro Tools does," she says. "Once I started using a tape machine, it really clicked."

While at Electrical Audio, she managed to make a very good impression on her famously cantankerous boss: "Alicia is maybe the top student intern we've ever had," Albini told NME this year. "She was a fucking joy to have in the studio. If everybody in the studio worked as hard as Alicia then everybody's records would be Number One hits."

Late last year, Bognanno returned to Electrical Audio to record Feels Like with her three bandmates. (Bully's drummer, amusingly, shares his name with another famous rhythm-section member. "Just today on Twitter, I woke up to someone saying, 'Is your drummer really named Stewart Copeland? And he's not the drummer from the Police?'" she says with a laugh. "It happens all the time.") The album came out on Startime, an imprint of Columbia Records — and while signing with a major might not bring the sales boost it did in the Nineties, Bognanno says that was never the point. "That's not why we made the record," she claims. Instead, she says, they went with Startime because label head Isaac Green promised the creative freedom she craves: "He was 100 percent supportive of me engineering the record and letting me do what I wanted with it. Finding that was a really big deal for us."

Bully will play Lollapalooza on August 2nd, followed by a full tour of the States this fall, during which Bognanno will most likely be screaming out "I Remember" every single night. "We're never trying to overthink things," she says. "I do not ever want that. Everybody should just play how they feel all the time, and not think about what they look like." In between, she hopes to spend most of August working on new material. "I want to get a bunch of stuff written for the second record," she says, "and make plans to make a better record than the first one."



from RollingStone.com: Music http://ift.tt/1JTVlDC
via Christopher Sabec Music

Hannibal Buress Asks Beverly Hills Dwellers: 'Who Is Meek Mill?'

The beef between Meek Mill and Drake might be the biggest (or second biggest) story in hip-hop now, but as Hannibal Buress proved on Wednesday night's Why, a pair of diss tracks, Twitter jabs and ghostwriting accusations haven't pushed the feud into the general consciousness. To get the true magnitude of the rap beef's reverberations, Buress traveled to the one Los Angeles neighborhood "that you go to talk about hip-hop": Beverly Hills.

During the man-on-the-street segment, Buress asked numerous Beverly Hills denizens, "Who is Meek Mill?" Only one person could identify the rapper, however, mainly because of who Meek Mill is dating. "I think he's sleeping with Nicki Minaj," the responder said, adding that he didn't know any Meek Mill songs.

Drake didn't fare any better as Beverly Hills dwellers were just as clueless about the Toronto rapper, although one woman wondered whether Drake was from Nickelodeon's Drake & Josh fame. As for the ghostwriting allegations, "Everybody steals everything. This is Beverly Hills," one resident said.

Why? also featured a performance by Brooklyn rapper Jean Grae, who teamed with the series' in-house DJ Flying Lotus and producer Terrace Martin to deliver a live rendition of her track "Before the Summer Broke."

"Hannibal asked me to do 'Before The Summer Broke' on Why? I sighed. REALLY hard song for me to perform, so I don't usually. But I did. Tonite," Grae tweeted before the episode aired. "It's hard song to perform. I've only broken on 2 songs. That one and doing 'U&Me' live. Sooo, you know. Watch Why? and see me being weird."



from RollingStone.com: Music http://ift.tt/1DbQYXO
via Christopher Sabec Music

Wednesday, July 29, 2015

Dr. Dre to Release New Album as 'Straight Outta Compton' Soundtrack

Dr. Dre will finally end fans' 16-year wait for a new album when the rapper releases his Straight Outta Compton soundtrack, which will consist of new music entirely produced by The Chronic mastermind, a source tells Rolling Stone. Dre is expected to confirm the album, the companion piece to the N.W.A biopic, on his Beats 1 radio show The Pharmacy this Saturday. 

Ice Cube appeared on Philadelphia's Power 99 Wednesday morning and let slip the news about Dre's Straight Outta Compton soundtrack. Despite Cube giving an August 1st release date for the album, multiple sources have told Rolling Stone that the album will not be released on Saturday. 

"It's mega. It's Dr. Dre, it's what everybody’s been waiting for," Ice Cube told the Rise & Grind Morning Show. "It's definitely a dope record, and he's dropping it all on the same day."

It's unclear whether any of the music destined for Dre's Straight Outta Compton soundtrack was originally slotted for Detox, Dre's long-in-the-works-and-indefinitely-postponed follow-up to 1999's 2001. For the new album, Dre has enlisted protégés like Kendrick Lamar and Eminem and what's being labeled as an N.W.A reunion, although the exact members involved from that iconic group remains unknown.

Dre reportedly began working on Detox in 2001, and by 2008, Snoop Dogg confirmed that Detox was "finished," whetting fans' appetites for new music from the G-Funk icon.

Dre later hinted at Detox during a Dr. Pepper ad campaign in 2009, the same year numerous unmixed tracks reportedly ripped from the LP – tracks from sessions with T.I., 50 Cent and R. Kelly – were leaked. The following year, Dre released "Kush." a track featuring Dre alongside Snoop Dogg and Akon. He followed that up with the Grammy-nominated "I Need a Doctor" co-starring Eminem and Skyler Gray in 2011; the trio performed the song at the 2011 Grammy Awards, which marked a rare live appearance by Dre. "Chillin'," another rumored Detox track, leaked as well in 2011. 50 Cent then said in 2012 that Detox could arrive as an EP.

Finally, in 2014, Detox collaborators like Floetry's Marsha Ambrosius and Aftermath producer Dawaun Parker both said that Dre was indeed working on a new album, and that Dre had amassed a musical vault with hundreds of beats. However, both revealed that Detox itself was dead since Dre wanted to distance himself from the project following the 2009 song leaks. "To me, the music is there," Parker told Shots Fired in September 2014 of Dre's new album. "I feel like one day, he's gonna wake up and say 'Here. Today's the day. I'll put it out.'" 

During a March 2015 radio interview, Dre first revealed that he was working on a soundtrack for Straight Outta Compton. "I'm working on something right now. I don't want to put it out there just yet and say that I'm definitely gonna put it out. But I'm really feeling what I'm working on right now," Dre said. "This would be a record that's inspired by the movie."



from RollingStone.com: Music http://ift.tt/1Muov12
via Christopher Sabec Music

Yoko Ono Announces All-Star Remix LP, 'Yes, I'm a Witch Too'

Yoko Ono will follow up her all-star 2007 covers and remixes LP Yes, I'm a Witch this January with a sequel titled Yes, I'm a Witch Too. This time around, the avant-rocker will collaborate with Death Cab for Cutie, Tune-Yards, Sparks, Miike Snow, Cibo Matto and her son Sean Lennon among many more artists who contributed either remixes or covers of tracks culled from Ono's catalog. Yes, I'm a Witch Too arrives January 22nd, 2016 via Manimal.

Ono and Rob Stevens served as executive producers on the project. Some of the reinterpreted tracks include Peter, Bjorn and John's take on "Mrs. Lennon" off 1971's Fly and Danny Tenaglia's rendition of "Walking on Thin Ice." The collection will also feature Tune-Yards' previously released rendition of "Warrior Woman," a track off Ono's Onobox.

Yes, I'm a Witch Too will be available as a double vinyl set a deluxe CD and digitally.

Yes, I'm a Witch Too tracklist

1. Yoko Ono with Death Cab for Cutie - "Forgive Me My Love"
2. Yoko Ono with Peter, Bjorn and John - "Mrs. Lennon"
3. Yoko Ono with Jack Douglas - "Move on Fast"
4. Yoko Ono with Sparks - "Give Me Something"
5. Yoko Ono with Penguin Prison - "She Gets Down on Her Knees"
6. Yoko Ono with Portugal the Man - "Soul Got Out of the Box"
7. Yoko Ono with Sean Lennon - "Dogtown"
8. Yoko Ono with Tune-Yards - "Warrior Woman"
9. Yoko Ono with Miike Snow - "Catman"
10. Yoko Ono with Cibo Matto - "Yes, I'm Your Angel"
11. Yoko Ono with Dave Audé - "Wouldnit"
12. Yoko Ono with John Palumbo - "I Have a Woman Inside My Soul"
13. Yoko Ono with Ebony Bones - "No Bed for Beatle John"
14. Yoko Ono with Automatique - "Coffin Car"
15. Yoko Ono with Danny Tenaglia - "Walking on Thin Ice"
16. Yoko Ono with Blow Up - "Approximately Infinite Universe"



from RollingStone.com: Music http://ift.tt/1eAUXkD
via Christopher Sabec Music

Alabama Back From Decade-Long 'Vacation' With New Album

Country icons Alabama have announced their first album of original material in 14 years, Southern Drawl. Set for a September 18th release, the record finds the band's core three members — singer Randy Owen, guitarist Jeff Cook and bassist Teddy Gentry — coming out of semi-retirement and chasing down a recharged, revised sound.

Known for their dozens of hits at country radio, including "Mountain Music," "Song of the South" and "Dixieland Delight" the band is credited with helping usher in a new era of mainstream country music that began in the Eighties and led to the blending of country, rock and pop — a blend that still forms the bedrock of contemporary country today. Even so, musical tastes have changed since the three cousins stepped away from touring in 2004, and Alabama's members plan to adapt their sound to appeal to a new generation of listeners, many of whom may not be familiar with Alabama at all.

"Country music, when we took our 'vacation,' is not the same country it is today," says Cook. "For people who knew the original Alabama, [Southern Drawl] is going to be a little different to their ears."

Maybe so, but the project's lead single — a pulsating, romantic ballad called "Wasn’t Through Loving You" — could fit on any classic Alabama album. Other new songs include the good-timing "Hillbilly Wins the Lotto Money," the blue-collar anthem "American Farmer, the heart-warming "I Wanna Be There" and "Come Find Me," which features guest vocals from bluegrass songbird Alison Krauss.

"I gave more of my heart and soul to this one than anything I’ve been a part of in my life," says Owen. "I approached this album as if it could be my best, my first or my last. We were so glad to be back in the studio, we didn’t take a moment of it for granted."

"We loved being in the studio again," Gentry adds. "You have to know when you walk away that you did the best you could. We look forward to sharing the new music with our fans. . . when the people can feel it, you know you've done your job."

The band plans to continue touring lightly through the fall, with concert dates scheduled at fairs and casinos across the country. They'll also take part in this year's Charlie Daniels Volunteer Jam on August 12th in Nashville, play a two-night stand at the Golden Nugget in Las Vegas in December and perform for three nights at Nashville's Schermerhorn Symphony Center next May.



from RollingStone.com: Music http://ift.tt/1JvBgaI
via Christopher Sabec Music