Sunday, December 6, 2015

Colts Owner: Why I Paid $2.2 Million for Ringo Starr's Drum Kit

Jim Irsay is calling from Pittsburgh, where his Indianapolis Colts will face the Steelers on Sunday, and regretfully not New York's Theater at Madison Square Garden, where an all-star gathering to celebrate John Lennon's 75th birthday is about to take place. The NFL team owner is a well-known Beatles fanatic as well as an avid rock memorabilia collector: In the past few months, Irsay has spent millions of dollars adding Lennon-owned guitars and other Beatles-used instruments to his impressive collection.

Following this weekend's auction of Starr's estate, Irsay added even more essential artifacts to his collection: Ringo Starr's 1963 Ludwig Oyster Black Pearl three-piece drum kit (used on "Can't Buy Me Love" and dozens more essential recordings; Irsay purchased it for $2.25 million) as well as a Rickenbacker guitar given to Starr from Lennon and one of the drummer's iconic pinky rings. Rolling Stone spoke to Irsay exclusively soon after the auction concluded to talk about his latest rock treasures and how accumulating these instruments is a spiritual reunion of sorts for the Fab Four.

"I was 11 years old when the Beatles broke up. I was a Lennon fanatic – I mean, I loved Paul too, but Lennon was the guy – and there was always this dream of the Beatles getting back together; there was always this hope," Irsay says, adding that, like the Beatles themselves, these instruments were long separated after making their mark on music history. "It took over 4 million dollars and 45 years, but we finally got them back together. I know it's a symbolic thing, but it really means a lot to me."

Despite the heavy price he paid for the Starr kit, Irsay expressed some anxiety over whether he'd be outbid. "The auctioneer started bidding at 'Do I have $10 million?' and I thought, 'What the fuck!' I thought some billionaire madman might say 'I have $10 million, what the hell,'" Irsay said. When the opening number was recalibrated to $1 million, the bidding started to heat up, but Irsay finally placed the high bid after some more nervous moments. "It took like five minutes to say 'Going once, going twice.'"

As for the Rickenbacker guitar he purchased Saturday for $910,000, "John gave that to Ringo, and I can remember when they started to [record] The White Album, and Ringo was like 'Fuck this, I'm out of here' with the fighting and stuff. So I know Paul set up a room full of flowers for him, and John gave him that guitar as an apology," Irsay said. "So getting that guitar is really special, and the fact that it's a Rickenbacker makes it really special."

In the spirit of the music, Irsay doesn't plan on just stashing the famed drum kit behind glass; instead, he says he hopes to throw a party – similar to the Lennon tribute in New York – where artists would perform Fab Four songs using the legendary Beatles instruments he's housing in his collection. However, the Colts owner expressed some regret about letting Lennon's "Love Me Do" acoustic guitar slip away at auction, if only because he couldn't add that instrument to his collection.

"I feel I'm just a curator of history. I'm going to pass this thing on as time goes along," Irsay said of his collection, which also features Bob Dylan's 1965 Newport Folk Festival guitar, Lennon's "Paperback Writer" Gretsch guitar and Les Paul's "Black Beauty." "It's just a privilege and an honor."

Irsay, who serves on the Super Bowl Advisory Committee, also gave his seal of approval for Coldplay, the Super Bowl 50 halftime performers. "I think Coldplay is one of the best and biggest bands of the last 15 years, and I think they'll bring the energy," Irsay said. "Coldplay is a great choice. It's always tough to decide what should go in Super Bowl halftime, but I was all for Coldplay. They really have a magical, spiritual ability to do it live."



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Matt Sorum Remembers 'Real Deal' Scott Weiland

Velvet Revolver drummer Matt Sorum reminisced about Scott Weiland and his time with the singer in a new interview recorded just days after Weiland's death at the age of 48. In a long chat with Sirius XM's Matt Pinfield, an emotional Sorum said of his former band mate, "In the end, I just want the world to know that I feel like I made my peace with him."

Sorum says he and Duff McKagan were about to go to dinner and a Gary Clark Jr. concert when they learned of Weiland's death. The two canceled their initial plans in order to reflect about their time with Weiland. Velvet Revolver band mates previously released a statement about the former Stone Temple Pilots vocalist. "We experienced a good chunk of life with Scott and, even in his darkest times, we all had hope and love for him," they wrote.

"I don't know how I felt initially because I can't say it was a shock, but I definitely wasn't expecting it, because I felt Scott was gonna be here longer than this," Sorum told Sirius XM's Lithium. "People know that in the end, we had our differences and the band split up, but the wave of emotions that you feel is more like a family member; it's like if you had a family member that maybe you didn't get along with great but you still loved them, so that's the feeling."

Sorum also called working with Weiland in Velvet Revolver the "highlight" of his career. "Being in a band, obviously in my career, has never been a perfect ride, but the reality of it is rock n' roll is never a perfect ride, real rock n' roll," Sorum said. "And I think Scott Weiland was that guy. He was complicated, yes, but the artistry was magnificent."

Sorum later reminisced about the grueling auditions for the lead singer vacancy in Velvet Revolver and how Weiland blew his future band mates away with his abilities. "When Scott Weiland came in, it was like magic. All of a sudden, here's this guy that can write a melody in about five minutes, and write a lyric, and you have a song that was contemporary," Sorum said. "I just looked at Slash and Duff and I said, 'There's your guy. Scott Weiland. Rock star. The real deal.'"

"These characters that we've lost through the ages, their soul and their heart and everything they've felt in their life goes into their music, and they do that for us," Sorum said.

Listen to Sorum's conversation with Pinfield below:



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Yoko Ono, Willie Nelson, Tom Morello Star in Moving Lennon Birthday Tribute

"Rock & roll is here to stay!" Yoko Ono asserted on the stage of the Theater at Madison Square Garden Saturday night, telling the audience that's what her late husband would have said in response to "Imagine: John Lennon 75th Birthday Concert." Steven Tyler, Eric Church, Aloe Blacc, Willie Nelson, Sheryl Crow and Tom Morello were just a few of the multi-generational luminaries who came together onstage to pay homage to the revolutionary Beatle — the Liverpool songwriter, lionhearted political activist, peacemaker and musical treasure, who would have been 75 years old on October 9th and who died 35 years ago this month. Put on by Blackbird Presents and AMC, the show benefited the poverty-fighting organization Robin Hood.

Kevin Bacon hosted the tremendous, star-packed event — airing on AMC on Saturday, December 19th at 9:00pm ET/PT — which hit every note of Lennon's songwriting personality, his interests, concerns and loves. In the first half of the show, Sheryl Crow played a rollicking serenade of "A Hard Day's Night," the Killers' Brandon Flowers conducted an effervescent sing-along to "Instant Karma," Latin pop sensation Juanes sang "Woman" wearing Lennon's famous New York City shirt, and Train frontman Pat Monahan impressed the crowd with an acrobatic rendition of "Jealous Guy." John Fogerty, the biggest Beatlemaniac in the room, kicked off the night with a striking one-two acoustic punch of "Give Peace a Chance" and "In My Life."

The most memorable performances were by the least-well-known artists. R&B artist Aloe Blacc held the notes of "Steel and Glass" for breathtaking stretches. The song, from Lennon's dark 1974 solo album, Walls and Bridges, is about psychological extremes. "How does it feel to be off the wall?" Blacc wondered with gravitas, standing in a zippered leather jacket with arms folded behind his back. Nashville singer-songwriter Chris Stapleton, who made a splash at this year's CMAs, gave a titillating, bluesy take on "Don't Let Me Down," flanked by Crow and Flowers. Alt-rock band Spoon offered 10 minutes of full-octane rock & roll.

Lennon's activist anthems shone especially bright. The Roots gave "Julia" a hip-hop treatment, while working-class heroes Kris Kristofferson, Tom Morello and harmonica legend Mickey Raphael performed a sobering, stripped-down set in front of a picture of Lennon towering over them with his arms crossed. Morello came back for an anthemic rendition of "Power to the People" with the New York Freedom Choir, which includes representatives of nine different charity organizations in the state. This was the peak performance for so many reasons. Morello's guitar playing was incendiary. He raised his fist to the crowd in solidarity, and, more movingly, simply pointed upward toward the sky. He played his guitar flipped over so it revealed the word "IMAGINE" in all capital letters on the back, and then, after a climactic, toe-curling solo, rested the instrument on the stage in a symbolic gesture of laying down arms.

"John Lennon wrote music that mattered because it said something," said country star Eric Church, who called the evening a 'bucket list' night before launching into one of Lennon's moodiest songs, "Mind Games." Church rekindled the declamatory spirit with his new Nashville brother, Steven Tyler, his partner on a blazing "Revolution." Everyone went wild for Tyler's reprisal of his druggy role as frontman of Future Villain Band from the 1978 musical film Sgt. Pepper's Lonely Hearts Club Band.

"Every song has a story," Ono said to the audience, sporting a whimsical bowler hat and Sgt. Pepper–style blazer with golden epaulets, after a clip played of the Plastic Ono Band singing "Attica State" on a talk show. Lennon and Ono sat on the show's red step, singing about freedom with razor-sharp intent. The archival footage seemed to foreshadow 2015, a year marked by social violence in the United States. The song, like so many others shared that night, carried a message of brotherhood, solidarity and peace: "Happy Xmas (War Is Over)" brought cheer with a children's choir and a Peter Frampton–Crow-Blacc trio. Legendary storyteller Willie Nelson offered a magnificently serene "Imagine," conveying the lyrics in a such a stark, plainspoken way, it was as if the song were being sung for the first time.

"Happy birthday, beautiful boy," Paul McCartney said in a prerecorded video. It was a touching reminder of one of the last songs Lennon gave to the world, "Beautiful Boy," an ode to paternal love that ends with Lennon whispering to his young son Julian, "See you in the morning, bright and early." Hope, joy, and camaraderie filled the theater when the all-star roster joined together to deliver the simplest, truest advice Lennon offered in his lifetime: "Love is all you need."

Set List:

John Fogerty:
"Give Peace a Chance"
"In My Life"

Peter Frampton:
"Norwegian Wood"

Juanes:
"Woman"

Aloe Blacc:
"Steel and Glass"

Sheryl Crow:
"A Hard Day's Night"

Kris Kristofferson and Tom Morello:
"Working Class Hero"

Chris Stapleton, Sheryl Crow and Brandon Flowers:
"Don't Let Me Down"

Chris Stapleton, Kris Kristofferson and Willie Nelson:
"You've Got to Hide Your Love Away"

The Roots:
"Mother"

Spoon:
"Hey Bulldog"
"Cold Turkey"

Willie Nelson:
"Imagine"

Brandon Flowers:
"Instant Karma"

Pat Monahan:
"Jealous Guy"

Eric Church:
"Mind Games"

Tom Morello:
"Power to the People"

Steven Tyler:
"Come Together"

Steven Tyler and Eric Church:
"Revolution"

Peter Frampton, Sheryl Crow and Aloe Blacc:
"Happy Xmas (War Is Over)"

"All You Need Is Love"



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Saturday, December 5, 2015

Ringo Starr's Personal 'White Album' Sells for World Record $910,000

Ringo Starr's personal copy of the Beatles' The White Album, numbered No.0000001, sold for a world record $910,000 Saturday at the Julien's Live auction of instruments and items from Starr and wife Barbara Bach's estate. Starr's White Album carried a pre-auction estimate of $40,000 to $60,000, a number that was easily shattered during bidding.

"We used to play the vinyl in those days," Starr previously told Rolling Stone of his copy of the band's classic 1968 LP. "We didn't think, 'We'll keep it for 50 years and it will be in pristine condition.' Whoever gets it, it will have my fingerprints on it." The copies of The White Album were numbered in sequence, ensuring that whoever purchased Starr's copy would have the first printing produced of the album.

Starr's 1963 Ludwig Oyster Black Pearl three-piece drum kit, used in the recording of "Can't Buy Me Love," "I Want to Hold Your Hand," "She Loves You" and other classics from that era, sold for $2.2 million Friday. The kit was used by Starr in more than 200 performances between May of 1963 and February of 1964 and later employed by Paul McCartney during the recording of his 1970 solo album McCartney.

Indianapolis Colts owner Jim Irsay purchased the drum kit, which hadn't been seen in public for over 50 years. The Colts owner and rock memorabilia enthusiasts previously purchased high-profile instruments like Bob Dylan's 1965 Newport Folk Festival guitar, John Lennon's 1966 "Paperback Writer" Gretsch guitar and Les Paul's "Black Beauty."

Other Starr instruments sold at auction include a drum kit from the "Hello Goodbye" video ($112,000), a Rickenbacker guitar gifted to the drummer from Lennon ($910,000) and a Starr-owned Hofner bass ($22,500). Starr's A Hard Day's Night suit was also sold for $50,000.

Another item that generated a lot of interest on the auction block was a 1971 18-karat yellow gold "Moonphase" Patek Philippe wristwatch. The watch – which sold for $179,000, nearly double its $80,000 estimate – was one of the few items on the block that didn't need the benefit of Starr's ownership to increase its value: As Bloomberg reported, Starr's Patek Philippe wristwatch was incredibly rare, one of only 586 made, attracting watch enthusiasts more so than Beatles fanatics. When the same model Patek Philippe was auctioned in November 2012, it drew a closing bid of $136,000.



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Chance the Rapper Slams 'Goofy,' 'Exploitive' 'Chi-Raq'

Spike Lee has come under fire from critics and Chicagoans alike for turning the Windy City's widespread issues with gun violence into a musical-comedy for his new film Chi-Raq, and now Chance the Rapper has added his voice to the chorus of detractors slamming the film. In a series of tweets, the Chicago native blasted the film, calling it "goofy," "exploitive and problematic."

"Let me be the one from Chicago to personally tell you we not supporting this film out here," Chance said of Chi-Raq Friday. "That shit get ZERO love out here. Shit is goofy and it's a bunch of ppl from NOT around here telling you to support that shit. The people that made that shit didn't do so to 'Save Lives.' It's exploitive and problematic."

Chance also took issue with the film's plot, which reworks Aristophanes' Lysistrata — an Ancient Greek comedy about women withholding sex from soldiers in order to end the Peloponnesian War – and places the story in present-day, violence-ridden Chicago. "Also the idea that women abstaining from sex would stop murders is offensive and a slap in the face to any mother that lost a child here," the rapper tweeted.

Much of the criticism for Chi-Raq stems from a belief that Lee, a director born and bred in New York, was the wrong filmmaker to tackle the topic of violence in Chicago. "You don't do any work with the children of Chicago, You don't live here, you've never watched someone die here," the rapper tweeted. "Don't tell me to be calm."

Hours later, Chance said his criticisms weren't pointed at Lee. "Just clarifying, I'm not damning the director of the film or anyone involved in making it. I am damning the film and the ideas it conveys," he tweeted.

Chance the Rapper isn't the only Chicago rapper to air their displeasure with Chi-Raq: Chief Keef tweeted in November, "Damn Spikey..... Chiraq isn't defined enough on that movie! It should be showing what's really going on." Chief Keef's manager Peeda Pan also told GQ, "If somebody is going to do a Chicago movie and call it 'Chi-Raq' it needs to be somebody from Chicago."



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Friday, December 4, 2015

Read Stone Temple Pilots' Poignant Open Letter to Scott Weiland

Stone Temple Pilots have issued a statement following the death of their former lead singer Scott Weiland, writing a heartfelt note addressed directly to the vocalist. "Let us start by saying thank you for sharing your life with us. Together we crafted a legacy of music that has given so many people happiness and great memories," the band's surviving members – guitarist Dean DeLeo, bassist Robert DeLeo and drummer Eric Kretz – wrote. "With deep sorrow for you and your family, we are saddened to see you go."

Weiland's former bandmates continued, "The memories are many, and they run deep for us. We know amidst the good and the bad you struggled, time and time again. It's what made you who you were. Part of that gift was part of your curse."

Weiland's tenure in Stone Temple Pilots was plagued by hiatuses and breakups as the singer struggled with drug addiction throughout his career. Following the release of the band's breakout LP 1992's Core, STP released 1994's Purple, 1996's Tiny Music… Songs From the Vatican Gift Shop, 1999's No. 4 and 2001's Shangri-La Dee Da before separating.

After a six-year hiatus where Weiland served as frontman for Velvet Revolver, STP reunited in 2008, resulting in one more studio album – 2010's self-titled LP – before Weiland was "officially terminated" from the band for good in 2013; he was replaced by Linkin Park's Chester Bennington, who recently announced he would leave the group.

Following Weiland's death Thursday night, his Velvet Revolver band mates also paid tribute to the singer. "We experienced a good chunk of life with Scott and, even in his darkest times, we all had hope and love for him. His artistry will live on, of that, there is no doubt," the Contraband crew wrote. 

Stone Temple Pilots' Open Letter to Scott Weiland
 
Dear Scott,
 
Let us start by saying thank you for sharing your life with us. 
 
Together we crafted a legacy of music that has given so many people happiness and great memories.
 
The memories are many, and they run deep for us. 
 
We know amidst the good and the bad you struggled, time and time again. 
 
It’s what made you who you were.
 
You were gifted beyond words, Scott.
 
Part of that gift was part of your curse.
 
With deep sorrow for you and your family, we are saddened to see you go. 
 
All of our love and respect.
 
We will miss you brother,
 
Robert, Eric, Dean


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Weekend Rock Question: What Is the Best Scott Weiland Song?

The tragic death of Scott Weiland is inspiring us to go back and listen to the music he made throughout his long career. The world first met him in 1992 when Stone Temple Pilots released Core, and in 2004 his career was reinvigorated when he launched Velvet Revolver with former members of Guns N' Roses. He also recorded a series of experimental solo albums, and even a Christmas LP. He leaves behind a vast musical legacy.

Now we have a question for you: What is the greatest Scott Weiland song? We'll count anything he recorded with any of his bands or during his solo career. Feel free to vote for a Stone Temple Pilots classic like "Plush," "Big Empty" or "Interstate Love Song," a Velvet Revolver tune like "Fall to Pieces and "Slither" or something released under his own name like "White Lightning," "Missing Cleveland" or "Barbarella." Vote for whatever Scott Weiland song you want, but please only vote once and only for a single selection.

You can vote here in the comments, on http://ift.tt/1wio6sr or on Twitter using the hashtag #WeekendRock.



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Hear Jeremih's Surprise-Released 'Late Nights: The Album'

R&B hit-maker Jeremih has surprise-released his long-delayed third LP, Late Nights: The Album, via Spotify and Apple Music. The 15-track album, which follows 2010's All About You, features sultry singles "Don't Tell 'Em," "Planes," "Oui," "Royalty" and "Pass Dat," along with guest appearances from J. Cole, Future, Big Sean, Migos, Ty Dolla $ign and more. 

Jeremih's label, Def Jam Records, pushed back the album's release several times last year, and an official date was never confirmed. The singer told Billboard that delays were tied to mixing and mastering problems, along with sample and clearance issues connected to "Planes" (on which J. Cole replaced original guest Chance the Rapper).

He also directly blamed Def Jam: "My label is hesitating and not being on my side," he told the publication. "I see other artists and how they're supported. It's hard when I'm on a roster with Rihanna, Rick Ross and Kanye West." 

Though Late Nights: The Album is Jeremih's first official LP since 2010, he's kept momentum with a steady steam of releases – including the 2012 Late Nights mixtape and the 2014 EP No More, a collaboration with producer Shlohmo which cracked Rolling Stone's list of the year's 20 Best R&B Albums.

Stream Late Nights: The Album below:



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Carrie Underwood, Zac Brown Salute Sinatra: The Ram Report

Frank Sinatra would have turned 100 on December 12th and, in honor of his centennial, CBS is airing a two-hour concert with some of music's biggest names on Sunday night.

Sinatra 100: An All-Star Grammy Concert assembles artists like Adam Levine, Celine Dion, Nick Jonas and Tony Bennett and Lady Gaga, along with an especially impressive roster of country artists. Carrie Underwood, Zac Brown, Garth Brooks and Trisha Yearwood all perform, and Underwood and Brown even duet. The pair teams up with Family Guy creator and part-time crooner Seth MacFarlane on "Learning the Blues," with Brown ditching his usual fedora for a top hat.

Both also get their own moments to shine, as Brown delivers "The Way You Look Tonight" and Underwood sings "Someone to Watch Over Me." Brooks gets his swing on with "The Lady Is a Tramp," while his wife Yearwood handles "I'll Be Seeing You."

Sinatra 100 airs December 6th at 9:00 p.m./ET on CBS.



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Watch Scott Weiland Play 'Vasoline' at Final Concert

Just two days before Scott Weiland's sudden death before a show in Minnesota, the former Stone Temple Pilots frontman played in Toronto at the Adelaide Hall with his solo band the Wildabouts. Like all of his recent gigs, the setlist was a mixture of songs from his solo catalog along with classics by STP and Velvet Revolver. Here's a fan-shot video of him playing "Vasoline" at what turned out to be his final concert.

In an interview with Rolling Stone this past April, Weiland explained his thought process about playing tunes by his former bands. "We change them about enough where we've made them our own," he said. "But certain songs we don't play, like 'Interstate Love Song' or 'Plush.' Those are sort of holy grail songs for me and I wouldn't want to bring them over to a Wildabouts because they don't fit our vibe."

Relations with his former Stone Temple Pilots bandmates were poor around the time of that interview, but he refused to rule out a future reunion. "I wish them luck," he said. "I don't wish them any ill will. The lawsuit is way behind us. I hope they do well. It's strange [they're touring without me], but it doesn't take my mind off what I'm doing right now … I can't imagine [a reunion] right now, but never say never when it comes to rock and roll."



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Blake Shelton Annotates Lyrics for Genius: His 10 Best

Blake Shelton has taken the plunge to become the first country artist to annotate his greatest hits/back catalog on Genius. The droll Okie shared his thoughts on the tracks from his recently released hits compilation Reloaded: 20 Number 1 Hits, which stretches back to the start of his career nearly 15 years ago with "Austin."

Naturally, Shelton's off-kilter sense of humor is on full display and he cracks wise on everything from Brad Paisley's guitar noodling to the scent of watermelon candles. But he's also downright sincere when it comes to talking about his friend Gwen Sebastian and the powerful story from his early hit "The Baby." Here are 10 of his best remarks from his Genius annotations.

1. "My Eyes"
"My Eyes" was pitched to me by Scott Hendricks. The song has like a "row row row your boat" feel — the way the lyrics fall within the track. I thought it would be a great idea to have Gwen Sebastian come in and sing on the track with me, help me out. So I called her and said, "I got a song I think we should do together. It may just be on the album, I don’t know what’s going to happen with it." It went on to be a Number One song for me. It was Gwen's very first Number One song. Pretty special, I think, for both of us to share that together.

2. "Gonna"
Lyric: "Love you every night and Daytona"
I love a fun song — they don’t have to be brain surgery. I still don’t even know for sure what this line means. But it's just fun. It's fun to perform. It's fun to see people singing along out in the audience. And I do love Daytona! I’m a huge Daytona 500 fan. I’m a Firecracker 400 fan. I’m a race fan in general. My driver is Clint Bowyer. He's my favorite NASCAR Sprint Cup driver. I like Elliott Sadler in the Xfinity Series. And I like me in the Truck Series — I'm pretty good.

3. "Mine Would Be You"
That was my tenth Number One hit in a row. Wow. And it tied Brad Paisley. I’ve never talked to Brad about that for two reasons. He’s probably a little bit bitter about that, and secondly he’s probably giving a guitar clinic somewhere right now. Playing guitars as loud as he can over everybody else that’s trying to talk. Maybe that's why we didn’t talk about it because he was practicing guitar licks really, really loud. Like really loud solos and really obnoxiously loud jazz guitar licks and maybe that's why we never had that conversation because he plays his guitar so loud. All the time.

4. "All About Tonight"
Lyric: "I'm going to do my best to dance with every girl in this bar"
My dance career has been controversial at times. I get pressure from the label. They really want me to concentrate on the music side of what I do. But I'm a dancer at heart — they used to call me "Break It Down Blake." And "Shufflin' Shelton" was another one that I used to hear. It’s hard for me to hold that back sometimes — to just stand up there like George Strait in front of a microphone, strumming a guitar — when inside of me, I want to move.

5. "Neon Light"
My favorite bar ever isn't even open anymore. It used to be the Ken Lance Sports Arena in Ada, Oklahoma. Then it closed. It was like a giant honky-tonk dance, in this huge metal building with a giant dance floor. Could probably hold 2,000 or 3,000 people. It was big. After that closed, my second favorite bar became a place called the Village Inn, also in Ada. It’s this little hotel with a bar and a jukebox and sometimes karaoke. It's just a cool place to hang out. It was one of my first bar experiences, and is still one of my favorites.

Both of the bars I mentioned above have lots of neon lights. When I was younger, you couldn't just get online and buy neon lights, you had to know like a beer distributor. I’ll never forget that neon George Strait Bud Light sign, it had like his cowboy hat in neon and it had Bud Light written across it. Both of those bars had that. I wanted one so bad.

6. Over
Lyric: "Tell me what I've got to do to win you over"
This is a guy who’s crazy about this girl and he will stop short at nothing to get this girl to fall for him. He will do anything. He will set the world on fire. He will poison himself. He will do these extreme things because he’s that into this girl. That’s a pretty powerful lyric. It’s not going to happen but he’s saying he’ll do all these things nonetheless.

7. "The Baby"
Harley Allen and Michael White wrote this song, and, my gosh, I don’t know that I’ve ever listened to or even sang a song that was more painful to get through than "The Baby." It’s so freaking honest — it's unbelievable. It’s like a sore spot. This guy took his mother for granted. Maybe we’re all a little bit guilty of that. I was the baby of my family. And the only thing about this song I can't relate to is that my mother is still alive, thank god.

I actually stopped performing it at my concerts because I’d get the crowd going and it’d be a party and then I’d sing this one and you’d see people bawling out in the audience. Somebody like walking away with their mom crying. It’s like, "Man, I got to stop doing this in concert these days because it kills the mood."

8. "Sure Be Cool If You Did"
Lyric: "Meet me in the middle of a moonlit Chevy bench seat."
My very first pickup I ever had was a GMC. It did have a bench seat and I remember my high school girlfriend would sit right next to me everywhere we went. I love that truck because of that. That's always my favorite thing about the bench seat — when your girl slides over and sits next to you. Thank God I have a dog these days that comes over and sits next to me.

9. "Sangria"
I think maybe the first sangria that I ever had in my entire life was the actual sangria that I was drinking on the set of the "Sangria" video, which the director, Trey [Fanjoy] had made for me — because she knew that I was probably going to have a drink at some point either way. So she had them make some actual genuine sangria, with the fruit in it and everything. It was pretty good.

10. "Doin' What She Likes"
Lyric: "lightin' watermelon candles upstairs"
I don’t really have a lot of thought about actual watermelon candles. But if they smell anything like watermelon gum, I’m a fan. I like the smell of watermelon gum. It’s like grape gum — it doesn’t taste like grape but it tastes like what we know as grape gum. That’s how watermelon gum is and that’s how I imagine watermelon candles to smell like.



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Bootleg of the Week: David Bowie Live in Atlantic City 5/29/04

When David Bowie launched his Reality Tour in the fall of 2003 it didn't get a ton of attention. After all, he'd been on the road pretty steadily over the last three decades and his recent albums, despite being absolutely incredible, didn't generate much commercial heat. The long tour began by hitting arenas in Europe, but when it came to America it alternated between theaters and smaller arenas. He simply wasn't the draw he was in the 1970s and 1980s, even though he was putting on some of the best shows of his entire career.

Backed by a killer band that included Earl Slick, Spiders From Mars keyboardist Mike Garson and bassist/backing vocalist Gail Ann Dorsey, Bowie played stunning shows that drew equally from all eras of his career. Big hits like "Rebel Rebel," "Heroes" and "Ziggy Stardust" were in regular rotation, but they also dug deep for tunes like "Win," "Always Crashing in the Same Car," 'Fantastic Voyage" and "Loving the Alien." New songs were introduced all the time, and Bowie seemed to have a great time. It all came to a crashing halt after Bowie underwent emergency heart surgery for a blocked artery following a show at the Hurricane Festival in Germany on June 25th, 2004. That was well over 11 years ago, and he hasn't played a show since.

Less than a month before the tour came to a premature end, Bowie played a two-night stand at the Borgata Event Center in Atlantic City, New Jersey. The first show was packed with rarities, and one fan walked away with a remarkably clean audience tape that founds its way to YouTube (click to listen to the show). Here are the highlights:

#14:22 – "New Killer Star." After spending much of the 1990s struggling to recapture the magic of his early years, Bowie came roaring in the early 2000's when he finally reunited with producer Tony Visconti. In a span of under a year and a half, they created Heathen and Reality. The latter album failed to climb higher than Number 29 on the Billboard 200, but it has aged remarkably well. Lead-off track "New Killer Star" focuses on life in New York after 9/11 and the "great white scar over Battery Park." Bowie lived a short walk from the Twin Towers and this was immensely personal. The song is even more powerful in a live setting.

#55.25 – "Hallo Spaceboy." The 1990s may have been Bowie's single weakest decade as a recording artist, but he still produced a ton of great songs during those 10 years. One of the best is "Hallo Spaceboy," which was produced by Brian Eno. The influence of Nine Inch Nails is quite obvious and he played it every night when they toured together. An entire great album could be assembled of Bowie's space songs, and this would easily stand up next to "Ashes to Ashes," "Starman" and "Space Oddity." When he screams "This chaos is killing me" he sounds like he means it.

#1:14:05 – "Station to Station." It became clear that nearly any song was fair game on the Reality Tour in May of 2004 when the 10-minute title track to Station to Station first emerged. "This is from back in the 1970s," Bowie tells the crowd at the Borgata. "Well, my 1970s. Maybe not your 1970s." As the song suggest, his 1970s involved doing insane amounts of cocaine and creating fantastically bizarre songs like this in the dead of the night. Station to Station guitarist Earl Sick was on this tour, so it only made sense they'd drag it out at some point. Topping the live renditions from the 1976 Station to Station tour is pretty tough, but this one comes close.

#1:23:15 – "The Bewlay Brothers." "Have we done this one?" Bowie asks his band. "Have we done this onstage? Once? We've only do this once. It's so old that it's older than I am, and I wrote it. I can't remember so I'm going to read this one. With a bit of luck, this could be the 'The Bewlay Brothers.'" The Hunky Dory song never surfaced again on the tour, meaning he'll almost certainly never play it again. This one is about as rare as it gets.

#2:04:50 – "Diamond Dogs." This is the very first time [we're doing this song], so I'm still in the reading stage," Bowie said near the end of the show. "I can't even remember the last time." (It was 1996.) Bowie was clearly in a bold mood this night since he decided to also resurrect the title track to Diamond Dogs. Bowie might have had to read the lyrics, but the band had obviously been rehearsing since they absolutely nail it.

#2:17:30 – "Ziggy Stardust." He didn't have to read the lyrics to this one. "Ziggy Stardust" had been his go-to closer for years at this point, and it's clear why. What other song could wrap up the whole evening this perfectly? And even after well over two hours of continuous singing, he was still hitting the high notes on "Ziggy plaaaaaayed guitaaaaaar." In the extremely good chance he never tours again, this tour was an amazing way to say goodbye.



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Bruce Springsteen & E Street Band Set 'The River' Tour for 2016

To celebrate the arrival of The Tie That Binds: The River Collection, Bruce Springsteen and the E Street Band will hit the road early next year for The River Tour. The jaunt, which will likely draw heavily from Springsteen's 1980 album and its new outtakes-packed reissue, kicks off January 16th at Pittsburgh's Consol Energy Center and spreads 24 dates across North America before concluding with a pair of March shows at Los Angeles' Memorial Sports Arena.

While Springsteen has made a few sporadic low-key onstage appearances in 2015, the River Tour is the first for the rocker and the E Street Band since their High Hopes trek wrapped up in May 2014. Tickets for The River Tour go on sale December 11th. Each concert from the tour will be mixed for release as high-quality downloads or CDs through Live.BruceSpringsteen.net within days of the performance.

In addition to The River tour, Springsteen will serve as musical guest on the December 19th episode of Saturday Night Live, his third appearance on the venerable sketch comedy show.

Bruce Springsteen & The E Street Band's The River Tour Dates

January 16 - Pittsburgh, PA @ Consol Energy Center
January 19 - Chicago, IL @ United Center
January 24 & 27 - New York, NY @ Madison Square Garden
January 29 - Washington, DC @ Verizon Center
January 31 - Newark, NJ @ Prudential Center
February 2 - Toronto, ON @ Air Canada Centre
February 4 - Boston, MA @ TD Garden
February 8 - Albany, NY @ Times Union Center
February 10 - Hartford, CT @ XL Center
February 12 - Philadelphia, PA @ Wells Fargo Center
February 16 - Sunrise, FL @ BB&T Center
February 18 - Atlanta, GA @ Philips Arena
February 21 - Louisville, KY @ KFC Yum! Center
February 23 - Cleveland, OH @ Quicken Loans Arena
February 25 - Buffalo, NY @ First Niagara Center
February 27 - Rochester, NY @ Blue Cross Arena
February 29 - St Paul, MN @ Xcel Energy Center
March 3 - Milwaukee, WI @ BMO Harris Bradley Center
March 6 - St Louis, MO @ Chaifetz Arena
March 10 - Phoenix, AZ @ Talking Stick Resort Arena
March 13 - Oakland, CA @ Oracle Arena
March 15 & 17 - Los Angeles, CA @ Los Angeles Memorial Sports Arena



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Hear Phoenix, Bill Murray Cover Lost Beach Boys Holiday Song

Phoenix and Bill Murray unite their disparate musical talents – namely, synth-rock elegance and hammy vocal hilarity – for their cover of "Alone on Christmas Day," a bittersweet Beach Boys holiday tune written in 1979, but never formally released. The piano-led cut, which also features Jason Schwartzman, New York Dolls' David Johansen and former Late Show musical director Paul Shaffer, appears in the newly released, Sofia Coppola-directed Netflix special A Very Murray Christmas

The track, filled with fat synth-bass and sleigh bells, finds Phoenix singer Thomas Mars crooning about the sadness that undercuts the holiday season. Murray, for his part, urges listeners to "keep moving on" through their troubles. The track is available to purchase digitally and as a limited edition seven-inch through independent music retailers (via Glassnote Records), with all proceeds benefitting UNICEF.

Last month, Beach Boys co-founder Mike Love released a new version of the tune, a collaboration with classical pianist Ron Altbach. The track was originally recorded for a potential Beach Boys Christmas LP but ultimately scrapped, though a demo version has been available in bootleg form for years. 

After Phoenix asked Love if they could cover "Christmas" for Murray's holiday special, the Beach Boys veteran decided to revise the track, re-writing the lyrics and recruiting Michael Lloyd to produce and build a new arrangement.

"I know what it's like to be away from loved ones during the holidays," Love told Rolling Stone. "With all the cheer that's around, you can still feel pretty melancholy. But the message of this song is that you're never truly alone if you're in the hearts of those you love. No matter where you are that time of year, we're with you."



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2015's Most-Liked Instagram Posts by Pop Stars

Over the course of the last year, musicians have made Instagram their space to tease new projects, show off their stunning awards show outfits and give their fans a glimpse into their lives and sometimes the lives of their famous friends as well. Taylor Swift, Ariana Grande and BeyoncĂ© are just a few of the stars who's pictures average millions of views as they give unprecedented access to their worlds. In case you missed them, or just want to take another peek, here are 25 of 2015's most-liked Instagram posts by musicians. 

#KanTay2020
The beef between Taylor Swift and Kanye West is now all in the past. Since West interrupted Swift's acceptance speech after she won Best Female Video at the 2009 MTV VMAs, the pair have wiped up any bad blood and even reunited for a more touching moment at the 2015 VMAs when the pop star introduced the rapper for his Video Vanguard Award acceptance monologue. As a thank you, he sent her his signature gift of white roses.

Taylor and Calvin
Though Swift and superstar DJ Calvin Harris have yet to publicly confirm a relationship, the pair have been seen getting cozy exclusively through their social media channels. This summery, piggy-back snap is just one of several cute moments the pair shared with fans via Instagram.

Maudlin Meredith
Swift's cats Meredith and Olivia have become social media stars thanks to the singer's many posts about her feline companions. She even paid homage to them in her "Bad Blood" video by securing guest spots from Ellen Pompeo and Mariska Hargity who play the fictional characters — Meredith Grey and Olivia Benson — after whom the pets are named.

Cover Girl
BeyoncĂ© shared a throwback to her 2013 Vogue cover and the special lady who stole the show: her daughter Blue Ivy. At the time of the photo, Blue was a mere 11 months old.

Show-Stopper
Justin Bieber's career had been briefly on hold before he joined friend and former tourmate Ariana Grande at her Miami show in March. It was the first large audience he had performed in front of in some time, so maybe nerves were to blame when he forgot the words to Grande's Weeknd-assisted single "Love Me Harder." At the show, Bieber also performed his track "All That Matters."

Grown Woman
In a June photo, BeyoncĂ© again showed off her daughter in this sweet, cozy-looking picture

Bubblegum Pop
Grande proved her bubble-blowing prowess while repping Scream Queens, the new horror-comedy TV series she guest-starred on this year.

Honey B's
The relentlessly adorable mother-daughter pair smooched at a camera while covered in tiny, fake bees on Valentine's Day.

Grammy Night
Grande gave a special post-Grammy Awards thank you to her now ex-boyfriend Big Sean following her time at the show.

Pool Boys
Bieber made a new friend this summer when he was joined at the pool by none other than Mason Disick, the young son of Scott Disick and Kourtney Kardashian.

Very Berry
Grande gave a behind-the-scenes exclusive with a throwback to a photo from an old shoot done by photographer Jones Crow. In the picture, the pop star is wearing lace bunny ears that cover most of her face and enjoying a strawberry.

Jelena
After a bitter break-up that inspired two of this year's newest LPs, Justin Bieber teased fans of his relationship with Selena Gomez by posting a throwback image of the pair on an ATV. He insisted that everyone should "calm down" in the image caption, though fans of the former couple — including Drake, according to a fansite — commented with hopefulness for a renewed spark.

Mirror Mirror
Demi Lovato kept it simple with a bathroom selfie earlier this year, but it was enough for fans who made it her most-liked post of 2015. 

Baby Bieber
Bieber has grown up in the public eye and illustrated his maturation with a side-by-side image of him as a tot and him now. 

Black and White
Lovato showed off a cute outfit on her Instagram earlier this year. Not surprisingly, her followers loved it.

Island Girl
Rihanna enjoyed the company of a baby monkey on a gorgeous, sunny day while on vacation in Barbados, and fans enjoyed the view.

Take a Shine
Budding Disney superstar Zendaya found her perfect lighting while taking this simple selfie. 

Feeling Themselves
Nicki Minaj and BeyoncĂ© gave fans a sweet treat when they surprised them with the playful, fun video for their collaboration "Feeling Myself." After releasing it exclusively on Tidal, Minaj teased stills of the Coachella-shot clip on her Instagram. 

Same Old Love
Demi Lovato and Selena Gomez have been friends almost their entire lives, having met on the set of Barney & Friends. They grew up in the spotlight during the same early-Aughts Disney era and both released new, more mature albums this year. After Lovato indicated during an interview with Complex that they had not spoken in a while, she decided to prove that the two stars were still pals by posting a selfie with her longtime friend while promoting their singles in the caption.

BFFs
Following Rihanna on Instagram means getting to know her best friend Melissa Forde extremely well. The pair are nearly inseparable, and while on vacation, they were all smiles in bikinis and sunglasses. 

Driving Glam
Zendaya showed off her glamorous make-up while taking a casual car selfie. 

Only Girl in the World
Rihanna tends to enjoy posting more playful photos of her daily life and time with friends that make her seem like every other twentysomething girl. But then she'll share her gorgeous portraits and photos from her many magazine spreads to remind us that she is still Rihanna. This simple, gorgeous portrait was shot by photographer Dennis Leupold. 

Poppin'
The "Feeling Myself" video not only gave us a collaboration between two of music's biggest stars but it also gave a glimpse into the friendship between Minaj and Beyoncé. "When u and bestie know yall poppin," Minaj wrote in the caption of a still image she posted on Instagram.

Without You
One Direction's most-liked photo of the year comes with a sad backstory: It's the last photo of all five original members on stage together to be posted on the group's Instagram. The picture was snapped at the Bangkok show in March that also served as one of Zayn Malik's last with the boy band. 

Game Face
Katy Perry played the Super Bowl halftime show earlier this year, but it was her cute pic with a furry friend that grabbed her fans' attention on Instagram. 



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Scott Weiland: The Lost Q&A

"I'm sick of talking about heroin and cocaine," Scott Weiland told Rolling Stone in 2004. "I'm sick of talking about what it's like to be in the back of a cop car." Rolling Stone had been riding through the Midwest on the tour bus of Velvet Revolver, who had just earned Number One on the Billboard 200 with their debut album.

Weiland was skinny and nervous, but he relaxed when we talked about Dungeons and Dragons. He remembered how when he was growing up in suburban Ohio, a snow day meant an all-day session of the role-playing game. But the conversation, like his life, kept returning to drugs and addiction.

The following are unpublished excerpts from that interview.

Stone Temple Pilots didn't get good reviews until you released "Interstate Love Song" off Purple.
Yeah, that single was received really well. The funny thing is, the better our reviews got, the less records we sold. We were a people's band initially, but we started experimenting more. We got bored with basic rock — we started listening to more obscure pop music and trying different things. There was a period of time where I really hated rock music.

Our tastes changed and our palette expanded and we alienated some of our middle American, meat-and-potatoes audience. Eventually you realize that most of the people who buy records aren't the music fans who live in major cosmopolitan cities. We became a little too sophisticated for our own good.

If you were doing those records again would you have—
I wouldn't have changed anything at all. But a lot of it had to do with my experimentation with drugs, which later became my dependency on drugs. Drugs are good for a while, as far as creativity and adding a spark. What it does is give you objectivity.

How?
Any time you're stepping out on a limb as an artist, it's scary, especially when you have a lot of success. When you're reaching a lot of people, the masses, it's easy to stay in that niche, you know? Especially when you're making a lot of money and you know there's a formula, it's easy to stay in that rut. But when I started experimenting with heroin, I found I had this sense of objectivity. I could intellectualize the way I looked at my music and distance myself. It took away the fear aspect, so I could take more risks and explore. You know, go on a sonic adventure.

But there must have been a downside.
When we started experimenting with drugs is when we started breaking a lot of ground as a band. And I took it really far on my solo record. But what ended up happening is the more I indulged in drugs, the more it became a dependency and a crutch. I became overwhelmed and I lost the ability to feel. I started feeling like there was a blanket over my heart.

There was a period when STP and I weren't making music — we weren't getting along very good at all. But I had my studio, so I was writing and recording a lot of music. But something told me not to put it out. It was all stream of consciousness; it was clever, but it didn't really have substance.

We made No. 4 — that wasn't our best record, but there were some really beautiful moments. "Sour Girl" was on that record, and probably the most emotional one was "Atlanta." There were like 11, 12 songs on that record, and at least five that I think were really strong. And then, of course, that's when I went to jail.

What did you learn from going to jail?
That led to two-plus years of completely clean living. That's when I first learned how to stick to it and get my life together. A lot of artists who are drug addicts have this fear of not being able to write if they're not using. I don't have that fear — it's a lot easier for me to access my emotions now.

I have bipolar disorder and I have a lot of mood swings already — I have to deal with that on an everyday basis anyway. As far as performing goes, performing when you're strung out is not a good place to be. But heroin is probably the worst thing for your voice — it dries your throat out. Every time I would get strung out on the road, I would lose my voice within two weeks of the tour.

Where does the anger in your lyrics come from?
I just don't want to be pushed into a corner. Anytime I feel squeezed into a box, I just lash out. My gut reaction is to strike. It's a different character onstage: there's a whole dark sexuality that's completely different from me. You know, I don't let anybody know who I really am.

How will you define success with Velvet Revolver?
Two answers: how big my next house is, and how happy I am every day that I wake up. If I hadn't had to work so hard to change, I wouldn't be the man I am right now. I love my wife, I love my children, I love my life today.



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Thursday, December 3, 2015

Scott Weiland Dead at 48

Scott Weiland, the instantly recognizable, iconic voice behind Stone Temple Pilots and Velvet Revolver, has died. He was 48. Weiland's manager confirmed the news to Rolling Stone. The details surrounding the singer's death will be released Friday.

Weiland passed away in his sleep on a tour stop in Bloomington, Minnesota, according to an official Instagram post. TMZ is reporting that Weiland was found dead on his tour bus in Minnesota at around 9 p.m. Thursday night, while touring with his current group the Wildabouts. They were scheduled to perform at the Medina Entertainment Center in Medina, Minnesota Thursday night. The show was canceled before they were to hit the stage.

Jane's Addiction guitarist Dave Navarro tweeted out the news shortly after midnight EST in a since-deleted post. "Just learned our friend Scott Weiland has died," he wrote. "So gutted, I am thinking of his family tonight."

Weiland's Velvet Revolver bandmate, guitarist Dave Kushner, tweeted shortly after Navarro "RIP Scott Weiland."

Scott Weiland was born Scott Richard Kline on October 27th, 1967 in San Jose, California. His mother, Sharon Williams, and father, Kent Kline, divorced two years later. A stepfather, Dave Weiland, adopted him at age 5 and changed his last name. He moved with his family to Ohio for a number of years before returning to California as a teenager.

He rose to prominence in the early Nineties as the frontman of the San Diego–based Stone Temple Pilots, who scored big hits with songs like "Creep," "Big Empty," "Vasoline" and "Interstate Love Song." The band had come together in the mid-Eighties and recorded a demo under the name Mighty Joe Young around 1990. After taking the name Stone Temple Pilots, they put out five albums between 1994 and 2001 and won a Grammy in 1994 for the Core single "Plush," before disbanding in 2002. They regrouped in 2008, issuing the Stone Temple Pilots album in 2010, before firing Weiland in 2013.

In between stints with STP, Weiland fronted Velvet Revolver, a group which, in addition to Kushner, featured former Guns N' Roses members Slash, Duff McKagan and Matt Sorum. They released two albums and earned two gold-selling singles, "Slither" and "Fall to Pieces," and a Grammy (for "Slither") before Weiland quit in 2008 to rejoin his prior band. They briefly reunited in 2012 for a one-off concert.

In between his various bands, the singer also put out four solo albums. His most recent and only release with the Wildabouts, including Blaster, came out earlier this year. Prior to the release, he and the group had been performing Stone Temple Pilots songs live. "We got really tight as a unit," he told Rolling Stone earlier this year. "It made me really want to go into the studio."

Throughout much of his career, Weiland publicly battled addiction. He told Rolling Stone this year he had been clean for a number of years.

He is survived by two children, Noah and Lucy, whom he had with his ex-wife Mary Forsberg, and his current wife, Jamie Wachtel, whom he wed in 2013. They had met in 2011, when she photographed him at a music video shoot, according to Los Angeles Times. He was also married to Janina Castaneda throughout most of the Nineties.

This is a developing story and will be updated as news breaks.



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Macy Gray Blasts Trump, Lax Gun Control on New Holiday Song

Macy Gray addresses a number of social and political issues in a lyric video for her new holiday song, "All I Want For Christmas."

In the animated clip, a smiling cartoon Gray strolls through snow. In her winter wonderland, she hopes for things that are intangible, "like free healthcare and gun control." She beckons people to "immigrate, stop the hate, let's educate. The more we do, the less we'll incarcerate" underneath a tinkly melody.

The song also features kids' voices who share their wishes, including "I just want peace for everybody on earth," "I want hope for everybody," "I think I want homes for the homeless" and "I want water for everybody."

The kids also sing backup on the chorus. "Christmas is here, I know what I want this year. Presents and toys are fine, but I got bigger things in mind," they sing. "Oh Santa can you swing more love, more peace? 'Cause that's what everybody needs. Come save the world with me."

Santa's not the only one Gray prods. Towards the end of the clip, she calls out Donald Trump, singing, "That Mr. Trump, he's an entertaining guy, but let's face it, really is he qualified?"

Gray released her eighth studio album, The Way, last year.



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Michael Jackson Estate Sued Over 'Messages to Michael'

Michael Jackson's estate is being sued by Sharad Chandra Patel, a producer for the tribute film Messages to Michael, according to The Hollywood Reporter.

In the suit, filed Thursday in Los Angeles Superior Court, Patel alleges his deceased son and friend of Jackson, producer Raju Patel, had a film company with Jackson called Neverland Entertainment and that a 2002 contract details that all proceeds from their films were to be split equally.

Messages to Michael is said to have been a film Jackson wanted to make for his dedicated fans that stuck by him after he was charged with child molestation in 2003; he was acquitted two years later. A 2005 contract signed three months before Raju died of cancer stated that Raju and Jackson would make the film, which was "a tribute to Michael and his loyal fans." The contract specifies that Raju could appoint a nominee to make the film with Jackson "or his nominee," and allegedly Sharad was granted the designation by his son before he died.

Sharad alleges he's been requesting access to Jackson's music and other items to make the film, but that estate executors John Branca and John McClain, have not allowed it. The estate instead made the 2009 documentary, This Is It, in partnership with Sony Pictures.

Patel filed a creditor's claim in 2010 against the state, which was denied on September 3. Per THR, the new suit states "Sharad is seeking access to pre-existing materials, including music rights and home video footage, promised under the agreement now owned by Michael's estate for use in the film."

Jackson's estate has also recently been in the news due to its discussions with Sony ATV, the music catalog that Jackson bought in 1985. The parties are working out terms for whether the catalog will belong fully to the estate or if the estate will sell its own half back to Sony Corp.



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Coldplay to Headline 2016 Super Bowl Halftime Show

Coldplay and Bruno Mars will perform at the Super Bowl 50 halftime show on February 7th in Santa Clara, California at Levi's Stadium, Wall Street Journal reports.

Last year, Katy Perry headlined the halftime show and brought out special guests Missy Elliott and Lenny Kravitz. In recent years, Bruno Mars, Madonna and recent Coldplay collaborator Beyoncé have also taken the massive national stage. The band has yet to release an official statement on the event.

Coldplay will release their seventh studio album, A Head Full of Dreams, on Friday. Along with Beyoncé, other notable guests include Blue Ivy Carter, Gwyneth Paltrow, Noel Gallagher and Tove Lo. "Everyone who got asked to sing on our album has an important part in our lives," singer Chris Martin told The Wall Street Journal last month.

Martin recently revealed to Rolling Stone that much of the album's lyrics and themes stem from his post-divorce depression and explore his road back from anxiety and heartbreak. "It's about love and acceptance and embracing what happens to you," Martin said. "It's quite a hippie album. All of our records were a journey to get to this one."

For the new LP, Coldplay will be following in the footsteps of Adele and Taylor Swift in selectively streaming their album. It will not be immediately available on services with a free option, but will appear on Apple Music and Tidal on the day of its release. The band had a similar approach to their two most recent albums, Ghost Stories and Mylo Xyloto, which were also not immediately available on Spotify.



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Hear Kristian Bush's Acerbic 'Thinking About Drinking for Christmas'

"I guess I'm obsessed with writing Christmas songs," admits Kristian Bush, whose new holiday single "Thinking About Drinking for Christmas" shines a light on the boozy place where Yuletide and, perhaps, Yuengling overlap. (Listen to the song below.)

While the song marks his first holiday release as a solo artist, Bush has been writing Christmas music for decades. It's become a holiday tradition. Every winter, he sits down with his acoustic guitar and hammers out something new, whether it's one of the five originals that appeared on his seasonal album with Sugarland, Gold and Green, or something that simply goes into the vault. "Thinking About Drinking for Christmas" was too good to pass up, though, prompting Bush — who co-wrote the tune with Chris Young and Brett James over Thanksgiving weekend in 2013, while all three were in Atlanta for Bush's annual end-of-year concerts at Eddie's Attic — to record the song earlier this year.  

"Writing Christmas music feels like you're writing for a movie, except you're writing for everyone's movie," he says. "The cool thing about Christmas is that it has a soundtrack. There's a day when you go into the Gap, and the only music they're playing is Christmas music. You get into the car and turn on the radio, and the only thing they're playing is Christmas music. It's like the entire world suddenly flips on that soundtrack, and I want to be a part of that."

For inspiration, Bush look a tongue-in-cheek look at his own family, even tossing a reference to his real-life Aunt Alice into the second verse. "She was the kind of aunt that always hugged you too hard and wouldn't stop talking, you know?" he says with a laugh. "There's something about your family that can stress you out sometimes, but you still love them. You're just not around them all year, and you don't have the skill set to navigate them. Sometimes, you can start thinking about what's gonna help you deal with all of that."

Before making a beeline for the egg nog this Christmas, Bush will host a songwriter's session at the Country Music Hall of Fame in downtown Nashville. Scheduled for December 5th, it's the latest in a year's worth of gigs that showcase Bush not only as an artist, but as a songwriter, too. He plans to continue treading the fine line between those two areas. 

"It's been a cool dual experience in my career; I get to exist as the songwriter, and I also get to exist as the artist," explains Bush, who's already three months deep into songwriting sessions, possibly for a follow-up to this year's excellent Southern Gravity. "It's not too common to have both of those jobs be successful jobs. There are great songwriters who have moved on to be great artists, and vice versa, but there are few people who can coach me and mentor me into this space — to help me become a viable version of both. So whenever I have the chance to play a gig as the songwriter, rather than the artist, I grab it with both hands."



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Kelsea Ballerini Highlights 'CMA Country Christmas': The Ram Report

CMA Country Christmas, the annual holiday music special presented by the Country Music Association, premieres tonight, and assembles some of the genre's best voices. Hosted for a sixth time by Jennifer Nettles, the concert features performances by Darius Rucker, Charles Kelley, Jewel, Mickey Guyton, David Nail, Thomas Rhett and Brett Eldredge, among others. LeAnn Rimes sings John Lennon's "Happy Xmas (War Is Over)," while Martina McBride duets with Michael W. Smith on "What Child Is This."

Kelsea Ballerini also performs, turning in a dazzling "Have Yourself a Merry Little Christmas." But that's not the extent of the "Dibs" singer's Yuletide engagements. Tonight, she'll sing live at the National Christmas Tree Lighting on the Ellipse at President's Park at the White House. President Obama and the First Lady are expected to be in attendance. That performance will air on PBS throughout December.

CMA Country Christmas, taped at the Grand Ole Opry in Nashville, airs on ABC at 9:00 p.m./ET.



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Charles Kelley Brings Polished Tunes, Covers to New York Gig

December 1st marked the third tour stop for Lady Antebellum's Charles Kelley, headlining New York’s Gramercy Theatre for one of his first appearances as a solo artist. Kelley and his five-piece band played a 16-song set that included tunes from his forthcoming solo album, along with some Lady Antebellum favorites and choice covers. Opening for Kelley was Maren Morris, a Columbia Nashville signee who cut her teeth songwriting for the likes of Tim McGraw and Kelly Clarkson before releasing her self-titled EP earlier in November.

Morris played her EP in full, filling the venue with sound despite a minimal band setup. "Sugar" rattled the room with an effectively wielded bass effect, but by merely shouting, "Are there any drunk girls in the audience?" — there were — Morris shifted the vibe into something more akin to a Jack Johnson beach concert in Cabo. "The Company You Keep" was another number that was less country than pop and included a rap-style spoken verse. Morris's darker timbre and growl pierced through her pop leanings on the breakup ballad "I Wish I Was," a soulful standout that channeled Corinne Bailey Rae and even a little of Bonnie Raitt's "Something to Talk About." And all hell broke loose on the delicious "'80s Mercedes," arguably the 2015 equivalent of Tom Cochrane's "Life Is a Highway." But it was anthemic closer "My Church," Morris's current single, that best roused the audience, warming a cold crowd of New Yorkers with if not the Holy Ghost, then lyrical allusions to Hank Williams and Johnny Cash.

Keeping with the country-pop theme of the evening, Kelley opened his set with "Dancing Around," a perfect soundtrack for the rainy night that could've come straight from a gloriously Eighties Rodney Crowell, or even the Wallflowers. Ever-present organ, steel and saxophone from co-writer Abe Stoklasa smoothed the set out on numbers like "Only One Who Gets Me," inspired by Kelley's wife, and "Lonely Girl," co-written by Chris Stapleton. The piano-driven "Leaving Nashville" struck a chord with the audience, which, presumably filled with more than a few Music City residents, strongly responded to lyrics like "Handshakes and whiskey shots, throwing up in a parking lot by yourself/but I ain't never leaving' Nashville."

The rest of the set was filled with covers, which Kelley justified by explaining that the band hadn’t learned all of the songs from the new album yet, considering it was originally only supposed to be a six-song EP. Tom Petty's "Southern Accents" made its way into the set and will also appear on the yet untitled album as a duet with Stevie Nicks. The spirit of Petty was alive and kicking all night, and Kelley wryly acknowledged the influence: "I really appreciate y'all supporting me in this little adventure I'm on —  that's why I'm gonna play another Tom Petty song I didn't write," he said.

A true-to-the-original rendition of "I Won't Back Down" followed, right before someone in the audience screamed, "When the hell ya gonna play some Lady Antebellum?" With that, the band delivered a straightforward "Love Don't Live Here," Lady A's debut single. The crowd ate up the familiar singles the most, prompting Kelley to give grateful shout-outs to everyone in the audience, including a "woman from Jones Beach," two "hipsters with Santa hats, and all the pretty New York ladies who came out in the rain," adding, "So glad we came to New York to try out some shit for the first time."

The audience was glad too, and didn't seem to take issue with the fact that they didn’t hear that much "new shit," but instead were content with revisiting "Need You Now," along with Spencer Davis Group's
"Gimme Some Lovin'," the Band's "Ophelia" and Zac Brown Band's "Homegrown."

"I'm officially a wedding singer now," joked Kelley, before launching into a lively "Centerfold" by the J. Geils Band. For an audience willing to look past that accurate appraisal, it was a perfect way to end the night.



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Wednesday, December 2, 2015

Watch George W. Bush Praise Bono's AIDS Efforts

Bono's efforts to eliminate AIDS in Africa was among the topics in HBO's hour-long documentary Countdown to Zero, and in the Vice-produced special, former president George W. Bush talked about working with the U2 singer to help the continent improve their medical facilities through the President's Emergency Plan for AIDS Relief (PEPFAR). Bush spoke glowingly about Bono and shared an amusing anecdote about the first time he met the singer.

"I guess somebody thought it'd be cool to have Bono in the Oval Office. They must've had a Bono record or two. I certainly didn't suggest it. You know, I'm pretty cynical when it comes to people's intentions when they say they're going to help other people. Somebody walked in and said 'Bono's coming. You do know who he is?' And then I looked at them and said 'Sure, he's married to Cher.'"

However, Bush's initial concerns that the Bono meeting was just a publicity stunt were quickly assuaged. "Bono came in and floored me with his knowledge, his energy, and his faith," Bush said, adding of PEPFAR's continued success, "We had a comprehensive program. Our teams worked with each country to develop a program specific to their cultures and needs and politics."

Watch Bush talk Bono at the 25-minute mark of Countdown to Zero:



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Eagles of Death Metal Launch Covers Campaign for Paris Charity

Following the terrorist assault on Eagles of Death Metal's Paris concert earlier this month, the group has called upon artists of all genres to cover its Zipper Down track "I Love You All the Time" with the intention of donating all proceeds to the families of the attack's victims, including the band's merchandise manager Nick Alexander. My Morning Jacket were among the first to cover the song at their New York City gig Saturday, and now the Dean Ween Group have contributed their own buoyant version of the track alongside a message from Eagles of Death Metal's Josh Homme.

"The senseless and violent terrorist attacks of November 13th, 2015 in Paris have left us all unsettled and we dare not give another second of precious time to those who have tried to steal our freedoms and take away our power," Homme wrote. "Instead, we are writing to ask for your help to 'Play It Forward.'

"We are calling upon our friends to donate their time, talent and good will in a show of solidarity to help the victims of these atrocious acts in Paris and those affected by terrorism worldwide. We are asking for you to cover our song 'I Love You All the Time.' For every cover sold, we pledge to donate 100 percent of the publishing income to The Sweet Stuff Foundation. We ask that you also donate the money generated from sales of the song to the charity. In the same spirit, we would encourage you to offer one of your songs up to be covered by another artist, and follow suit – donate the publishing monies to charity – the 'Play it Forward Initiative.'"

Homme called upon artists across all musical genres – "soul or R&B; hip-hop or 'hippy'; garage, goth, country, punk or pop; death metal or DJ" – to try their hands at the tune. If the track isn't their style, Homme encouraged artists to help out the Paris victims in another way, much like Duran Duran, who are donating royalties from their "Save a Prayer," a track Eagles of Death Metal covered on Zipper Down, to charity. Homme also asked all digital retailers and streaming services donate their fees from the covers to charity as well.

"We are the songs of our forefathers," Homme wrote. "We are the hymns of God. The songs of the broken-hearted. The unchained melodies. The songs of puppy love and of love that cannot be broken. We are the music of hope and possibility. We are the call to arms. We are the chorus of victory. We are songs in the key of life. We are the champions … of the world."

Read Homme's full letter below:

Hello talented friend, The senseless and violent terrorist attacks of Nov. 13, 2015 in Paris have left us all unsettled and we dare not give another second of precious time to those who have tried to steal our freedoms and take away our power.

Instead, we are writing to ask for your help to Play It Forward. We are calling upon our friends to donate their time, talent and good will in a show of solidarity to help the victims of these atrocious acts in Paris and those affected by terrorism worldwide.

We are asking for you to cover our song "I Love You All The Time." For every cover sold, we pledge to donate 100% of the publishing income to The Sweet Stuff Foundation. We ask that you also donate the money generated from sales of the song to the charity.

In the same spirit, we would encourage you to offer one of your songs up to be covered by another artist, and follow suit – donate the publishing monies to charity – The Play it Forward Initiative.

Whether you're Soul or R&B; Hip Hop or Hippy; Garage, Goth, Country, Punk or Pop; Death Metal or DJ; It matters not. Whether your version is faithful to ours, instrumental, uses only lyrics or fragments thereof or is completely reimagined in every way, it matters not. Your individual musical differences become our collective strength. Simultaneously, we will call upon iTunes, Tidal, Amazon, Spotify & all others who will sell these covers, to join us and donate their portions to a charity as a symbol of unity. So many wonderfully talented artists have offered their love & support or have reached out asking, "How can we help?" Our answer is simple; Unite with us. All of us. The musicians, the bands, the music companies & the fans… because we are music. We are the anthems of great nations. We are the songs of our forefathers. We are the hymns of God. The songs of the broken hearted. The unchained melodies. The songs of puppy love & of love that cannot be broken. We are the music of hope & possibility. We are the call to arms. We are the chorus of victory. We are songs in the key of life.

We are the Champions… of the World.

In the event our song doesn't float your boat, we encourage you to help unite our business by any means possible. If you're drawing a blank, donate something of yours or the proceeds from one of your songs, as Duran Duran has so graciously done. But do join us help & heal through music. They attacked us all, please hear the call.

Thank you for your time & love to you all,

Eagles of Death Metal



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Kelsea Ballerini, Cam Lead CRS New Faces Lineup

In what certainly looks like a hopeful sign for country radio, a surprisingly diverse lineup of artists has been announced as performers for the 2016 New Faces of Country Music Show on February 10th. Slated to make appearances are Brothers Osborne, Kelsea Ballerini, Cam, Old Dominion and Chris Janson.

The annual dinner showcase closes Country Radio Seminar, the industry confab of panels and showcases geared to foster the growth of the radio industry as well as introduce new artists to tastemakers. Long one of CRS week's most anticipated events, New Faces regularly serves as a launching pad for future superstars. Past artists to play New Faces include Zac Brown Band (2009), Dierks Bentley (2004), Faith Hill (1994) and even George Strait (1982). By comparison to the 2016 lineup, the 2015 show was heavily male, with Sam Hunt, Frankie Ballard, Cole Swindell and Eric Paslay sharing a bill with Maddie & Tae.

Each of the named artists has enjoyed some significant milestones in 2015. Brothers Osborne currently have a Top 10 hit with "Stay a Little Longer" and their debut album Pawn Shop will be out January 15th, while Chris Janson will add his high intensity performances to Blake Shelton's winter tour starting February 18th. Old Dominion will have a choice spot to support their new album Meat and Candy when they join Kenny Chesney's summer 2016 tour. Cam's "Burning House" has ignited on country radio and her debut album Untamed hits stores December 11th. Kelsea Ballerini previously made history with her Number One "Love Me Like You Mean It" and is bringing out pop star guests like Tori Kelly to sing with her.

Country Radio Seminar 2016 takes place February 8th through the 10th at the Omni Hotel in downtown Nashville. 



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Amy Winehouse, Nina Simone Documentaries Make Oscars Shortlist

The searing Amy Winehouse documentary Amy, the Nina Simone film What Happened, Miss Simone? and the Scientology-examining Going Clear: Scientology and the Prison of Belief were among the 15 films named to the shortlist for the Best Documentary Feature Oscar at the upcoming 86th Academy Awards. The five finalists will be announced alongside the rest of the Oscar nominees on January 14th.

Michael Moore's Where to Invade Next, He Named Me Malala and The Act of Killing's companion film The Look of Silence were also among those placed on the shortlist by the Academy of Motion Picture Arts and Sciences, Collider reports. Noticeably absent from the shortlist: Brett Morgen's Kurt Cobain: Montage of Heck, which accrued rave reviews on the film festival circuit ahead of its HBO premiere.

Despite Winehouse's family announcing they "disassociated" themselves from the documentary in the weeks before the film's release, the Asif Kapadia-directed film earned the applause of both fans and critics alike, scoring a 96 percent approval rating on Rotten Tomatoes as well as a three-and-a-half star review from Rolling Stone. Kapadia previously won a BAFTA for Best Documentary for his 2010 film Senna about race car driver Ayrton Senna.

The 86th Academy Awards take place February 28th.



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Lee Ann Womack to Honor Chris Stapleton at CMT Artists Special

A pair of country superstars will salute two of 2015's hottest country acts tonight during the live telecast of the CMT Artists of the Year special. Lee Ann Womack will present seasoned songwriter Chris Stapleton with the Breakout Award. Womack is one of the dozens of artists who have cut songs penned by Stapleton, whose year included a memorable performance with Justin Timberlake during the CMA Awards telecast last month. Stapleton also walked away with three CMA trophies, for New Artist, Male Vocalist and Album of the Year for Traveller. Stapleton and his wife Morgane will perform "Nobody to Blame" from the Number One album.

Martina McBride will present Little Big Town with their first-ever Artist of the Year honor. Among their achievements in 2015, the group broke a long-standing record on the country chart with the mega-hit "Girl Crush." Paying tribute to them with a one-of-a-kind performance of the song will be pop stars Adam Lambert and Leona Lewis, who first gained public attention as contestants on American Idol and the UK's X Factor, respectively.

Thomas Rhett will honor another of the year's top acts as the "Die a Happy Man" singer salutes duo Florida Georgia Line, who have claimed Artists of the Year honors three times. The duo's current LP Anything Goes was released in October and has already earned them a gold record. Their 2015 Anything Goes tour was one of the year's hottest across all genres.

Other CMT Artists of the Year will be first-time recipient Blake Shelton, who will be honored with a performance of his "Neon Lights" by Darius Rucker, Cassadee Pope and RaeLynn. Shelton will also present an award to performer Luke Bryan. Sam Hunt, who is set to perform "House Party" during the telecast, will be honored by Lady Antebellum's Hillary Scott.

The cast of ABC's Nashville will be recognized with CMT's International Impact Award, presented by current CMT reality show star Kellie Pickler. Cast members slated to accept the honor will be Clare Bowen ("Scarlett"), Connie Britton ("Rayna"), Chris Carmack ("Will"), Will Chase ("Luke"), Charles Esten ("Deacon"), Jonathan Jackson ("Avery Barkley"), Sam Palladio ("Gunnar"), Audrey Peeples ("Layla"), Lennon and Maisy Stella ("Maddie Conrad" and "Daphne Conrad"). Kenny Rogers will receive an Artist of a Lifetime trophy from former CBS news anchor Dan Rather.

The CMT Artists of the Year special airs tonight, Wednesday, December 2nd, at 8 p.m. ET.



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