Thursday, April 30, 2015

Zac Brown Band Score First Number One on Rock Chart

Zac Brown Band have never colored inside country's lines, with their musical crayons flailing wildest on the brand-new Jekyll + Hyde, released this week. The album sees the eclectic eight-piece venturing into rock, soul, jazz, gospel, folk, dance and even a little gospel, reggae and metal.

The track that arguably dives deepest into hard-rock territory is "Heavy Is the Head," featuring Chris Cornell of Soundgarden and Audioslave fame. The song was released in early March as the album's second single — but to rock radio, rather than country. (The song's release came the same week Cornell and Zac Brown Band performed it on Saturday Night Live.) Jekyll + Hyde's first single, "Homegrown," would hit Number One on the country charts just a few weeks later. And when "Heavy Is the Head" followed suit this week over on Billboard's Mainstream Rock Songs chart, Zac Brown Band became only the second act in the publication's history to top both that rock radio-based chart and its Country Airplay chart, which the group has done with 11 songs.

Bon Jovi were the first and only other act to achieve that feat — and with another cross-genre collaboration, "Who Says You Can't Go Home" with Jennifer Nettles. The New Jersey rockers' country chart-topper joins two Number Ones on the Mainstream Rock tally.

Zac Brown Band's Jekyll + Hyde LP marks the first project born of a unique partnership between Brown's own Southern Ground record label, Big Machine Label Group, John Varvatos Records and Republic Records. The band boss insists that his now supersized team is 100 percent behind his creative, genre-defiant vision.

"What I've always loved is to try things and take chances that other people are scared to do," Brown tells Rolling Stone Country. "We've got a team of visionary people and people who've proven they can be successful in their own way, by breaking the rules of what is normal."



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Tidal Unveils 'Discovery' Platform to Showcase Emerging Artists

Tidal, the high-quality streaming service recently relaunched by Jay Z and other big-name musicians, announced a new Discovery section designed to showcase and promote music uploaded by young, budding artists.

According to a press release, the primary aim of Tidal Discovery will be to help new artists reach larger audiences by offering subscribers monthly playlists and other exclusives. The streaming service also plans to host a series of Discovery concerts across the country that will feature some of the top artists streaming on the new section.

Through a partnership with digital distributors Phonofile and Record Union, Discovery will also allow musicians to release their music directly through Tidal à la Bandcamp or Soundcloud. Musicians will be able to select their preferred royalty structure, but they will also be required to sign a contract in order to be eligible.

According to The Hollywood Reporter, Discovery is one of three Tidal initiatives — along with Tidal X and Tidal Rising — designed to not only highlight up-and-coming artists, but foster more direct relationships between musicians and fans.

Through Tidal X, for instance, Jack White's intimate North Dakota concert was streamed live on the service, while subscribers were automatically entered for a chance to win free tickets. Going forward, Tidal X will also hold concerts that book burgeoning musicians alongside marquee names.

Rising is somewhat similar to Discovery, though it will use both Tidal's financial and star power to help promote emerging artists who have already cultivated a strong fan base. As Tidal's chief investment officer Vania Schlogel pointed out, this could include spending production and marketing dollars on a Tidal X concert or fostering a mentorship between a young musician and an established artist.

Schlogel went on to admit that these programs, and Tidal's overall dedication to promoting new talent, should have been more heavily stressed upon its relaunch. The star-studded rollout drew heavy criticism, with many claiming it would only bolster the music industry's one percent.

"It’s their voices that really matter in this," Schlogel told THR of the young artists she hopes will benefit from Tidal's reach and artist-friendly royalty structure. "If their voices aren’t in positive support of this, then we have failed. I genuinely mean that."



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Katy Perry Sunflower Dress Sparks Controversy in China

Katy Perry sparked controversy in China after a recent concert in Taipei, Taiwan, where she donned both a Taiwanese flag and a sunflower dress, which many viewed as a pro-Taiwanese statement and expression of solidarity with the 2014 Sunflower Student Movement, E! reports.

Just over a year ago, a group of students occupied Taiwan's parliament for 23 days, protesting the Cross-Strait Service Trade Agreement with mainland China. They believed the pact would give mainland China too much economic and political power over the sovereign nation, with sunflowers used as a symbol of hope throughout the protest.

The relationship between Taiwan (technically known as the Republic of China) and mainland China (People's Republic of China) is incredibly complex, as both governments claim to represent all of China — mainland and associated islands — and simultaneously refuse to recognize each other's sovereignty. Since the ROC lost its United Nations seat as "China" to the PRC in 1971, many countries have recognized the latter as the sole legitimate government of China, including the United States (though it maintains unofficial ties with the ROC).

As such, the ROC flag Perry draped over her shoulders was viewed by many as a political statement itself, especially because the PRC has often fought to remove its presence from events like the Olympics or the FIFA World Cup. When combined with the sunflower dress, fans couldn't help but interpret the outfit as a direct allusion to last year's protests.

As Quartz points out, many Taiwanese fans praised Perry's outfit, but it also received harsh criticism in China. Photos of Perry donning the dress and flag were reportedly deleted from Baidu and other Chinese social media sites Thursday morning.

Perry's actual intent remains unclear — the singer hasn't commented on the incident via social media— though the sunflower dress has been a part of her wardrobe throughout much of her Prismatic World Tour. However, it could have serious repercussions for her in mainland China: The country remains an enormous market for both album sales and concerts, but in 2008, as Reuters reported, it began banning performers who "threaten national sovereignty."

While Perry has a concert in China's autonomous Macau region this weekend, she toured the mainland earlier this month. Her concert in Shanghai even featured the sunflower dress.



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Dave Grohl Recalls Kiss Army 'Induction' at ASCAP Pop Awards

Dave Grohl spoke to the power of Kiss Wednesday night when he honored Gene Simmons and Paul Stanley with an award recognizing their influence as a songwriting team. His speech was part of the ASCAP Pop Music Awards – put on by the American Society of Composers, Authors and Publishers, an organization that collects money and pays songwriters for performances of their songs – where he presented the duo with the ASCAP Founders Award. The Doobie Brothers and St. Vincent were also honored at the Los Angeles ceremony.

"Everybody remembers their first Kiss record, and this is how I remember mine," the Foo Fighters frontman said of Kiss' 1976 LP Destroyer, according to Billboard. "With nuclear anticipation, I let the needle drop on that legendary intro to 'Detroit Rock City,' perhaps the greatest introduction to any rock & roll album ever recorded. It filled my speakers and my imagination. Thirty-four minutes later and 27 seconds later, Kiss had filled my soul. I was now a member of the infamous Kiss Army."

Grohl recalled turning his bedroom into a "fucking shrine" to Kiss as he became a fan, lining it with posters and action figures. "Every morning, I would wake up in my tiny bedroom and take a good look at my superheroes before walking to school," he said. "They got me through those years and ultimately inspired me to follow this unreasonable dream of becoming a professional rock & roll musician." He liked the band so much, he said, that Kiss "even made fuckin' disco look cool" with their 1979 single "I Was Made for Lovin' You."

"Forty years later, my love of Kiss is still strong," Grohl said. "And these days I still spend every morning before school with Paul Stanley...in the parking lot of our kids' fuckin' elementary school, chatting about Zeppelin and Electric Lady [studios] and touring and school fundraisers. So I'd say that my unreasonable dream definitely came true."

Last year, Stanley told Rolling Stone how he has seen Grohl every day for the past three years at their kids' school, as well as what a big fan of the Foo Fighters he was. "There were times that I would hear music on the radio – just something great – and not know who it was and very often it was Foo Fighters," he said. "It's incredible to think of somebody coming out from behind the drums with such a full concept as Dave has had and create music. I mean, the first Foo Fighters album, that's just Dave. So the template and everything he's been working from is bigger than anyone expected from the guy who was just viewed as the drummer of Nirvana."

Read Grohl's entire speech at Billboard.



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Suge Knight Pleads Not Guilty to Murder

Former Death Row Records chief Marion "Suge" Knight has pleaded not guilty to murder and other charges in connection to an incident where he ran over two men in January, killing one. He also faces charges of attempted murder and hit-and-run. CNN reports that Los Angeles County Judge Ronald Coen placed his bail at $10 million. Knight faces a life sentence if convicted.

Knight's trial will begin on July 7th, according to The Associated Press, providing no lawyers move to have it start at a later date. Coen has reserved 16 court days for the trial and expects jurors to be pre-screened before the start date. Knight will be back in court on May 16th, when the lawyer representing Knight, Matthew Fletcher, will attempt to get the case dismissed.

Fletcher claims that Knight was fleeing an ambush when he hit Terry Carter, killing him, and Cle "Bone" Sloan, injuring him, with his vehicle in Compton, California this past January. Coen surveyed the evidence and decided that Knight would stand trial on the three charges earlier this month.

Fletcher asked for Coen's bail to be reduced to $5 million, but the judge refused. Nevertheless, Fletcher told The New York Daily News Thursday that he expected boxer Floyd Mayweather would post the record exec's bail. "We think Mr. Mayweather is going to win the championship and then come champion the day again," Fletcher said, referring to the boxer's upcoming match with Manny Pacquiao. "They're good friends.... We believe it will happen."

Sloan gave testimony in mid-April that he punched Knight the day of the incident, but he said he would refuse to identify Knight in trial since he didn't want to be a "snitch." "I will not be used to send Suge Knight to prison," he said at the time.



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Hear Miranda Lambert's Hollywood-Worthy 'Two of a Crime'

When Reese Witherspoon texted Miranda Lambert several months ago, asking the Platinum singer to write a Latin-influenced country song for the movie Hot Pursuit, Lambert knew just who to call. 

Nicolle Galyon and Natalie Hemby had been two of the heaviest hitters on last year's Platinum, co-writing five of the album's songs — including the ACM award-winning, Number One single "Automatic." Lambert reached out to her songwriting sidekicks once again, looking to pen a girl-powered anthem in the style of Thelma & Louise. What the three women came up with was "Two of a Crime," which makes its debut this week. 

"Two of a Crime" finds Lambert sharing the spotlight with mariachi horns, a nylon-stringed guitar solo and plenty of country-rock firepower, including the squall of distorted feedback that opens the song. There's no mistaking the Latin influence, particularly during the song's bridge and extended outro, but "Two of a Crime" also rocks harder than anything she's done since Revolution. Maybe it's the movie's plotline, in which a straight-laced rookie cop (Witherspoon) teams up with the Colombian wife of a high-powered drug lord, that fired up Lambert's engine. 

Hot Pursuit, which also stars Sofía Vergara as Witherspoon's unlikely accomplice, hits theaters May 8th.



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Hear Jamey Johnson and Amanda Watkins' 'If I Was Over You'

When Amanda Watkins, former member of the country duo Miss Willie Brown, set out on her solo career, she struck up a friendship with Jamey Johnson, who took her on tour as his opening act. During her nightly performance of her song "If I Was Over You," Johnson would often amble onstage to harmonize on the chorus. Recently, the pair captured the heartbreaking song in the studio — as a duet.

The idea was all Johnson's, according to Watkins, who says the independent Alabama singer tinkered with her finished track after hours in the studio, adding his unmistakable baritone. After receiving a late night text to come to RCA Studio A, where she recorded her upcoming debut album and where Johnson has his Nashville office, Watkins says she was surprised with the finished song.

"Jamey said, 'I did some changes. I hope you are OK with them.' They took the band out of the first two verses, so it is just acoustic guitar. When Jamey came in, I realized he had made it a duet and I started crying," Watkins said in a statement.

Written by Watkins and Rivers Rutherford, "If I Was Over You" begins with a single guitar and Watkins' dusky voice, before Johnson comes in with a verse of his own: "If I was over you, I'd stop calling you names/telling everyone you were just an old flame/if I was over you." As the band enters, the two singers marry their vocals — "I want my man," sings Watkins; "I want my woman," echoes Johnson — both equally full of sorrow and yearning. Like the pull of a lost lover, it's a song you just can't forget.

Watkins will perform at CMA Music Festival this June, while Johnson continues his seemingly endless touring. He launched his own label, Big Gassed Records, late last year and recently released the swinging love song "You Can."



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U2 Prep Unique Sound System While Bono Struggles to Recover for Tour

A few months after Bono said he might never be able to play guitar again after a bicycle accident in New York City, the U2 frontman reveals that while he's on the mend, his left hand is far from healed. "It feels like I have somebody else's hand," the singer recently told The New York Times. He also likened the feeling to rigor mortis. "They say that nerves heal about a millimeter a week, so in about 13 months I should know if it's coming back."

In addition to the hand, the accident had given the singer a fractured eye socket, shoulder and elbow. Bono said that his shoulder and face were feeling better, reporting that his forearm and elbow felt numb and reiterating that he can no longer play guitar. "They don't seem to mind," he told the Times "with a half-grin" as he gestured at his bandmates.

Bono's inability to play guitar, however, is not holding up the songwriting process for the group's next album, which will follow up last year's Songs of Innocence. The singer has been using his downtime to write songs – in-progress titles include "Red Flag Day," "Civilization" and "Instrument Flying," according to the newspaper – with the help from a guitarist who could play the chords Bono can't. The group currently has a mobile recording studio in Vancouver, where it's launching an arena tour.

"We're keeping the discipline on songs and pushing out the parameters of the sound," the frontman said of the new material. "They're very basic earthy things, irreverent. They're not lofty themes. One of the things that experience has taught us is to be fully in the moment. What's the moment? Pop music."

Mostly, though, U2 are gearing up for a unique arena tour. The group will be splitting each concert into two sets with an intermission. The first half will feature a "relatively fixed" set list, according to the Times, while the second may be more arbitrary.

The band is also experimenting with a new sound system on the tour. Rather than having speakers set up at the stage, the group will suspend speaker arrays from the ceilings of arenas so everyone will be able to hear the music equally. The Times reported that the sound was "uniformly transparent" and the volume was constant throughout Vancouver's Rogers Arena, where the tour kicks off on May 14th. The staging for the tour also features three platforms, an "I"-shaped one for "innocence," a round one shaped like a lower-case "e" to represent "experience" and a walkway.

Earlier this year, U2 continued to promote their Songs of Innocence album with an intense video for "Every Breaking Wave," which thematically drew from the religiously charged wave of violence that swept Ireland and Northern Ireland for decades. The group also issued its "last word" on the controversial way the record as pushed out onto Apple devices, telling Rolling Stone they stood by their music. "These songs took a while, but I know they have staying power," Bono said. "I'm still holding on to some of them quite tightly myself."



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Wednesday, April 29, 2015

Paramore to Set Sail Again on Parahoy! Festival at Sea in 2016

Paramore will once again lift anchors when they embark on their second Parahoy! Festival at Sea next year. The floating concert will take place March 5th - 9th and travel round-trip from Miami to Cozumel, Mexico. Paramore will perform twice during the fest, which has yet to announce the rest of its lineup.

The festival, which will take place on a boat called the Norwegian Pearl, will also feature meet and greets, a Q&A and "Paraoke" with the band and other activities which have yet to be announced. It will also include DJ sets, theme nights, sets by stand-up comedians and "much, much more," according to the fest's website. The fest is currently running a presale that includes a photo with the group and a Parahoy sailor's cap.

The group will hand-pick the artists who perform on the fest. Last year's Parahoy festival featured sets by Tegan and Sara and New Found Glory.

But before the festival, Paramore still have plenty of tour dates to play this year. Earlier this year, frontwoman Hayley Williams told Rolling Stone that she viewed the tour as a victory lap, since the group recently won the Best Rock Song Grammy for their Paramore tune "Ain't It Fun," an LP that hit Number One.

"We never in a million years thought we would win a Grammy, or any of the other crazy things that happened along the way," she said. "So we're thinking of each show as an event, as a way to celebrate our relationship with fans, to celebrate the album and to celebrate the past two years of this band."



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My Morning Jacket Establish Philanthropy Foundation

My Morning Jacket will release their new album The Waterfall on May 4th, and with Jim James and company's latest LP comes a new philanthropic effort called The Waterfall Project. "We're honored to announce The Waterfall Project - a fund that supports & promotes engagement around causes we hold dear," the band announced on Twitter Wednesday.

"The Waterfall Project is dedicated to supporting and promoting actions, big and small, for positive change in the world. As part of this effort, we will dedicate funds, established with portions of ticket sales from U.S. shows, proceeds from special merch items and donations, to organizations working on the frontlines of the important issues," the foundation's official site writes. "In 2015, the Waterfall will focus on supporting and amplifying environment and climate issues."

The Waterfall Project also announced the first three beneficiaries of their fundraising efforts: Kentuckians For the Commonwealth, the Gulf Restoration Network and Climate Justice Alliance. "We are inspired by the work of these nonprofits and dedication to the respective issues and communities they serve. We are honored to support them and look forward to learning and sharing more in the weeks and months to come," the band wrote. Head to the group's official site to donate now.

In addition to their philanthropic efforts, My Morning Jacket also dropped a new video made in association with Sonos that breaks down how picturesque Stinson Beach, California inspired the recording of The Waterfall. The video also shows how global arts non-profit organization Beautify Earth, a Waterfall Project collaborator, created a mural based on The Waterfall's artwork.



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Courtney Love Biographer Sues Singer for Breach of Contract

Courtney Love's co-writer, Anthony Bozza, has sued the singer for breach of contract with regard to her highly anticipated memoir, tentatively titled The Girl With the Most Cake. The author – who was previously a Rolling Stone editor and has co-written books with Slash, Tommy Lee and Tracy Morgan, among others – is seeking damages of at least $200,000 in the suit, which a New York court received last week.

Bozza states that he entered into a contract with the Hole singer in 2010 and delivered a 123,000-plus–word manuscript of the book to both Love and publisher HaperCollins in January 2014. The lawsuit claims that both Love and HarperCollins said they were happy with the manuscript at different points. Bozza said that Love emailed him in June 2012 to say that an introduction and draft of two chapters were "fucking beautiful" and left her "breathless." A HarperCollins rep reportedly called the manuscript "brilliant" in a teleconference between Bozza's agent in May 2014.

Bozza claims Love subsequently texted him in April 2014, though, saying that she was "trying to fix the book" with another writer, but that that new co-author was "worthless" and the book was "now in even more chaos." Bozza says in the suit that he told Love he was not offended by her decision, but asked her to pay him (his contract would still entitle him to payment proportionate to the amount of his work that would be published); he did not get a reply.

That same month, she told The Telegraph she'd rejected the book. "I said, 'Keep your bloody money,'" she told the paper. "I'd rather keep my friends."

A representative for Love did not immediately reply to a request for comment.

The agreement also stipulated that Love would "make herself available to [Bozza] for interviews...at mutually agreed times." The lawsuit contends that Love did not make herself available to Bozza "for months at a time," resulting in "substantial delays."

In the suit, Bozza states that his collaboration agreement with Love guaranteed him a minimum of $200,000 from advances Love received, as well as his expenses, regardless of whether the book came out. Bozza says he has spent around $10,000 on getting his interviews with Love transcribed, an expense he claims she has not reimbursed. Furthermore, he would receive royalties up to a maximum of $300,000. So far, Love has paid Bozza only $100,000, he claims, despite already receiving $400,000 of a $1.2 million publishing advance.

In October 2013, a source at HarperCollins told Rolling Stone that Love would release the book by early 2014. But by August 2014, Love was saying the book had become a "disaster" and that she was uncomfortable with personal details that had occurred from 2006 to the present that she had revealed in the book.



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Watch Paul McCartney Perform Beatles' 'Another Girl' for First Time

Paul McCartney played Japan's famed Nippon Budokan Tuesday night for the first time since the Beatles performed there in 1966. To celebrate the occasion, McCartney dusted off a Fab Four classic that had never been played live before: Help!'s "Another Girl."

McCartney's Japanese tour also featured the singer performing the Beatles' "Can't Buy Me Love" onstage for the first time since 2009 and reviving Revolver's "Got to Get You Into My Life" for its first live performance since 2011. However, the "Another Girl" performance was the biggest surprise of McCartney's Fab Four-heavy setlists, as the song had never been performed live by either the Beatles or any of its members solo.

"It was sensational and quite emotional remembering the first time and then experiencing this fantastic audience tonight," McCartney said of the Budokan gig (via NME). "It was thrilling for us and we think it was probably the best show we did in Japan and it was great to be doing the Budokan 49 years later. It was crazy. We loved it." When McCartney landed at Osaka airport to kickoff his five-date Japanese tour, he was reportedly met by 500 fans at the airport.

The "Another Girl" performance was McCartney's second trip down memory lane in as many weeks: He also helped induct Ringo Starr into the Rock and Roll Hall of Fame with a moving speech. "As all the other drummers say, he just is something so special," McCartney said of Starr. "When he's playing behind you, you see these other bands, they're looking around at the drummer, like, 'Is he going to speed up? Is he going to slow down?' You don't have to look with Ringo."

McCartney will head back to America this summer, with the singer announcing the opening three dates of his Out There tour. He'll also headline a pair of music festivals this summer: Dover, Delaware's Firefly Festival and Chicago's Lollapalooza.



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Watch Ryan Adams' Redemptive Cover of 'Summer of '69'

The Ryman never forgets. 

It's been more than 12 years since Ryan Adams infamously ejected a fan from the Ryman Auditorium in downtown Nashville, tossing him a $40 refund on his way out the door. The accused's crime? Shouting out repeated requests for Bryan Adams' "Summer of '69" — a harmless joke, perhaps, but a definite distraction during a show that otherwise featured little more than Adams' voice, his acoustic guitar and occasional cameos from Gillian Welch and David Rawlings. 

Four years later, Adams came back to the Ryman, this time with the Cardinals in tow. Looking to bury the hatchet, the band delivered two hours of Deadhead-driven country-rock, stopping only when a heckler in the second row lobbed a string of taunts at the frontman. "Keep talking shit, motherfucker," Adams responded, stopping his performance of Jacksonville City Night's "Games" midway through the first verse. "Come up here, then; talk it to my face. Get up here! I dare you."

The heckler stayed in his seat, and the rest of the show unfolded as it was meant to, with no further refunds or reprimands needed. The gig couldn't erase lingering memories of that first Ryman show, though. It was the heckle heard 'round Music City, and Adams couldn't seem to do anything — including getting sober — to put it to rest. 

Until last night. 

During the final moments of a two-night stand at the Ryman, Adams wrapped up a mesmerizing full-band performance of "I See Monsters," then stepped away from the microphone while a roadie brought two sheets of paper to the front of the stage. Adams looked down and gave the lyric sheets a quick once-over. Then, with the rest of the band waiting in the wings, he kicked off a surprise acoustic performance of "Summer of '69."

What followed was a stripped-down version of a song that had caused so much drama more than a decade prior. Adams — who's become genuine friends with Bryan Adam over the past year, even wishing him a happy birthday last November by tweeting, "@bryanadams I will be toasting you from a secret Pinball Lair with California's most wondrous greenery!" — played the 1985 hit alone, treating it not as a Reagan-era guilty pleasure, but as a moving, melodic tribute to young love and teenage dreams. 

During a pair of sold-out shows whose highlights included guest guitar solos from Jason Isbell, occasional harmony vocals by Amanda Shires, a duet of the Dirty Dancing throwback "She's Like the Wind" with opener Natalie Prass and a rare performance of Whiskeytown's "16 Days," Adams saved the best for last, extending an olive branch to the city that was once his home during the recording of his 2000 solo debut, Heartbreaker. His acoustic tour back in October 2002 might not have been the best days of his life. . .but 12 and a half years later, it seems like everyone is more than happy to move on. 

 


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Watch Brett Eldredge Do His Best Frank Sinatra Impression

Brett Eldredge straps into a straitjacket in the video for his latest single, "Lose My Mind," but in the above karaoke challenge from America's Morning Show host Blair Garner, he sounds more suited to a fancy dinner jacket. Crooning along to a pre-recorded track, the blue-eyed Eldredge channels Ol' Blue Eyes himself, Frank Sinatra, while performing the legendary entertainer's 1966 classic, "Summer Wind."

"We've never done a karaoke performance on America's Morning Show before," Garner said. "He is going to set the bar pretty high."

Eldredge noted that he didn't get to drink before his performance, adding that he was "pretty sure" Sinatra, who died in 1998, was buried with a flask of Jack Daniel's whiskey. (He's right. The singer also took a roll of cherry Life Savers, Tootsie Rolls, dog biscuits, stuffed toys, Camel cigarettes and a Zippo lighter to his grave, according to daughter Tina Sinatra's memoir.)

Post-performance, when Eldredge was asked if he'd ever do an album of such pop standards, he replied, "Yeah, I want to someday. I grew up singing that [song]. I haven't listened to it in a long time but I listened to it a lot."

It's not the first time the country hitmaker has paid homage to the iconic performer, whose 100th birthday would have been celebrated this year. In 2014, on the red carpet at the CMA Awards, where he was crowned New Artist of the Year, Eldredge busted out a quick verse of "The Way You Look Tonight." A month later, at an intimate, invitation-only gathering in Nashville, the singer donned his tux once again and performed a handful of Sinatra-inspired standards as well as some of his own hits for about 75 guests. He noted at the time that he hoped to make such special performances a routine, when he has time.

In the meantime, however, Eldredge has a heavy tour schedule ahead, including opening shows on Darius Rucker's Southern Style trek this summer.



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See Zac Brown Band Play Joyous 'Tomorrow Never Comes' on 'Fallon'

The eclectic Zac Brown Band highlighted the variety of their just released Jekyll + Hyde album, performing one of the new LP's deep cuts on The Tonight Show Starring Jimmy Fallon earlier this week.

"Tomorrow Never Comes," co-written by Brown with Niko Moon and frequent collaborator Wyatt Durrette, came off like a vibey hybrid of country, jam rock and just a hint of house.

The album has already produced Number Ones in country ("Homegrown") and rock ("Heavy Is the Head," featuring Chris Cornell), and Brown told Rolling Stone Country to expect as much back in November.

"Our boundaries have dissolved and we're going to still do things that are somewhat familiar that people like, but we're also going to stretch out and take chances beyond what we've done before," he said. "Some people are going to be really surprised."

On "Tomorrow Never Comes," the eight-piece crew puts acoustic guitars and an electric mimicking a banjo out front, but listen close at the end and you'll pick up faint whiffs of a pulsating synthesizer too.

Add that to the heady, carpe diem philosophy of Brown's lyrics, and the newly retooled group is showing off evolution far beyond their fresh John Varvatos threads.

Jekyll + Hyde was released Tuesday, while the summer tour of the same name begins May 1st in Nashville and runs through September 12th with stadium dates in Boston (Fenway Park), New York (Citi Field), Chicago (Wrigley Field) and more.



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Jay Z to Perform Special 'B-Sides' Tidal Concert in New York

Jay Z announced an exclusive New York concert for Tidal subscribers that will find the rapper performing tracks he's never played onstage or songs that haven't been part of his live arsenal for over a decade. Dubbed "Tidal X: Jay Z B-Sides," the one-off concert will come to an as-yet-unnamed "intimate New York City" venue on May 13th. The only way to get tickets for the special concert? Impress Jay Z with your playlist-making abilities on Tidal.

Starting Wednesday, Tidal users can start curating their own playlist using the hashtag #TIDALXJAYZ. Check out the Tidal site for full details. The contest runs through May 8th, and winners (ages 18+ only) will receive a pair of tickets to the special show. The concert will also be a featured livestream available only on Tidal.

Over the weekend, Jay Z defended his high-quality audio streaming service against what he viewed as a multimillion-dollar "smear campaign" by his competitors. "We are not anti-anyone, we are pro-artist & fan," Jay Z tweeted. "We made Tidal for fans. We have more than just music. We have video, exclusive concerts, tickets for events early, live sports! Tidal is where artists can give their fans more without the middlemen." Jay Z's B-Sides gig is evidence of those "exclusive concerts," as was Jack White's acoustic North Dakota performance that streamed live on Tidal Sunday night.

"Tidal is doing just fine. We have over 770,000 [subscriptions]. We have been in business less than one month," the rapper tweeted. "The iTunes Store wasn't built in a day. It took Spotify nine years to be successful. We are here for the long haul. Please give us a chance to grow and get better."



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Tuesday, April 28, 2015

Jack Ely, 'Louie Louie' Singer and Former Kingsmen Member, Dead at 71

Jack Ely, the former singer of the Kingsmen and the most famous voice behind the garage-rock hit "Louie Louie," has died in his home in Richmond, Oregon. The singer's son, Sean, confirmed his father's death to The Associated Press, saying the musician had long been suffering from an unspecified illness; because of Jack's religious beliefs, the family does not know what it was. He was 71.

Ely co-founded the Kingsmen in 1959, with the group recording its cover of Richard Berry's 1957 tune "Louie Louie" for $52 and releasing it in 1963. The song, as Berry wrote it, told the story of a sailor on his way back to Jamaica to reunite with his love. But because Ely had howled the lyrics into an awkwardly dangling microphone – coupled with his bandmates' raucous, three-chord racket – his vocals sounded muffled and led to confusion as to what words he actually sang. The song became a Number Two hit and stayed on the charts for 16 weeks.

The FBI, believing Ely's words to be pornographic, launched an investigation into the tune and concluded that the vocals were "unintelligible at any speed." The Feds eventually compiled a 455-page report on the single, of which Sean told The AP Jack got "quite the kick" out of. He also said Jack knew the words and was not muttering not-so-sweet nothings into the microphone. "I always thought the controversy was record-company hype," Ely once told Rolling Stone.

The Beach Boys, Jan and Dean, the Troggs, the Sonics, the Beatles, Mothers of Invention, Motörhead, Black Flag and Iggy Pop all recorded covers of "Louie Louie" after the Kingsmen version.

Jack left the Kingsmen, who are still active, shortly after the single came out. He later formed a rival group, the Courtmen – who recorded their own "Louie Louie '66" – and later a group called Jack E. Lee and the Squires, who released a single titled "Love That Louie."

Sean said that his father later trained horses in central Oregon, content with being a one-hit wonder.



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Read Axl Rose's Letter to Indonesian President Regarding Bali Nine

Axl Rose sent a letter to Indonesian President Joko Widodo yesterday, pleading for clemency for two members of the so-called "Bali Nine" – nine people arrested in 2005 for allegedly planning to smuggle heroin out of Denpasar – and a woman accused of smuggling the drug into the country. Although the woman – Mary Jane Veloso – was spared after a person who claimed to have recruited her as a drug courier surrendered to police, according to The New York Times, the men Rose named in his letter – Andrew Chan and Myuran Sukumaran – were executed. A rep for Rose tells Rolling Stone the singer decided to make his letter public because he was "quite upset with such injustice."

"I appeal to you Mr. President, Mr. Joko Widodo to use your power...to show your country's strength and allow the world to witness an extraordinary act of humanity and bravery on yours and your country's part," the Guns N' Roses singer wrote in the letter, which he also sent to U.S. Secretary of State John Kerry, three ambassadors and the chairman of the National Commission on Human Rights of Indonesia. The full text of the letter is reprinted below.

"Their crimes were now long ago, their hearts and minds forever changed by their crimes," Rose wrote. "In a world where the bad often outweighs the good and evil and negativity would appear more and more prevalent we need and can use every person choosing to make a difference.... In doing so we show the entire world that we are capable of forgiveness and mercy, a much greater sense of courage, strength and humanity and being so much more than that which seeks to overcome and destroy us."

The singer wrote that not sparing the prisoners' lives would be a "cold, cruel and uncaring message of hopelessness," and he pleaded that Joko not be "blinded by rigidity and inflexibility." He also called their death sentences "draconian" and the act of killing them "barbaric, backward and truly disgraceful."

"It's true I do not know these men nor have I met them but their story has touched me deeply," Rose wrote. "I as well as many others could easily have found ourselves in their unfortunate and unarguably self-inflicted position. People make mistakes, sometimes big and horribly regrettable mistakes and sometimes more importantly people learn from their mistakes and make new choices, strive and succeed at true positive change. To not acknowledge and give such change the opportunity to prove it's value would seem in this case a greater crime than those originally committed."

Specifically regarding Veloso, Rose wrote that "executing those on the bottom rungs of the ladder in the chain of drug trafficking...seems more than unfair."

"I realize I am no one and no one to get involved with your affairs or those of your government and how this letter reads or anyone other than yourself thinks of it is irrelevant," Rose wrote. "Only the lives of these three human beings are what's important now."

He closed the letter by asking Joko to consider the message he is sending. "You've made your point and struck fear in both the hearts and minds of the condemned and anyone even remotely considering bad choices or already involved in those worlds," Rose wrote, noting that Joko assumed office in 2014, well after the arrests. "Life is the only thing important now, not death but life."

Despite Rose's letter, the government executed eight people – seven of whom were foreigners, including Chan and Sukumaran – after midnight on Wednesday, according to the Times. The execution of Veloso, a Philippine citizen, has been postponed, pending her testimony in the case of the woman who gave herself up for her. The paper reports that Joko had said that the country was facing "a national emergency" of drug abuse last October and that he rejected 64 appeals for clemency in death penalty cases for drug convicts.

Lawyers for Chan and Sukumaran said that a judge had offered them a lighter sentence in exchange for money.

Axl Rose's letter to Indonesian President Joko Widodo

April 27, 2015

President Joko Widodo
President of Republic of Indonesia
Istana Merdeka
Jakarta Pusat 10110, Indonesia

Mr. President,

Thank you for taking the time to read this letter. In 2012 I and Guns N' Roses were both fortunate and privileged enough to perform in your country in Jakarta for the Indonesian people where we enjoyed and were taken aback by the incredible warmth of the Indonesian fans during our performance and in meeting fans and people there wherever we went. It was a very special and exciting experience we are fortunate to have had and to have as fond memories. I would like to express our sincere thanks to your country for showing us such warm and enthusiastic hospitality.

The main concern of this correspondence is in regard to the impending executions of Andrew Chan and Myuran Sukumaran of the group referred to as the Bali Nine and of Mary Jane Fiesta Veloso. In following their stories in regard to particular comments made in their regard by the Attorney General of Indonesia that their efforts and those of their representatives through the courts "are just buying time" I feel with all due respect compelled to ask why a government official derides the efforts of anyone trying to save their own life or the lives of others through proper legal channels? And if or why the government of Indonesia condones such comments by its officials?

As all three are still alive these are clearly not cases where nothing can or should be done by those who care to do their utmost in efforts to spare them. Under the circumstances it would seem that if they are executed regrettably the Indonesian government becomes the more offensive criminal.

I appeal to you Mr. President, Mr. Joko Widodo to use your power in ways to strengthen international relationships between your country and others, to show your country's strength and allow the world to witness an extraordinary act of humanity and bravery on yours and your country's part.

To show each of us that there can be hope and true redemption in times of hopelessness and despair, that rehabilitation and turning one's life around is not just for one's place in what if any afterlife there may be or one believes in but here on this earth where it can do each of us the most good in this life now. Where true justice is better achieved in not killing, not ending the lives of and not destroying others but instead in this case, this situation, right now in this moment in your hands in sparing the lives of these two able bodied young men who've proven in the Indonesian prison system they are more than capable of being productive and positive contributors to society.

Their crimes were now long ago, their hearts and minds forever changed by their crimes, their trials, the hurt they've caused their loved ones, their countrymen, their rehabilitation, remorse, the lasting and deeply embedded fears of the crushing reality of very real and drastic life and death consequences and their deepest desires to become different and better people and if not to be forgiven to be shown mercy and given the opportunity to prove themselves.

In a world where the bad often outweighs the good and evil and negativity would appear more and more prevalent we need and can use every person choosing to make a difference however that choice came about that we can get, that we can save, that we can salvage and we can spare the lives of including those who have seen and learned from the errors of their ways and in doing so we show the entire world that we are capable of forgiveness and mercy, a much greater sense of courage, strength and humanity and being so much more than that which seeks to overcome and destroy us.

To not do so does not send as much a message of deterrence but rather a cold, cruel and uncaring message of hopelessness and blindness by the powers that be. Please do not be this type of man, this type of individual blinded by rigidity and inflexibility and ignoring your true power and wisdom by not acknowledging true change verified, witnessed and confirmed by virtually all who've been involved with either of these men during their incarceration.

It's true I do not know these men nor have I met them but their story has touched me deeply. I as well as many others could easily have found ourselves in their unfortunate and unarguably self-inflicted position. People make mistakes, sometimes big and horribly regrettable mistakes and sometimes more importantly people learn from their mistakes and make new choices, strive and succeed at true positive change. To not acknowledge and give such change the opportunity to prove it's value would seem in this case a greater crime than those originally committed.

This is clearly not a case of hardened, unrepentant, violent or greed driven killers with no regard for the lives of others. They are not con men lying and faking their behavior over all these years only to return to the people they once were and are no longer. That these individuals must die purely as an example to others is in my opinion akin to a kidnapper or terrorist killing hostages to make their point and have their demands met. In carrying out their death sentences the example shown here is one of draconian justice where the punishment in this stage of the condemned's lives by virtue of their rehabilitation and genuine remorse over all these years no longer fits the original crime.

To kill these men under these conditions of their profound and proven change for the better seems a barbaric, backward and truly disgraceful act of pride, ego, fear and prejudice, prejudice against your own system and the souls of anyone who has committed what's been deemed a crime from one day making amends and having the opportunity to make things right by how they live their lives and not how they are brutally and with disregard executed.

In the case and impeding execution of Mary Jane Fiesta Veloso executing those on the bottom rungs of the ladder in the chain of drug trafficking or those caught in the web of human trafficking who may not have had the luxury of qualified representation or even proper translators during their trial seems more than unfair and proves what? That a government chooses to condemn those that it would appear few if anyone truly cares about or has ever cared about to begin with? A mother who's quite possibly sincere hopes of making a better life for her and her children have been destroyed in a tragic circumstance and with her execution only makes things worse for her family and the sorrow of those who do care that much greater.

I realize I am no one and no one to get involved with your affairs or those of your government and how this letter reads or anyone other than yourself thinks of it is irrelevant. Only the lives of these three human beings are what's important now. That said I did not speak in jest or empty flattery when I spoke of how I and my organization were affected by the depth of warmth shown us by the Indonesian people during our performance and stay in Jakarta.

I ask you now to show such great depth of humanity and compassion now to these individuals and to deny your bloodlust in your war on drugs and grant clemency to these three individuals and give them a permanent stay of execution and to change the course of your own life and place in both your country's and world history. No other can do what you alone have the power to do and that is the power to show benevolence and mercy where mercy can be truly appreciated and given it's proper respect not only by the condemned but by the entire world and it's many leaders.

Give them a chance to prove you right by living where their deaths at this stage can only prove tragic and by all involved avoidable and unnecessary. You've made your point and struck fear in both the hearts and minds of the condemned and anyone even remotely considering bad choices or already involved in those worlds. Their crimes were not committed on your watch. Life is the only thing important now, not death but life.

Sincerely,
W. Axl Rose

cc:

U.S. Secretary of State, John Kerry

U.S. Ambassador to Indonesia, Ambassador Robert O. Blake Jr.

Ambassador and Permanent Representative of the Republic of Indonesia to the United Nations, His Excellency Mr.Rezlan Ishar Jenie

National Commission on Human Rights of Indonesia (Komnas HAM), Mr. Ifdhal Kasim, Chairman

Ambassador to the United States, Budi Bowoleksono



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Merle Haggard Graduates High School With Special Ceremony

Merle Haggard is a three-time Grammy winner, a member of the Country Music Hall of Fame, the Nashville Songwriters Hall of Fame and the recipient of the prestigious Kennedy Center Honor. The legendary "poet of the common man" also holds an honorary doctorate from California State University in Bakersfield. Now, the 78-year-old proves you're never too old — or accomplished — to receive something most young students take for granted: a high school diploma.

Six decades after attending Bakersfield High School (for less than two weeks), Haggard has received his diploma, in spite of having never passed a single class before dropping out as a freshman. The Bakersfield Californian reports that David Reese, Bakersfield High School principal, and Don Hemingway, one of the Hag's grade-school classmates, urged his alma mater to honor the singer-songwriter as a fellow "Driller," in spite of his less-than-impressive academic record.

Haggard was presented with his long-awaited sheepskin at an informal gathering in an alley outside Bakersfield's Fox Theater on Saturday afternoon. "But I was only there nine days," the bemused entertainer said as he was handed the blue-and-white-framed document.

"Well, once a Driller, always a Driller," Principal Reese said.

Haggard, whose older sister, Lillian Haggard Rea, was registrar at the high school at the same time her brother was routinely truant, had arranged with a counselor to have the future country icon sent to Juvenile Hall to straighten him out. It didn't work…not right away, anyway. In 1958, Haggard would serve a little less than two years at San Quentin State Prison for burglary. As an inmate at San Quentin, Haggard witnessed a performance by country giant Johnny Cash, which he would credit for finally turning things around and setting him on his own path to superstardom. In 1972, he was pardoned by then-California Governor Ronald Reagan.

Hemingway, a retired woodworker, presented his classmate with a wooden bowl as a graduation gift.

"I'm glad the superintendent agreed to do this," he said. "But it's not like Merle needed this diploma to get a job or anything."

These days, Haggard has a different kind of joint on his mind. He and his longtime pal Willie Nelson are set to release their new duet album, Django and Jimmie, on June 2nd, featuring "It's All Going to Pot," the first single and video from the LP.



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Andrew W.K. Scores Show on Glenn Beck's Radio Network

Andrew W.K.'s already extensive resume has gotten longer and even more surreal: The rocker/motivational speaker/game show host/venue owner/ prospective Middle East ambassador/party expert will begin hosting his own radio program, America W.K., on Glenn Beck's network, TheBlaze.

The two-hour show is scheduled to air on Saturdays, with the premiere set for May 2nd. According to a press release, W.K. will lead positive, honest discussions about "what it is to be alive — meaning, motivation, mindset and making dreams come true, all included in a celebration of life itself."

While W.K. admitted he was surprised when Beck approached him about hosting his own show, he said he knew the staunch conservative and constitutional devotee would allow him free rein to speak his mind.

"I'm very dedicated to exploring and learning from different people in different places, and always with an open heart," W.K. continued. "If people never went outside their own box, life would be boring. After all, why would I only want to talk with people who already think exactly like me?"

While W.K.'s liberal perspective will be an anomaly on TheBlaze, Beck praised this very fact, noting the musician "is a perfect example of how two people can come together on what unites us, and become strange bedfellows. He is open-minded, honest, loves his fellow man, even though he may disagree with him, and is a natural entertainer."

Though perhaps best known for promulgating conservative values as an author and TV and radio host, Beck has begun to distance himself from the world of politics. Last year, citing a dissatisfaction with those on both sides the aisle, Beck announced he was starting a new career as a movie producer and was refurbishing the Studios at Las Colinas in Irving, Texas. 

"I have every intent of finding great artists who will tell great stories that aren't typical," Beck said at the time. "Everybody thinks they know who I am because of my stint on Fox — that was two years of my life. I'm much more into culture than I am into politics, and that's where I intend on making my stand."



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Flashback: Metallica Reunite With Dave Mustaine For Super Jam In 2011

In December of 2011, Metallica celebrated their 30th anniversary with a four-night stand in their hometown of San Francisco. They could have easily packed a stadium many times over to commemorate the occasion, but they opted to play the Fillmore, which seats just over 1,000 people. The lucky few in attendance saw some of the most amazing shows in the group's history, packed full of supreme rarities like "No Remorse" and "Wasting My Hate," along with tons of special guests like Marianne Faithful, Diamond Head's Sean Harris and Brian Tatler, Kid Rock, Lou Reed, Jerry Cantrell, Gary Rossington, Glenn Danzig, Rob Halford, Geezer Butler, Ozzy Osbourne and former Metallica bassist Jason Newsted.

As incredible as all that was, a single name topped the wish list of most Metallica fans: Dave Mustaine. Relations between the group and its original lead guitarist had been strained for years, and Mustaine was incensed by the way his appearance in the band's 2004 documentary Some Kind of Monster was edited, but things thawed considerably the previous year when Metallica played a series of "Big 4" shows with Megadeth, Slayer and Anthrax. Each night culminated with a jam where fans finally got to see Mustaine play with Metallica again, but it was always a cover song like Diamond Head's "Am I Evil" and never a Metallica original.

Throughout the entire Fillmore stand, fans wondered whether or not Mustaine would make it out. It finally happened near the end of the last night when he joined the band for a selection of songs from Metallica's 1983 debut, Kill 'Em All. Mustaine didn't play guitar on the album, but he co-wrote many of the tunes and appeared on the demos and many live renditions before he was replaced by Kirk Hammett.

Watching Mustaine play "Phantom Lord," "Jump in the Fire" and "Metal Militia" with Metallica was an unforgettable sight for the fans, but few were prepared for what came next. Not only did they bring out original bassist Ron McGovney (who hadn't played with the band since 1982), but another figure from Metallica's distant past emerged. "Before I met James, the first guy that I actually played music with in America when I decided to go down that path, the first guy that answered my ad is going to come out and join us," said Lars Ulrich. "On our version of 'Hit The Lights,' the first thing that Metallica ever put out, the following gentleman played all the guitar solos. Please give a warm welcome, for his first time ever on stage with Metallica, Lloyd Grant."

The complete original lineup of Metallica, playing together for the first time since 1982, then performed a smoking rendition of "Hit the Lights" with Grant recreating his original solos. For the grand finale, they played "Seek and Destroy" with Jason Newsted, meaning that every living member of Metallica, past and present, was up there together. They were joined by Death Angel singer Mark Osequeda and guitarist Hugh Tanner, who played with James Hetfield in his pre-Metallica band Leather Charm.

Above, you can watch fan-shot video of "Hit the Lights." The shows definitely warrant an official release on CD and DVD, but so far there's no word on that happening.



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Migos Postpone 'Yung Rich Nation' Tour After Arrests

Migos have postponed their planned North American May tour with OG Maco to July, though the new dates and locations have yet to be determined.

"Due to circumstances beyond our control, we are postponing this tour until July," the Atlanta rap trio said in a statement. "We want to be at our best and make sure that we give 100 percent during the Yung Rich Nation tour. We would also like to say 'Thank you' to all our fans for their love and support." The tour, in support of their debut album YRN Tha Album, was set to kick off on May 1st in Milwaukee and end on May 28th in San Francisco.

The news follows the recent arrest of Quavo and Offset on gun and drug charges in the middle of a concert. Police cut the group's Georgia Southern University show early and arrested the members for felony possession of cocaine, Oxycontin and codeine along with charges of carrying a loaded weapon in a school zone.

The "Versace" trio recently spoke with Rolling Stone about life after their 2013 hit and upcoming debut album. "[Y.R.N.] is for the people that say we're one-hit wonders," said Offset. "We're proving longevity and versatility and that we can actually sell records." 

YRN Tha Album is still set to be released on June 16th via Quality Control Music and will feature production from DJ Mustard.



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Nelly Readies Country Music EP

Fifteen years after the release of his debut album, Country Grammar, Nelly is gearing up to record a proper country record. 

The news arrived earlier this week courtesy of the rapper's new manager, J. Erving, who announced Nelly's crossover plans during an interview with Billboard

"He's a free agent on the label side now," Erving explained, "and is working on a country-based Heartland EP, which should be really interesting. He may be one of the first hip-hop artists to jump into that space in an authentic way with Florida Georgia Line and Tim McGraw, so we think he has an opportunity to grow that base even more."

A native of St. Louis, Nelly has often mixed a drawling, rural twang with his hip-hop hooks, although he didn't fully embrace country music until 2004. That year, he scored an international hit with "Over and Over," a genre-bending collaboration with "Live Like You Were Dying"-era Tim McGraw. Nine years later, Nelly teamed up with Florida Georgia Line for a popular remix of "Cruise," whose sales helped the song become the top-selling digital country single of all time. 

Florida Georgia Line returned the favor by appearing on 2013's M.O., Nelly's last solo album. The record sold roughly 25,000 copies during its first month of release, though, making it a commercial flop by Nelly's usual standards. Earlier this month, the rapper ran afoul of the law in Putnam County, Tennessee, when marijuana, methamphetamines and numerous firearms were found aboard his tour bus, roughly 80 miles east of Nashville.



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Dierks Bentley to Headline Unplugged Benefit

Hear Alternate Version of Rolling Stones' 'Can't You Hear Me Knocking'

When the Rolling Stones gathered at London’s Olympic Studios in the summer of 1970 to work on Sticky Fingers, they'd already laid down several classics like "Brown Sugar" and "Dead Flowers"  in previous months. But they weren't out of steam yet. During a jam with Charlie Watts, Keith Richards started experimenting with open G guitar tuning and knew he had something special. "My fingers just landed in the right place and I discovered a few things about that tuning that I'd never been aware of," Richards said in 2002. "I think I realized that even as I was cutting the track."

The track, "Can’t You Hear Me Knocking," went on to become one of the most swaggering, defining Stones epics. On this bare-bones early version – premiered on Buzzfeed and set for release for the first time on the Sticky Fingers deluxe reissue June 9th – you can hear the magic start to take shape. Richards feels his way through the riff – and a few riffs that didn’t make the final cut – as Mick Jagger improvises. "It was smiles all around," Richards wrote of the session in 2010’s Life. "For a guitar player it's no big deal to play, the chopping, staccato bursts of chords, very direct and spare."

This early, loose version is only half as long as the final one, lacking the song's second movement with Mick Taylor's Santana-style solo. "We didn’t even know they were still taping," Richards once said of that section. "We thought we’d finished. We were just rambling and they kept the tape rolling. I figured we'd just fade it off. It was only when we heard the playback that we realized, 'Oh, they kept it going.' Basically we realized we had two bits of music. There’s the song and there’s the jam."

The band hadn't tackled the challenging song live for decades before the Licks tour in 2002, and they've played it on and off in tours since – but chances are they will play it this summer on their Zip Code tour. "We're floating the idea of playing the whole album," Mick Jagger told Rolling Stone earlier this month. "At the very least, we'll play the songs we don't normally play."



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Monday, April 27, 2015

Hear Nate Ruess' Epic 'Grand Romantic' Opener 'AhHa'

Nate Ruess of fun. has shared the frenzied, multi-suite epic "AhHa," the opening track off his upcoming debut solo album Grand Romantic. The single's opening salvo is reminiscent of Ruess' foot-stomping, Queen-inspired fun. works, but the track soon blossoms into a touching tale about breaking free, struggling with depression and finding salvation in music.

The "AhHa" lyrics also reveal how Ruess plucked his album title Grand Romantic. "By the time I turned 25 / I was lost among the pavement / lower than the basement, and I couldn’t stand to smile / I thought of taking my own life, but mama don’t cry," Ruess sings. "I found songs among the tragic / hung my hat on sadness / Mom, I think they’re trying to keep the grand romantic in me."

"AhHa" follows Ruess' debut solo single "Nothing Without Love." Speaking to Rolling Stone, the fun. singer opened up about his upcoming album, set for release June 16th, which began with songs he penned for fun.'s Some Nights follow-up before deciding to keep the tunes for himself. "You get a little selfish about the songs that you write, and it's really hard to do that in a group setting, where there are two other people, and you have to think about everybody else's feelings," Ruess said. "I'm writing and singing these songs about myself. When you work with producers versus bandmates, that line becomes a lot less blurry."

Despite Ruess' solo LP and guitarist Jack Antonoff's Bleachers project, fun. have promised fans that the trio is not breaking up, but they are going on hiatus until they are "inspired" to reunite again. "One thing that has always been so special about fun. is that we exist as three individuals in music who come together to do something collaborative," the group said in a joint statement. "We make fun. records when we are super inspired to do so."



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Lady Antebellum Preview Soaring 'Wheels Up' Tour

The big inspiration for Lady Antebellum's upcoming Wheels Up Tour? A certain British rock band with a penchant for lasers.

"We refer to Coldplay a lot," said Hillary Scott, talking to reporters after the trio gave a short preview of what their show will sound like (big hits) and look like (yes, lots of those lasers) when it hits the road in May. "They have an amazing ability to create moments."

Recreated for rehearsals inside a warehouse that, quite appropriately, looks like an airplane hanger, the Wheels Up Tour will be about highlighting the group's catalog of singles with a backdrop worthy of an arena rock band: a massive, oval-shaped stage truss and lots of spinning, darting lights. On Friday, they gave a taste of how it all will come together, running through a set of three songs plus a faux encore that included their breakthrough hit "Need You Now" and title track of their current LP, 747. On the screen behind them: a soaring plane.

"This is where you're supposed to lose your mind," Charles Kelley urged the small crowd — though he likely won't have to beg for any applause out on tour, which makes its first stop in Lubbock, Texas. Kelley recently played fan himself at Bob Seger's show in Nashville, which prompted him to reflect on his own band's potential for "Like a Rock"-style longevity.

"Seger is close to 70," Kelley said, "He hadn't toured in a while, but it was all the way up to the rafters and I was just sitting there thinking, 'Wow, could we ever get to that point where we're in our fifties and we take five years off — when we come back, will people still be interested?' Seger, man! I was just a fan. I tried not to over-analyze it, but more than anything, just watching an act that can still get up there and kill it, I only hope that we can do that."

The trio can't resist, though, taking mental notes when they find the rare free occasion to go to another artist's concert, and Kelley is a sucker for music documentaries. "Every plane we are on, I look over and Charles is watching the Eagles documentary [History of the Eagles]," Scott laughed — the classic band's famously tempestuous relationship is about as far from Lady Antebellum's peaceful, family-friendly, Lipton-swigging one as you can get. "Either that or Fleetwood Mac."

Though Scott does admit there are times when you just want to get out and enjoy the music. Case in point: a recent Justin Timberlake gig. "That was a girls' night," she admitted. "I had some tequila and I wasn't note-taking, I was dancing along."

She also caught a night of Sam Hunt's club tour while the band was on a European leg. The "Take Your Time" singer will be an opening act for Wheels Up along with Hunter Hayes. Now that Dave Haywood has fashioned a portable studio for the road, they're hopeful for a little creative synergy along the way.

"I hope to do some [writing] with Hunter and Sam," Kelley said. "They're such amazing writers, and we just wrote a song that Hunter cut. I want to have those moments before sound check that's like, 'Hey Hunter, come check out this idea.' We might write the next big hit."

"Ideas come at any moment," added Haywood. "I'd hate for us not to have a way to put them down."

Soon it will be their tenth anniversary together, and they're putting a lot of thought into their legacy — what the future will bring, what their goals are (Scott wants to become a member of the Grand Old Opry), when they might be able to take a little time off. But one thing will remain constant: There will be no ugly fights or violent breakups.

"Our documentary," said Scott, "would be the opposite of the Eagles."



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Billy Corgan Signs On as Senior Producer for TNA Wrestling

Billy Corgan has recently hinted at the demise of the Smashing Pumpkins, and if the Siamese Dream really is winding down, the frontman has already found a new line of work: Senior Producer, Creative and Talent Development for TNA Wrestling. Corgan will begin his new role effective immediately. As part of his job, Corgan will "develop characters and create story lines" for TNA's flagship program Impact Wrestling, which airs Friday nights on Destination America, according to a press release.

"Saying I'm humbled and honored by this opportunity to be part of TNA, a world-class wrestling organization, is an understatement and a dream come true," Corgan said in a statement. "What's great is the entire TNA organization stands in full support of my music life with the Smashing Pumpkins. In return, I'm fully committed to using my 30 years of entertainment experience, along with my deep-rooted passion for pro wrestling, to take on the thrilling challenge of creatively contributing to Impact Wrestling, finding and developing new talent, and working eye-to-eye with the best-of-the-best. For as cultures currently evolve at great speed, so must pro wrestling meet and supersede such expectations to thrive."

In an interview with Variety, Corgan said he hoped to move away from the generic, age-old good guys vs. bad guys plot lines and mine some new ground in terms of professional wrestling storytelling, including characters who explore race and transgender issues. "There is a tremendous opportunity to go into really fresh, new directions," Corgan said. "There are ways to explore those themes in ways that are productive, create new stars and show that value-based 'babyfaces,' no matter what their background, no matter where they come from, can draw new audiences and inspire people in new ways."

Corgan has long professed an admiration for professional wrestling, going back to when he penned the track "G.L.O.W." – an acronym for Gorgeous Ladies of Wrestling – for the Pumpkins in 2008. Corgan then founded his own Chicago-based wrestling league Resistance Pro in 2011. In June 2012, Corgan was attached to his own reality series dedicated to the Resistance Pro league; AMC Network eventually aligned itself with the project. However, the series never went to air as AMC decided to veer away from the unscripted programs that they had in development, and Corgan ultimately severed his ties with the award-winning Resistance Pro in November 2014.

"I've known Billy for years and have always been blown away by his musical artistry, as well as his knowledge and understanding of professional wrestling," TNA President Dixie Carter said in a statement. "He has always impressed me with his creativity and passion for our business. Billy is truly gifted and understands the emotion tied to the psychology of connecting with an audience."

Corgan can perhaps sketch out some TNA storylines when the Smashing Pumpkins hit the road this summer on a joint jaunt with Marilyn Manson and their own first ever acoustic trek.



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Despite Opposition, Elvis Presley's Private Planes Will Remain at Graceland

Elvis Presley's custom-designed airplanes – the Lisa Marie and the Hound Dog II – will remain permanent fixtures at Graceland. The late singer's Memphis estate issued a statement on Sunday confirming the plans – a change from previous arrangements to relocate Presley's tricked-out private jets to a nearby lot, The Associated Press reports. 

The Lisa Marie, a Convair 880 named after the rock legend's daughter, features a red-white-and-blue exterior, gold-plated bathroom fixtures, a stereo system, a conference room and bed. According to a Julien's auction listing from January, Presley bought the jet from Delta Air Lines for $250,000 in April 1975; refurbishing brought the total to over $600,000, and he first boarded the craft in November of that year. Presley purchased The Hound Dog II, a Lockheed JetStar, in 1975 for around $900,000 as he awaited renovations for the Lisa Marie. 

After changing hands following Presley's death in 1977, the planes ended up in the care of OKC Partnership, who agreed in the mid-Eighties to display the planes at Graceland in exchange for a cut of ticket sales. But the situation became complicated in April 2014, when Elvis Presley Enterprises sent a letter to OKC asking the company to "make arrangements for the removal of the airplanes and the restoration of the site on or shortly after April 26, 2015."

This month, OKC received approval from the Shelby County land use board and Memphis City Council to move the planes to a nearby lot, where they'd be displayed outdoors as a tourist museum. But Graceland's latest comments seem to nullify those plans. "Graceland is pleased that an agreement has been reached for Elvis' two airplanes, the Lisa Marie and Hound Dog II, to remain at Elvis Presley's Graceland in Memphis permanently," the estate said in a statement.

OKC Partnership declined an immediate comment from AP. But Lisa Marie Presley appeared to confirm the news on her Twitter account: "Exciting news:I wanted 2 b the first to tell U: The Planes will remain at Graceland 4 ever!" she wrote. "We own them and have fun plans 4 them as well :)"



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Winehouse Family 'Disassociates' From 'Amy' Documentary

Amy Winehouse's family have slammed the upcoming documentary Amy, saying they consider the film to be "misleading" and biased against the family. "The Winehouse family would like to disassociate themselves from the forthcoming film about their much missed and beloved Amy," a spokesperson for the Winehouse family said in a statement.

"They feel that the film is a missed opportunity to celebrate her life and talent and that it is both misleading and contains some basic untruths," the statement continued. "There are specific allegations made against family and management that are unfounded and unbalanced." Amy is set to premiere at the Cannes Film Festival in May.

Speaking to The Sun on Sunday, Amy's father Mitch Winehouse said of seeing the film, "I felt sick when I watched it for the first time. Amy would be furious. This is not what she would have wanted." As seen in the film's trailer, the Asif Kapadia-directed documentary uses archival footage, interviews and previously unseen recordings to reconstruct Winehouse's rise to fame and eventual descent.

"We came on board with the full backing of the Winehouse family, and we approached the project with total objectivity," a documentary spokesperson said in a statement. "We conducted in the region of 100 interviews with people that knew Amy. The story that the film tells is a reflection of our findings from these interviews."

In the family's statement, the Winehouse family also accuses filmmakers of only interviewing "a narrow sample" of the singer's associates, "many of whom had nothing to do with her in the last years." The family was reportedly upset that the filmmakers interviewed Blake Fielder-Civil, Winehouse's ex-husband who her family feels enabled the singer. In the film, Fielder-Civil blames Winehouse's addictions on her father.

"Blake is saying in the film that the reason Amy was like that was because of me — not because he gave her crack and heroin and because he completely manipulated and coerced her into Class A drugs," Mitch Winehouse said. "If the real truth came out about Blake, he wouldn't be able to walk down the street, so how they can allow him to make that claim about me is so hurtful and beyond belief."

"Fundamentally, the Winehouse family believes that the film does a disservice to individuals and families suffering from the complicated affliction of addiction," the Winehouse family statement read. "By misunderstanding the condition and its treatment, the film suggests for instance that not enough was done for Amy, that her family and management pushed her into performing or did not do enough to help her."

Despite not having the family's approval, Mitch Winehouse admitted there isn't much he can do to prevent the film from heading to movie theaters; the U.K. release is scheduled for July. However, he did threaten legal action against Amy's producers. "We can't stop it, but when the film does come out, we can sue for libel or slander. Our lawyers will view the film and reserve the right to do that and see whether there are any grounds," Mitch Winehouse said.

Read the entire Winehouse family statement below:

"The Winehouse family would like to disassociate themselves from the forthcoming film about their much missed and beloved Amy. The documentary about her life will be released this summer and receive its premiere at the Cannes Film Festival.

They feel that the film is a missed opportunity to celebrate her life and talent and that it is both misleading and contains some basic untruths. There are specific allegations made against family and management that are unfounded and unbalanced. The narrative is formed by the testimony of a narrow sample of Amy’s associates, many of whom had nothing to do with her in the last years of her life. Counter views expressed to the filmmakers did not make the final cut.

Fundamentally, the Winehouse family believes that the film does a disservice to individuals and families suffering from the complicated affliction of addiction. By misunderstanding the condition and its treatment, the film suggests for instance that not enough was done for Amy, that her family and management pushed her into performing or did not do enough to help her. In reality, the filmmakers were told of a huge effort from all concerned to help Amy at all stages of her illness and their constant presence in her life throughout, as well as that of many excellent medical professionals.

As many families know, addiction cannot begin to be treated properly until the individual helps themselves and there is no 'one size fits all' solution. Furthermore, Amy was an adult who could never be told what she could and could not do. Through their work with the Amy Winehouse Foundation, Amy's family have met many others enduring through the same struggle that they endured and have helped hundreds of disadvantaged young people in Amy's name. They will continue to do so and hope their work creates more understanding of a terrible illness."



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Watch Jason Isbell Pay Tribute to Warren Zevon on 'Letterman'

With a new, "celebratory" album hitting stores in July and a baby due by early fall, there's about to be a lot of noise in Jason Isbell's life. Maybe that's why he chose to dial things back for his performance on the Late Show With Dave Letterman Friday night, hitting the Ed Sullivan Theater's stage with just an acoustic guitar and a two-piece band.

The song? A stripped-down version of Warren Zevon's "Mutineer," one of the two cover tunes from Isbell's new EP, Sea Songs

Zevon, a frequent musical guest on Letterman's program during his lifetime, had performed the song himself during a Late Show appearance on October 30, 2002, less than a year before losing a battle with lung cancer. It was his final public appearance ever. More than a decade later, Isbell's performance helps bring the song full circle, hitting the airwaves during the final stages of another acclaimed career: David Letterman's tenure as the longest-running late-night host in TV history.

In the performance, Isbell trades harmonies and sideways glances with wife Amanda Shires, while Willie Nelson's harmonica wiz kid, Mickey Raphael, sweeps in and out of the mix. It's a tender, toned-down performance, one that emphasizes the punch of Zevon's lyrics and the connection between two of Americana's biggest sweethearts rather than the usual swagger of Isbell's backup band, the 400 Unit. When the song concludes, a genuinely moved Letterman, whose last Late Show episode is less than a month away, says, "Jason, I can't thank you enough for everything. You've been great to us. Thank you."

Something More Than Free, Isbell's fifth album since leaving the Drive-By Truckers, is due out July 17th.



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