Monday, November 24, 2014

Stream 'Beyonce' Platinum Edition Including Kanye West, Pharrell Remixes

Beyoncé is streaming the "Platinum Edition" of her self-titled 2013 LP via Spotify. The album features two new tracks, "7/11" and "Ring Off," along with all-star remixes featuring Kanye West, Pharrell, Nicki Minaj and Mr. Vegas. The physical release, out Monday, also includes music videos, a DVD chronicling the expansive Mrs. Carter Show World Tour, a 2015 Beyoncé mini-calendar and two photo books.



Beyoncé released "7/11" online over the weekend, followed by a homespun, absorbing music video. The clip opens with the singer dancing on a high-rise balcony before she and her dancer friends bring the party inside her home. It's an unglamorous approach toward filmmaking: Beyoncé herself appears to be holding the camera during some shots. The video also features a split-second cameo from her daughter, Blue Ivy, along with a ski-mask-wearing guest who may or may not be Jay Z.


Musically, "7/11" finds Beyoncé breaking down her dance moves ("I put my hands up, spinning while my hands up") over a propulsive club beat built on whirring hi-hats and ghostly synths. On the opposite end of the spectrum, "Ring Off" is an intimate ballad about staying emotionally in tact in the face of a failing marriage.


In August, the singer took home three awards at the 2014 VMAs. "Pretty Hurts" was awarded Best Video With a Social Message and Best Cinematography, and the ubiquitous "Drunk In Love" secured Best Collaboration for "Drunk In Love" with Jay Z.







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Why Adam Sandler's 'Thanksgiving Song' Is a Holiday Classic

There's so much to love about Thanksgiving: the piles of food, the expressions of gratitude, that uncle that still tries to get you to pull his finger, the four-day weekend, etc. And yet, this late November feast of gluttony is easily the most underserved among the major U.S. holidays when it comes to one important factor: its songs.



Christmas, of course, has more carols and novelty numbers than you can shake a giant candy cane at. Easter comes complete with "Here Comes Peter Cottontail" and a basket-load of hymns. Valentine's Day has its love ballads, the Fourth of July has everything from George M. Cohan marches to "America (Fuck Yeah)" from Team America: World Police, and Halloween has the entire Danzig catalog. But a mix of Thanksgiving-specific songs wouldn't last long enough to get you and your family through the first Obama-related argument of the afternoon, much less the entire dinner.


Let's face it: There's only one Thanksgiving song deep enough to rep the multilayered joys of Turkey Day, and that's Adam Sandler's "The Thanksgiving Song," a.k.a. "Happy Thanksgiving." Sure, the comedian's "Chanukah Song" gets all the love, but his T-Day tune — which debuted on the November 21, 1992 episode of Saturday Night Live's "Weekend Update," then appeared on his 1993 album, They're All Gonna Laugh At You! — may be even better. In a weird way, his ditty actually replicates the occasionally dissociative experience of sitting through a family-filled Thanksgiving dinner from start to finish. So to truly appreciate the song's inherent brilliance, we must examine Sandler's free-associative lyrics one rhyme at a time…


Love to eat turkey

'Cause it's good

Love to eat turkey

Like a good boy should


One of the most important rules of songwriting is to open with a line that your listeners can immediately relate to. And who doesn't love to eat turkey? Unless, of course, you're vegetarian or vegan — in which case, you can easily substitute "Tofurkey" without messing up the rhyme scheme. Genius.


Turkey for me

Turkey for you

Let's eat the turkey

In my big brown shoe


After finding common ground with his listeners in the first verse, Sandler throws a curve with a non sequitur clearly influenced by the Surrealism movement of the Twenties and Thirties. Andre Bréton would surely be proud.


Love to eat the turkey

At the table

I once saw a movie

With Betty Grable


One of the most popular actresses and pinups of the 1940s, Betty Grable famously had a million-dollar insurance policy taken out on her legs by 20th Century Fox. Sandler may here be subtly comparing the flavor of a roast turkey leg to the deliciousness of Grable's gams. Or he may just watch a lot of TCM, another popular Thanksgiving tradition in many households. Regardless, it's safe to assume that he once saw a movie starring Betty Grable, and did not actually accompany the star of Four Jills and a Jeep to a moving picture show, despite persistent rumors that Sandler possesses a time machine. (It should also be noted that he could have gone with "Clark Gable" and chose not to. When it comes to referencing old-timey movie stars, the guy who played the lead role in Little Nicky rolls deep.)


Eat that turkey

All night long

Fifty million Elvis fans

Can't be wrong


It's no coincidence that Sandler salutes perhaps the greatest of The King's "greatest hits" compilations, 1959's 50,000,000 Elvis Fans Can't Be Wrong: Elvis' Gold Records — Volume 2. Thanksgiving was a big holiday for Elvis; not only could the man put away some serious grub, but six of his films (1956's Love Me Tender, 1960's G.I. Blues, 1961's Blue Hawaii, 1962's Girls! Girls! Girls!, 1963's Fun in Acapulco and 1965's Harum Scarum) were initially released on Thanksgiving Day in order to cash in on the long weekend. Well-played, sir.


Turkey lurkey doo and

Turkey lurkey dap

I eat that turkey

Then I take a nap



Again finding common ground with his listeners, Sandler invokes the time-honored Thanksgiving tradition of sacking out after dinner in a tryptophan-and-carbohydrate haze. This now-scientifically-debunked myth about tryptophan in turkey being the reason that folks tend to nod off post-feast can be traced back to 1978, when the Better Sleep Council (it's a real thing, people) was attempting to rebrand everyone's favorite white meat as a cure for insomnia by riding the holiday's coattails. Still, we find that the amino acid's reputation comes in handy this time of year. You are getting sleepy, Uncle Rich…we won't pull your finger…you are getting sleepy….


Thanksgiving is a special night

Jimmy Walker used to say Dy-no-mite


Sandler humbly acknowledges the fleeting nature of fame with this touching shout-out to Jimmy "J.J." Walker, a popular actor and comedian of the 1970s, whose star had faded considerably by the 1990s. We're still waiting for the Good Times' actor's career resurgence, which should be happening any minute now.


Turkey with gravy and cranberry

Can't believe the Mets traded Darryl Strawberry


The New York Mets never actually traded their All-Star slugger; Strawberry left the team as a free agent following the 1990 season. Therefore, this couplet may be meant as a "fly on the wall" snippet of a conversation involving a father or uncle whose opinions on sports are rarely grounded in reality. Lord knows we've been there.


Turkey for you and Turkey for me

Can't believe Tyson gave that girl V.D.


Another "fly on the wall" conversational snippet, referring to beauty queen Desiree Washington's charge that she had contracted a venereal disease from Mike Tyson when she was raped by the former heavyweight champ. As Tyson's rape trial was all over the headlines in November 1992, Sandler was surely aware that it would be a hot topic at dinner tables across the country that Thanksgiving.


White meat, dark meat

You just can't lose

I fell off my moped

And I got a bruise


An important public safety message from Sandler, who knows first-hand the dangers of operating a vehicle — or other heavy machinery — immediately after ingesting "thirds" at the dinner table. (See that nap verse above.)


Turkey in the oven

And the buns in the toaster

I'll never take down

My Cheryl Tiegs poster


The Kate Upton of the Seventies, Cheryl Tiegs was the first model to appear multiple times on the cover of Sports Illustrated's swimsuit issue, and her posters adorned the walls of many an adolescent boy back in the day. The reference to Thanksgiving "buns" is more than likely what triggered Sandler's nostalgic Tiegs reverie.


Wrap the turkey up

In aluminum foil

My brother likes to masturbate

With baby oil



Finally, someone has the guts to come out and admit to the world that yes, this popular item used to soften the skin of infants has more than one usage. (No word on what Sandler's brother thinks about this bit, or whether it's won him an endorsement deal with or lifetime's supply of Johnson & Johnson.) It's a judgment-free "acknowledgment of the more sexually adventurous members of Sandler's audience. Or, as the pioneering African-American comedian Mantan Moreland once famously proclaimed (in a line later sampled for the Beastie Boys' "B-Boys makin' with the Freak-Freak"), "Shit, if it's gonna be that kind of party, I'm gonna stick my dick in the mashed potatoes!"


Turkey and sweet potato pie

Sammy Davis Jr.

Only had one eye


The legendary entertainer and Rat Pack member Sammy Davis, Jr. was actually born with two eyes, though he lost one in a horrific 1954 car crash that nearly claimed his life. Despite his injuries, the man behind "The Candyman" made an impressive comeback — which Sandler clearly believes should serve as an inspiring lesson for us all.


Turkey for the girls and

Turkey for the boys

My favorite kind of pants

Are corduroys


An interesting and perhaps even daring admission of fashion preference from Sandler, given that cords were very much out of favor among American men in the early/mid-Nineties. When folks say that the Billy Madison star is not a retro-couture maverick, we kindly sing them this line in our best manchild voice.


Gobble gobble goo and

Gobble gobble gickel

I wish turkey

Only cost a nickel


Of course, a turkey dinner costs much more than a nickel these days, and there are many people living below the poverty line who cannot afford to put a Thanksgiving meal on their table. With this concluding couplet, Sandler asks us to remember the less fortunate during this and every holiday season, and reminds us to be thankful for the many blessings that we have received over the course of the year.


Okay, so maybe we're guilty of reading between the lines a tad too much, or perhaps we're just a little pumpkin pie-drunk. But it's still high time that Sandler's song is crowned with a wreath of candied yams and made the official anthem of Thanksgiving. After all, a holiday whose actual origins are as hazy as a freshman dorm room and which comes with more than its share of intrinsic silliness (we stuff our faces, fight with our families, then doze off watching football) deserves an official carol with an equal level of good cheer and abject ridiculousness. Never mind the fact that, hey, when it comes right down to it, what else does this annual day of gratitude have, music-wise; it's a gleeful, silly, all-inclusive ode that, minus the masturbation verse, remains a sing-along favorite — one of the few things our family can agree on come Turkey Day. For that alone, we're most thankful, Mr. Sandler.







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Friday, November 21, 2014

Carrie Underwood Describes Somber Song 'Little Toy Guns'

The only song on Carrie Underwood's Greatest Hits: Decade #1 album that fans have not yet heard is "Little Toy Guns," which sounds like it could be the prequel to her 2012 hit, "Blown Away." Though she's keeping it under lock and key until her new compilation's December 9th release date, the pregnant star hints that the new tune drives home a message about how not to raise a child.



"There's a little girl and she hears her parents fighting, as unfortunately a lot of kids do," she says of the lyrics (as reported by The Country Vibe). "So it's basically her saying, 'I wish their words weren't real. I wish they were like little toy guns and they didn't hurt you.'"


Tearjerking lyrics, but with an uptempo melody, Underwood reveals, also explaining that she was inspired by observing children she knows who are dramatically affected by their parents fighting. The country superstar penned the new tune with Chris DeStefano, also her co-writer on "Something in the Water" and "Good Girl," and Hillary Lindsey, whose long list of Underwood songs include "Last Name," "Two Black Cadillacs" and "Jesus, Take the Wheel."


"Little Toy Guns" is one of two brand-new songs on Greatest Hits: Decade #1, following Underwood's current single, "Something in the Water." Aside from platinum-selling hits such as "Before He Cheats" and "Good Girl," the album also includes never-before-heard writing session worktapes of three songs and a duet with Vince Gill on the classic hymn, "How Great Thou Art," recorded at the ACM Presents: Girls' Night Out show in 2011. See the full track list for both discs in the compilation below.


Underwood, due with a boy in the spring, will perform at the December 15th American Country Countdown Awards in Nashville.


Carrie Underwood, Greatest Hits: Decade #1 — Disc One

1. "Something in the Water"

2. "Little Toy Guns"

3. "Inside Your Heaven"

4. "Jesus, Take the Wheel"

5. "Don’t Forget to Remember Me"

6. "Before He Cheats"

7. "Wasted"

8. "So Small"

9. "All-American Girl"

10. "Last Name"

11. "Just a Dream"

12. "I Told You So" (featuring Randy Travis)


Disc Two

1. "Cowboy Casanova"

2. "Temporary Home"

3. "Undo It"

4. "Mama's Song"

5. "Remind Me" (duet with Brad Paisley)

6. "Good Girl"

7. "Blown Away"

8. "Two Black Cadillacs"

9. "See You Again"

10. "How Great Thou Art" (with Vince Gill) [Live from ACM Presents: Girls’ Night Out]

11. "So Small" (writing session worktape)

12. "Last Name" (writing session worktape)

13. "Mama's Song" (writing session worktape)







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Toby Keith, Lady Antebellum Help Kick Off Football Championship Festivities

While people are still placing bets on college football's final four, there are four big names in country music who've been tapped to play the inaugural pre-championship concert. Toby Keith, Lady Antebellum, Big & Rich and Brett Eldredge will take the stage January 9th for the CMT Ultimate Kickoff Party Live From the College Football Playoff National Championship show. The 90-minute TV special will air live from the Kay Bailey Hutchinson Convention Center in Dallas, beginning at 9 p.m. ET on CMT.



For the first time in college football's bowl era, the national championship game will be determined by a playoff scenario. The winners of the Rose Bowl and Sugar Bowl — both set for New Year's Day — will advance to the championship game at Arlington, Texas' AT&T Stadium on January 12th. Likely contenders include Alabama, Mississippi State, Oregon, Florida State, Baylor and TCU. It's unlikely the beloved teams of Lady A's Charles Kelley and Dave Haywood, nor of Keith or John Rich will make it. Kelley and Haywood are both big fans of the Georgia Bulldogs (currently ranked Number 10 in the College Football Playoff rankings). Keith — who once played semi-pro football — is a die-hard Oklahoma Sooners fan (Number 21), and Rich bleeds orange — the unranked Texas Longhorns' orange, that is.


CMT's Ultimate Kickoff Party is one event in a long line of country music-gridiron collisions. Florida Georgia Line provide the theme song for CBS' SEC football coverage this year. Brad Paisley and Jake Owen are among several country stars to make their picks as celebrity guest commentators on ESPN's College Gameday. Kenny Chesney co-produced documentaries about both South Carolina coach Steve Spurrier and the SEC's first starting African-American quarterback, Condredge Holloway. Sam Hunt played quarterback for the University of Alabama at Birmingham. Over on the pro side, Carrie Underwood sings the Sunday Night Football theme song. And then there's NFL Hall of Famer Terry Bradshaw, who — long before he sang a duet with Paul McCartney at the 2001 Super Bowl — had an entire country music career. (Check him out channeling Hank Williams here.)


CMT's January 9th concert is the first major 2015 show for all four acts on the bill. Lady Antebellum resume touring in February — both stateside and across the pond. They'll join Luke Bryan as co-headliners of the C2C Festival in Europe, with a string of shows beginning February 28th. Next year's tour plans for Keith, Big & Rich and Eldredge have not yet been announced.







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Thursday, November 20, 2014

Hear a 'Bootleg' Version of Ryan Bingham's 'Island in the Sky'

Ryan Bingham will kick off 2015 with the release of Fear and Saturday Night, a collection of songs written in total seclusion — an airstream parked high in the California mountains, far away from the nearest cell phone signal — and inspired by heavy topics like his father's suicide. Before that full-length album hits stores on January 20th, though, he'll offer up a teaser in the form of a rare, 10" vinyl release.



Bootleg is due out on Black Friday, with an extremely limited pressing — 1,000 copies, to be exact — that will be sold exclusively by independent record stores. Although three of Bootleg's four song titles also show up on the Fear and Saturday Night tracklist, the 10" is largely filled with demo versions and acoustic performances. The exception is Bingham's new single, "Radio," which makes an appearance in its official, full-band arrangement. Other songs on the vinyl record include an alternate take of "For Anyone's Sake," which Bingham wrote for the 2013 Nicholas Cage film Joe, and the original demo of "Island in the Sky," whose double-tracked vocals and layered acoustics bring to mind the heady heyday for California's folk-rock scene. The song makes its exclusive debut today on Rolling Stone Country. [Listen below.]


"This album has taken me back to my roots," Bingham says. "I still feel adventurous, but also grounded in the sense that I'm not trying to escape from anything. Recording demos of the songs allows me to capture them in their earliest stage. They inevitably change from there, so in a way, these demos capture them in their purest form. This is the first time I am releasing original demos, and I hope people will enjoy hearing these couple of songs and how they evolved from here to the album versions."


Bootleg Tracklist:

Side A:

1. "Radio" (Album Version)

2. "For Anyone’s Sake" (Alternate Version)

Side B:

1. "My Diamond Is Too Rough" (Demo)

2. "Island in the Sky" (Demo)







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Wednesday, November 19, 2014

Shoegaze Band Ride Will Reunite After Beady Eye Breakup

Ride, one of the most revered bands of the shoegaze era, revealed plans for a reunion tour Tuesday. The group, comprised of singers/guitarists Andy Bell and Mark Gardener, bassist Steve Queralt and drummer Laurence "Loz" Colbert, initially broke up in 1996. "It's going to be really cool. As we were all still friends, we always thought when the time was right we'd do it. And now the time is right," Bell told NME.



The time is right, especially considering the recent revival of shoegaze acts like My Bloody Valentine, Swervedriver, Slowdive and Luna. Additionally, Bell's own schedule opened up after Beady Eye, the group he formed alongside Liam Gallagher, announced their breakup last month, ending Bell's nearly 15-year partnership with Oasis and its offshoot.


While Ride split up nearly two decades ago after recording four studio albums together – including their 1990 debut masterpiece Nowhere – the band members remained on good terms, even reuniting in 2001 to be interviewed for a BBC documentary about Sonic Youth.


"People bought our records first time round but our music has grown in significance since we've been away," singer/guitarist Mark Gardener told NME. "We want to give the people what they want. We'd be idiots to go out and play a new album, but that's not to say we wouldn't make new music." Gardener added that Ride has no plans to record a new album.


Ride's reunion tour has already lined up nine dates, kicking off May 22nd in Glasgow, Scotland. Only two North American dates have been scheduled so far: A June 2nd visit to Toronto's DanForth Music Hall and a June 4th gig at New York's Terminal 5.







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Tuesday, November 18, 2014

Vince Gill, Lyle Lovett Team for East Coast Tour

When late country icon George Jones infamously drove a tractor to the liquor store, after then-wife Shirley hid his car keys, it was inevitable that he'd inspire a country song… or two.



"First she hid my glasses/'Cause she knows that I can't see/She said you ain't goin' nowhere boy/'Til you spend a little time with me/Then the boys called from the honky tonk/Said there's a party goin' on down here/Well she might've took my car keys/But she forgot about my old John Deere," Vince Gill sings in his classic "One More Last Chance," partly inspired by the Possum, who made a cameo in the song's video.


Another rather absurd mode of transportation inspired Lyle Lovett's iconic "If I Had a Boat." The Texas-born singer-songwriter once told NPR that he tried to ride a pony across a pond and… well, wished he had a boat. (Thus the line, "And if I had a pony, I'd ride him on my boat.")


These are the kinds of tales behind the tunes audiences will likely hear as two of country music's most acclaimed songwriters — and unmistakable voices — join forces for a 2015 tour. The criminally short Vince Gill and Lyle Lovett: Songs and Stories Tour launches January 27th in Glenside, Pennsylvania, hitting just four cities over the course of four straight nights. The two will perform solo sets, swap stories and share the stage for a few duets on the trek, which also stops in Englewood, New Jersey, Norfolk, Virginia, and Charleston, South Carolina.


Gill, the recent recipient of the CMA's Irving Waugh Award of Excellence, precedes the Lovett shows with his annual holiday tour with wife Amy Grant. He's also crossing the country this fall with his 11-piece ensemble, the Time Jumpers.


Lovett, who just ended his run of 2014 solo dates with his 14-piece Large Band, can most recently be heard on a duet with Pat Green, "Girls From Texas."







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Trisha Yearwood Honors Husband Garth Brooks at ASCAP Awards

Garth Brooks was among those honored by performing rights organization ASCAP with its Centennial Award Monday night (November 17th). During the gala celebration at New York City's Waldorf Astoria, the once-in-a-century award, in recognition of an artist's accomplishments in their music genre, was also bestowed upon Joan Baez, Billy Joel, Stephen Sondheim and Stevie Wonder.



In tribute to her husband, Trisha Yearwod sang Garth's 1989 hit, and first Number One, "If Tomorrow Never Comes," which he penned with songwriter Kent Blazy. Brooks also performed at the event, debuting "I Am a Song" for the first time publicly. The moving ballad, about the universality of music, includes clever references to such iconic songs as "Over the Rainbow" and "American Pie."


Introducing Brooks, Yearwood said, "I think I was asked to present this award tonight because I have a unique perspective. You already know all the business stuff. You know all the accolades, all the awards, all the numbers, all the record sales. I know the father. I know the friend. I know the partner, the best friend. I'm really proud of Garth, because he's a good man, and he's a deserving man of all good things. And I am partial because he is the love of my life and I love him because he is a good guy."


Brooks got a quick laugh from the audience while accepting his award, saying of his wife, "I always wanted to kiss the guy that held the trophy. I don't know what to say other than I'm humbled."


Prior to the event, Brooks told Rolling Stone and other reporters gathered on the red carpet that the event was a "weird circle" for him because of the creative origin of the song Yearwood would be performing.


"Kent Blazy is the one who introduced us," he explained.


"He's a poet. He's a great songwriter," Yearwood said of her husband before the ceremony. "I think people don't realize what a creative guy he is. I'll walk into the house and I'll hear him humming something or singing something, and I'll go what song is that and he'll go, I don't know. It'll be a piece of something that sounds amazing to me that he's just pulled out of thin air from somewhere that he's just humming."


In addition to the awards presented, Monday's event marked the first-ever fundraiser benefiting the ASCAP Foundation which is designed to safeguard the future of music and afford opportunities for memorable music experiences to disadvantaged individuals.







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via Christopher Sabec Music

Monday, November 17, 2014

Songwriter Spotlight: Lee Thomas Miller

Growing up in rural Kentucky, Lee Thomas Miller's goal was to become a member of country super group Alabama.


"I was possessed. My mother called it a curse," he says with a laugh. "I wanted to be the new guy in Alabama that stood over on the end and played all the instruments. That was the dream."



Even though that particular dream never came to fruition, Miller's reality isn't too shabby. One of Music Row's most successful songwriters, Miller is current president of Nashville Songwriters Association International (NSAI) and has written hits for Trace Adkins ("You're Gonna Miss This"), Brad Paisley ("The World" and "I'm Still a Guy"), Terri Clark ("I Just Wanna Be Mad"), Joe Nichols ("The Impossible") and Thomas Rhett ("Something to Do With My Hands").


"You're Gonna Miss This" was the 2008 NSAI Song of the Year and 2009 ACM Single of the Year. He also co-wrote Jamey Johnson's "In Color," which won the Song of the Year in 2009 from both the Academy of Country Music (ACM) and the Country Music Association (CMA). A BMI affiliated writer, currently signed to Warner/Chappell Music, Miller's credits also include Garth Brooks' comeback single "People Loving People," Paisley's current hit "Perfect Storm" and two cuts on Jason Aldean's new album — the title track "Old Boots, New Dirt" and "Too Fast."


Miller was raised just south of Lexington in tiny Nicholasville, Kentucky. "I grew up on a tobacco farm. My parents did not play music," he says. "I had an uncle that played at the VFW on Friday and Saturday night. He had guitars and I thought that was awesome. I got real serious about guitar, then got real serious about piano, and then wanted to play fiddle. My mother found a place in Lexington, rented me a violin and would drive me up there once a week to take violin lessons."


When Miller enrolled in Eastern Kentucky University, his parents had dreams of him becoming a successful businessman, but that plan derailed during orientation. "They took the parents this way and they took the kids that way, and did the day," he recalls. "When we came back together that afternoon, I was a music major. Mom was not thrilled, but I got my degree in music theory/composition and studied classical violin, voice, piano, and guitar. It was fantastic."


Miller moved to Nashville in June 1991 and originally set his sights on being an artist. Less than a month later, he landed a job playing fiddle in Tom T. Hall's band. "By July 3, I was on the bus with Tom T. Hall and he fired me July 6 — just three days," he says. "I was green at 21. I was not ready. But then fast forward, as I was really getting settled in and by the time I truly could be competing for those kinds of jobs, I was writing songs and trying to be an artist. Somebody showed some interest and I was chasing that."


His career as a singer didn't catch fire, but his songwriting skills began gaining attention. He signed a deal with Hamstein Music in 1996. "I would just sit over there and shut up and listened and learned how to do it. That's how I became a professional songwriter," says Miller, who spent eight years at Hamstein, nine with Sea Gayle Music and is now signed to Warner/Chappell. "I have dear friends there [at Warner/Chappell] and it's a wonderful situation. I'm very happy."


It was during his early days at Hamstein that Miller met a young singer/songwriter named Brad Paisley. "He had signed his deal, but nothing had come out," Miller recalls. "We got to be friends. I remember one day he sat and played guitar. You know you're in Nashville with the world's greatest musicians, and you think you've seen everything you can possibly see, and I remember that day thinking, 'Now, this guy plays! I don't know what he's writing. I don't know how he sings, but oh my word! He plays!"


Early in Miller's career, he began getting cuts by Ken Mellons, Mindy McCready, Mark Wills, Blackhawk and other artists, but it was Joe Nichols that provided Miller with his first Number One hit when "The Impossible" topped the chart. "I remember I was at the YMCA that morning and they paged me," he remembers. "I'd been running, heart pounding. We didn't have a cell phone even then, and that was 2002. So I went to [the desk] and I picked up the phone, my wife was crying and she said, 'Your publisher called. You're Number One!" We jumped from Number Five to Number One, which I wasn't expecting. I don't know what we did to celebrate. Honestly, we were so poor. Joe bought the house we were living in with that song. And it opened up a lot of doors."


Miller has continued to build on that success. He was named Breakthrough Songwriter of the Year in 2003 and has since been nominated for three Grammy Awards. He's a sought-after collaborator. He penned "In Color" with James Otto, writes regularly with Paisley when he working on a new album and penned Tim McGraw's No. 1 hit "Southern Girl" with Rodney Clawson and Jaren Johnston.


Does he prefer co-writing to writing solo? "I've never had any success alone, but I don't do it that much," he says. "I think we go back to what we feel like works. I enjoy collaborating. I love the community. Songwriters are so deeply disturbed and yet so interesting. I love the fraternity."


One of the songs that Miller co-wrote that generated the largest amount of press was never a single. He and Paisley penned "Accidental Racist" for Paisley's Wheelhouse album and enlisted LL Cool J to write a rap expressing his sentiments on racism in the U.S. Reaction to the song was swift and often brutal. "It hurt me a lot," Miller admits. "It wasn't that the song was taken the wrong way; the song said what it was supposed to say."


Miller and his wife, Jana, have one biological child and three adopted children, including a daughter from South Korea and a biracial son. He laments they've weathered their fair share of racism toward their son. "Noah has big hands and big grin, and dimples, and this gorgeous, crazy curly hair," he says proudly. "And we would have people say terrible insulting stuff, if you can imagine! So we kind of started bristling about it: 'Yeah, you want to say something? Want to fight?' I would become that dad. It's really, really sad. I'm not understanding how culture can be like that."


So the fact that he and Paisley wrote a positive song trying to create a dialog about race, and it became so ridiculed, was a bitter pill. But the affable songwriter has learned to shrug and move on. His latest hit with Paisley, "Perfect Storm," is a tender love song that carries no such emotional baggage. Many of the lines were written with Miller's wife, Jana, in mind. She heard the song for the first time when Paisley performed it at a show in the U.K. Miller recalls Paisley saying, "Honestly, this song is probably more about your wife than it is mine," which thrilled Jana. "She took ownership completely of what Brad was saying," Miller smiles. "So there's a lot of emotion tied up in that song."


Miller spends the bulk of his time writing songs, but as president of NSAI, he's happy to be giving back to the writing community by lobbying for songwriter's rights. He has made trips to Washington D.C. to testitfy for legislation that protects intellectual property. "I started doing the D.C. trips and I was blown away with the fact we could go up there, take our guitars, and go in and sing for them in Congress," he says. "I felt that was the American system at its best; that you could walk into your representative government and lobby for yourself. I thought that was fantastic."


Last June, Miller testified before a judiciary hearing. "[NSAI Executive Director] Bart Herbison calls and says, 'You're in. You're testifying before Congress and you have to prepare a five-minute statement. You cannot exceed five minutes.'" Miller says. "It was the most intense, nerve-wracking five minutes of my life, but very rewarding. There's big changes going on, very positive things. I'm honored and overwhelmed to get to sit in the seat and have the conversation. It's one of the greatest things I've ever done."


Miller's original plan of joining Alabama didn't happen, but he did get to play on stage with them during one show. Randy Owen called him on stage, telling the audience how much he loved the Joe Nichols hit "The Impossible" and then asked Miller to sing it, accompanied by Alabama.


It was another highlight in an impressive career. "I don't take any of it for granted," he says. "I feel very blessed that good things happen and I get to hang out with these tremendously talented people. And every now and then, they say yes and cut a song."







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Tuesday, November 11, 2014

Usher Offers Up 'Clueless' Song as Cereal Box Prize

Usher has set his sights on the cereal aisle as the launching pad for his latest single, "Clueless." A download of the track is now available as the bottom-of-the-box prize in specially marked boxes of Honey Nut Cheerios purchased at Walmart stores, according to Billboard. The track may or may not appear on the singer's upcoming album UR, for which no release date has been set.



Earlier this year, Usher appeared in a Honey Nut Cheerios commercial that spotlighted his song "She Came to Give It to You." In the 30-second ad, the singer dances, wearing golden shoes until the cereal's bee mascot buzzes by him to tell him that "bees communicate through dance." Usher then goes on to carry out a conversation with the bee, through dance of course, and ultimately his animated partner declares the two "practically twins."


In August, Usher put out an official video for the track, which found him dancing with a far less benign group of musical foils: a man whose eye melts out of his face and Nicki Minaj.


Usher told Billboard the next month that he was working on the record, but that it wasn't ready to come out yet. "The album isn't scheduled anymore," he said. "I've basically taken it back. I'm taking my time with it. At the end of the day, all of this is just about having fun. You get in the studio [and] go with how you feel." He told the magazine that when UR does make it out, it will include the contributions of special guests including Minaj, Pharrell Williams, Jermaine Dupri, Diplo, Ed Sheeran, Skrillex, Drake, Chris Brown and Pop and Oak. The Honey Nut Cheerios bee has not yet confirmed an appearance.







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Monday, November 10, 2014

Flashback: Miranda Lambert and Blake Shelton Begin Musical Flirtation

Just a few days after becoming the most decorated female in the history of the CMA Awards, Miranda Lambert has another reason to celebrate: she turns 31 today (November 10th). At last week’s CMAs, the superstar took home four new trophies, including Female Vocalist of the Year, while husband Blake Shelton was crowned Male Vocalist — marking the fifth year in a row for both to win. Their first mutual victory was back when they were engaged; they tied the knot six months later, on May 14, 2011.



The Lambert-Shelton nuptials came more than six years after meeting. The two were barely acquaintances before they were paired for the 2005 CMT special, 100 Greatest Duets. In the clip above, the two channel David Frizzell and Shelly West on the 1981 hit, "You’re the Reason God Made Oklahoma." Trading lines on the verses and sharing the chorus, the two are beaming as they lock eyes for the majority of the performance. By the end of the song, they're wrapped in a fervent embrace. At the time, Shelton was a mullet-sporting married man, so this palpable chemistry was fodder for the country music water cooler. (The "Austin" singer divorced first wife Kaynette Williams less than a year later.)


“I’ve never had that kind of experience with anybody," Shelton recalls.


“He’s hilarious. We had instant chemistry," Lambert echoes.


Today's birthday girl has 11 career CMA awards, one Grammy, seven chart-topping hits and multi-platinum album sales, among a laundry list of other accolades... and Blake Shelton. She is the fifth female country artist ever to be featured on the cover of Rolling Stone.







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Tom Morello, M.I.A., PJ Harvey, Moby Voice Support for Edward Snowden

More than 50 musicians, actors and other notable public figures have signed a statement to support Edward Snowden, WikiLeaks and individuals and organizations that encourage whistleblowing. Musicians who signed the statement include Tom Morello, M.I.A., PJ Harvey, Thurston Moore, Moby and Bob Nastanovich. Actors and directors who supported the statement include Alfonso Cuaròn, Terry Gilliam, Susan Sarandon, Russell Brand, Viggo Mortensen, Peter Sarsgaard and Pamela Anderson. Political commentator Noam Chomsky and clothing designer Vivienne Westwood also endorsed the sentiment.



The statement reads: "We stand in support of those fearless whistleblowers and publishers who risk their lives and careers to stand up for truth and justice. Thanks to the courage of sources like Daniel Ellsberg, Chelsea Manning, Jeremy Hammond and Edward Snowden, the public can finally see for themselves the war crimes, corruption, mass surveillance, and abuses of power of the U.S. government and other governments around the world. WikiLeaks is essential for its fearless dedication in defending these sources and publishing their truths. These bold and courageous acts spark accountability, can transform governments and ultimately make the world a better place."


Former Rage Against the Machine guitarist Tom Morello expounded on why he wanted to support whistleblowers in his own statement. "Those courageous enough to expose the crimes of government and unmask corruption embody the spirit of democracy and justice," he wrote. "Rather than being celebrated as the truth-tellers and champions of accountability that they are, they are persecuted and find themselves the target of a draconian legal system that punishes them for the act of exposing crimes."


Some of the celebrities, including Mortenson and Westwood, who signed the letter are asking for people to donate to the Courage Foundation, the official legal defense fund for Snowden and other whisleblowers.


"As Albert Camus once put it, governments, by definition, do not have consciences; they have policies and nothing more," Mortenson wrote in a statement. "Therefore, it is up to all of us as free-thinking citizens to demand truly transparent democracy and high, unbiased moral standards from those who govern us. I hope everyone can chip in to support Snowden and those patriotic whistleblowers that come after him."


The statement coincides with a wide theatrical release of CitizenFour, a documentary offering a first-hand account of Snowden's leaking of NSA documents. "I didn't ask Edward Snowden to stick his neck out for me," Westwood wrote. "But now that he did, I ask myself where would we be without him? The more that the public watches CitizenFour, which documents Edward Snowden's bravery in revealing the NSA's massive web of surveillance of the American people, opposition to the government's assault on civil liberties will grow. I hope that audiences will turn their outrage into action and donate to the Courage Foundation's Legal Defense Fund to provide legal representation to Snowden and other whistleblowers to counter the government's unprecedented attack against these brave men and women."







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Sam Hunt Headlines Lipstick Graffiti Tour

Fresh from his Number One debut with his first album, Montevallo, Sam Hunt has unveiled the dates for the Lipstick Graffiti Tour. The singer-songwriter launches his headlining trek on January 29th at the legendary Troubadour in West Hollywood, California. The tour runs through mid-April and will include stops in Denver, Chicago, Boston and more. (See cities and dates below.) Country newcomers Native Run and Michael Ray will join Hunt as supporting acts on the tour.



Hunt is riding high on the success of his album and its chart-topping single, "Leave the Night On." On November 24th, he'll release the follow-up to that hit, "Take Your Time." The Georgia native, who played football at the University of Alabama at Birmingham, got his musical start by learning to play Kenny Chesney's "What I Need to Do" on a secondhand guitar. But because he was also just as much a fan of singers Usher and Boyz II Men, that R&B and hip-hop influence comes through in his music.


"I do think I'm country," Hunt tells Rolling Stone Country, "but your definition of that word might be different from my definition. In my opinion, country music, the sound of country, has always evolved. But the one thing that has not changed is the story element. And I think country songs are truthful songs about life written by country people."


Sam Hunt's Lipstick Graffiti Tour Dates:


January 29 – West Hollywood, California


January 30 – Anaheim, California


February 5 – Dallas


February 7 – Jackson, Mississippi


February 11 – New York City


February 12 – Boston


February 13 – Burlington, Vermont


February 14 – Silver Spring, Maryland


February 19 – Knoxville, Tennessee


February 20 – North Myrtle Beach, South Carolina


February 21 – Charleston, South Carolina


March 12 – Columbus, Ohio


March 13 – Grand Rapids, Michigan


March 14 – Chicago


March 20 – Lincoln, Nebraska


March 21 – Denver


April 2 – Fayetteville, Arkansas


April 3 – Columbia, Missouri


April 4 – Milwaukee







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Hear Butch Walker and Johnny Depp's Bummed-Out '21+'

As one of the 10 people who contributed production to Keith Urban's Fuse, Butch Walker was recently nominated for his second CMA award. Still, the 44-year-old singer-songwriter insists that his new tune – despite its title – isn't typical Nashville fare. "I wrote a song called '21+,'" he tells Rolling Stone, "and no, it's not a Florida Georgia Line song about trying to get into a bar with a fake ID, cooler full of cold beer, pickup truck, girl, babe, angel, tight jeans, yada yada yada."



Instead, with Johnny Depp on guitar, Walker sings from the perspective of a bar employee who hangs around after work, drinking free beer while he remains trapped in a small town. "It's actually just a sad song with a total bummer of a lyric," says Walker.


Besides featuring Depp, "21+" was produced by Walker's tourmate, Ryan Adams, and recorded at Adams' Pax Am studios. It will appear on the back half of the singer's seventh LP, Afraid of Ghosts, which will be released February 3rd on Dangerbird Records. The track can be streamed below, and the record can be pre-ordered here.







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Watch Zac Brown Band Perform Moving, Fiddle-Heavy Hit 'Free'

The first-ever career-spanning collection of Zac Brown Band's hit singles is officially being released today (November 10th). Greatest Hits So Far… is a 14-track collection that spotlights 11 of the Georgia group's chart-topping country singles, from their first, 2008's "Chicken Fried," to their most recent, "Sweet Annie."


"It was six and a half years ago that we started on the radio, and it's amazing that we had 11 Number One songs [since then]. That's why we put out Greatest Hits… So Far," Brown tells Rolling Stone Country. "It's awesome that it can come out, and it's a good placeholder until we put out a big record next year."


Among the tracks on the greatest hits collection is "Free," which hit Number One in 2010 and was nominated for two Grammys. A live performance of the tune captured on video makes its exclusive online premiere at Rolling Stone Country. (Watch above.) Distinguished by a cool (and lengthy) fiddle intro from the band's Jimmy De Martini, the performance was filmed by AXS-TV at the group's Southern Ground Music and Food Festival in Charleston, South Carolina, last month.


On Tuesday, November 11th, Zac Bown Band will be among the performers at the first-ever Concert for Valor, on the Mall in Washington D.C. The three-hour show in commemoration of Veteran's Day, will also feature Bruce Springsteen and Rihanna, among several others, and will broadcast live on HBO.


Zac Brown Band's Greatest Hits So Far… Track List:


"Chicken Fried"


"Whatever It Is"


"Toes"


"Free"


"Highway 20 Ride"


"As She’s Walking Away" (featuring Alan Jackson)


"Colder Weather"


"Knee Deep (featuring Jimmy Buffett)


"Keep Me in Mind"


"No Hurry"


"The Wind"


"Jump Right In"


"Goodbye in Her Eyes"


"Sweet Annie"







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Marilyn Manson Details New Album 'The Pale Emperor'

Marilyn Manson has confirmed the details of his upcoming ninth album, The Pale Emperor. Late last month, the goth-metal singer shared the punkish, depressing first single from the record – "Third Day of a Seven Day Binge" – and now he has revealed the other nine on the record, which is due out on January 20th. The iTunes edition of the album comes with three additional tracks – "Day 3," "Fated, Faithful, Fatal" and "Fall of the House of Death."



In October and early November, Manson played a handful of concerts in southern California, where he gave three Pale Emperor tracks – "Third Day," "Cupid Carries a Gun" and "Deep Six" – their live debuts. One of those shows took place on Halloween at the West Hollywood club the Roxy, and Manson was joined by special guests Johnny Depp and Ninja from Die Antwoord for his encore performance of "The Beautiful People."


Depp has played guitar with Manson a couple of times in recent years. In 2012, the actor made a surprise appearance during the singer's headlining set at the Revolver Golden Gods Awards to play "The Beautiful People." That same year, Depp played guitar on Manson's cover of Carly Simon's "You're So Vain," which was included among the bonus cuts of Manson's last record, Born Villain.


Manson himself has been busy acting recently. Earlier this year, he appeared as white supremacist Ron Tully on Sons of Anarchy and voiced the character of Shadow on ABC's Once Upon a Time. In recent years, he has made appearances on Californication, Eastbound and Down and Wrong Cops. Manson also contributed the Pale Emperor tracks "Cupid Carries a Gun" to the series Salem.


The Pale Emperor Track List:


1. "Killing Strangers"

2. "Deep Six"

3. "Third Day of a Seven Day Binge"

4. "The Mephistopheles of Los Angeles"

5. "Warship My Wreck"

6. "Slave Only Dreams to Be King"

7. "The Devil Beneath My Feet"

8. "Birds of Hell Awaiting"

9. "Cupid Carries a Gun"

10. "Odds of Even"







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Friday, November 7, 2014

Hear Jeff Bates Channel Conway Twitty in New Loretta Lynn Duet

It's age-old advice: sometimes you have to stop fighting to finally win the war. That's as true of an adage for Jeff Bates as anyone, who, after years of waging a losing battle with critics who incessantly harped on his vocal similarities to the late Conway Twitty, decided to release an album, Me and Conway, on which half of the songs are Twitty covers — allowing listeners to decide for themselves just how striking the likenesses are (or aren't). Surrendering to the comparisons came with one special gift: one of Twitty's most legendary duet partners, Loretta Lynn, who joined Bates on a version of 1971's "After the Fire Is Gone." (Hear it below.)



"The very first vinyl record I ever heard was Conway Twitty and Loretta Lynn singing 'After the Fire Is Gone,'" Bates says. "To get to sing this same song with Ms. Loretta is an honor above all honors and a lifelong dream come true for me."


Premiering exclusively on Rolling Stone Country, the song is a rich update that swings just a touch faster than the original, with Bates' vocals hitting a little deeper and raspier than Twitty's. Paired with Lynn in smooth harmonies to a kicked up pedal-steel beat, it gives a slightly less somber tone to the song that once appeared on Lynn and Twitty's duet album We Only Make Believe. It's since become a country mainstay — Willie Nelson with Tina Rose and George Jones with Tammy Wynette are just a few of the pairings that have tackled the wistful track, written by L.E. White, that spent two weeks on top of the charts.


Until now, Lynn had resisted re-recording the song altogether, but became convinced when she heard Bates perform at the annual Conway Twitty Weekend at her Hurricane Mills Tennessee Ranch. She later invited him back to capture their version at her home studio.


On Me And Conway, out November 11, Bates offers several other Twitty classics —from the sweet ode to fatherhood on "That's My Job" to the between-the-sheets Eighties hit "I'd Love to Lay You Down." This is his first full-length LP since 2008's Jeff Bates.


Lynn has been burning the midnight oil lately, duetting on Wednesday's CMA Awards with Kacey Musgraves, appearing at the Ryman and announcing a multi-album deal with Legacy recordings.







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Watch Elly Jackson of La Roux's Journey to Electro-Pop Bliss

When Elly Jackson was young, she knew she wanted to be a musician but frustrated her parents by refusing to take guitar lessons. "I'm like, 'It's not that I don't want to learn,'" she recalls explaining, "'It's that I'm incapable of learning in this way.'" Eventually, though, Jackson had a breakthrough, realizing, as she puts it, "I don't have to do it like you're saying I have to do it.... I can do it how I want to do it."



In the newest episode of Rolling Stone's "Journeys" series, the singer tells us how she moved from this realization to the stage of L.A.'s Staples Center, where she won the 2011 Best Electronic/Dance Album Grammy for La Roux's self-titled debut. "You had to sit through like 50 awards," she says of night. But when Kathy Griffin announced their victory, things got a little more exciting: "I nearly crapped my pants!"



From there, conversation turns toward La Roux's follow-up, July's In for the Kill, and Jackson speaks in new detail on her split from collaborator and producer Ben Langmaid. "The things that I didn't like, he increasingly liked and wanted me to do as well – and was quite pushy," she says. "We had an argument. . .And we haven't spoken since."







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Thursday, November 6, 2014

Taylor Swift Shuns 'Grand Experiment' of Streaming Music

Days after Taylor Swift pulled her discography from Spotify, the pop star has explained the rationale behind the decision. In an interview with Yahoo, the singer fielded a question asking her to speculate on how differently her latest record, 1989, would have sold were it on the music-streaming service. While Swift declined to speculate, she did comment on Spotify and the idea of free music.



"Music is changing so quickly, and the landscape of the music industry itself is changing so quickly, that everything new, like Spotify, all feels to me a bit like a grand experiment," Swift said. "And I'm not willing to contribute my life's work to an experiment that I don't feel fairly compensates the writers, producers, artists and creators of this music. And I just don't agree with perpetuating the perception that music has no value and should be free."


Referencing the op-ed article she wrote for The Wall Street Journal this year, in which she asserted that art should be paid for, Swift maintained that she likes to stay open-minded about the subject and willing to debate it as "actual progress" within the music industry.


"A lot of people were suggesting to me that I try putting new music on Spotify with 'Shake It Off,' and so I was open-minded about it," Swift said. "I thought, 'I will try this. I'll see how it feels.' It didn't feel right to me."


After questioning the message she was sending by making her music available for free, Swift concluded that she wasn't comfortable with the perception of the value of music that she was projecting. "So I decided to change the way I was doing things," she said.


A representative for Spotify declined to address Swift's comments for this article.


Elsewhere in the interview, Swift explained why she focuses on writing albums rather than putting out a series of singles. "I'd really much rather write a novel than a bunch of short stories," she said. "I'd rather be known for a collection of songs that go together and live together and belong together. These are essentially installments of my life, two years at a time, and I work really hard to make sure that those installments are good enough to also apply to other people's lives in two-year periods of time. Albums defined my childhood, and they've defined my life."


Earlier this week, Spotify released a statement about Swift's decision to pull her catalog. "We hope she'll change her mind and join us in building a new music economy that works for everyone," the company's statement read. "We believe fans should be able to listen to music wherever and whenever they want, and that artists have an absolute right to be paid for their work and protected from piracy."







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Wednesday, November 5, 2014

Miranda Lambert's 'Platinum' Wins CMA Album of the Year

Miranda Lambert's Platinum has won the singer-songwriter the second CMA Album of the Year award of her career. Beating an all-male group of competitors in the category, Platinum is only the sixth album by a solo female artist in CMA history to win the award, and Lambert is the first woman to earn the honor twice. She previously won for Revolution in 2010.



"I was just sittin' there watchin' that whole reel pass, thinkin' how great every album in that category is. I have 'em all and they're amazing," Lambert said, her voice beginning to quaver as she accepted the honor with two of the album's producers, Chuck Ainlay and Frank Liddell, standing behind her. "I really poured my heart and soul into this one more than ever." Lambert also noted that she wrote and sang on the record with "a lot of my friends" and thanked her fans and country radio for supporting the LP, which became her fifth to top the country chart.


The women who have previously won in this category include Taylor Swift (Fearless, 2009), Lee Ann Womack (There's More Where That Came From, 2005), Dixie Chicks (Fly, 2000), Patty Loveless (When Fallen Angels Fly, 1995) and Anne Murray (A Little Good News, 1984).







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Brett Eldredge Named New Artist of the Year at the CMA Awards

In a short but sweet acceptance speech, Brett Eldredge reminisced about being so excited for his first CMA Awards ceremony a few years ago that he arrived early enough to find himself nearly alone in the massive Bridgestone Arena, dreaming what it would be like to be on stage winning an award. The dream became reality when Eldredge was named CMA New Artist of the Year, joining an elite class of country performers who have won the trophy since it was first presented in 1981 (and was known as the Horizon Award until 2008). Past winners include CMA Awards co-hosts Brad Paisley (2000) and Carrie Underwood (2006).



Eldredge, who was born in tiny Paris, Illinois, released his debut single, "Raymond," in 2010. His breakthrough came in 2012 with "Don't Ya," the lead single from his Bring You Back album, released the following year. An opening act on Taylor Swift's Red Tour, Eldredge will next be featured on Little Big Town's Pain Killer trek, which kicks off on Saturday, November 8th in Youngstown, Ohio.


The last male solo artist to win New Artist of the Year was Hunter Hayes in 2012, while the first was Ricky Skaggs in 1982. Among the other men who have earned the honor are Darius Rucker (2009), Keith Urban (2001) and Garth Brooks (1990). The following year, Brooks would go on to win the night's big prize, Entertainer of the Year.







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Kacey Musgraves' 'Follow Your Arrow' Prevails in CMA Song of the Year Race

"Do you guys realize what this means for country music?" said Kacey Musgraves from the stage of the CMA Awards upon winning Song of the Year for "Follow Your Arrow." Although she didn't go into detail, it was clear she was referencing the song's lyrics about smoking marijuana and same-sex relationships, topics typically taboo in country music. In fact, the line about rolling up a joint was censored during her live performance of "Arrow" at last year's CMAs.



Written by Musgraves with Shane McAnally and Brandy Clark, who was also up for New Artist of the Year at tonight's ceremony (she lost to Brett Eldredge), "Follow Your Arrow" was polarizing in its content. Yet not enough to keep the twangy anthem from being named Song of the Year.


"I think I can speak for all of us when I say that this award means so much because our genre was built on simple, good songs about real life. And that's what this was," Musgraves said. "And it was because of the fans that connected with it who spread it and took it farther than I ever could."


Musgraves also performed one of the musical highlights of the CMA Awards so far: a surprise duet with Loretta Lynn on Lynn's "You're Looking at Country" in front of the famous Grand Ole Opry backdrop.







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CMT, Lee Ann Womack Celebrate Female Artists at 'Next Women of Country'

Country's biggest names hit the red carpet tonight for the 48th annual CMA Awards at Bridgestone Arena, but yesterday a smaller group of younger stars — albeit with plenty of stilettos, jewelry and carpet-cool wear — arrived at City Winery in Nashville for a different ceremony: CMT's second annual Next Women of Country gathering. The live, multi-artist performance is part of the country music network's ongoing initiative to give more airplay and attention to female country artists across its platforms.



The show was co-hosted by Leslie Fram, senior vice president of music strategy for CMT, and trailblazing country chanteuse Lee Ann Womack, whose mere presence made many of the up-and-coming female songwriters and singers shake in their well-appointed boots. The initiative, Fram says, celebrates female artists who have made it on their own but who also support one another to create more opportunities for women in country music.


John Esposito, president and CEO of Warner Music Nashville and one of the day's presenters, told the crowd he wouldn't be satisfied until "25 of 50 chart-toppers are women." While it remains to be seen if radio will get behind such a lofty goal, the talent on display yesterday at Nashville's newest music venue made the case that women could certainly compete with the genre's male powerhouses.


The event kicked off with an introduction from Gavin McGraw (who has been spreading his country wings of late by working with Sara Evans and Martina McBride), followed by acoustic performances by nine of the Next Women of Country and the addition of four new ladies to the class: Maddie & Tae, Mickey Guyton, RaeLynn and Kelsea Ballerini.


The performances spanned the breadth of sounds in the genre right now. Maddie & Tae played their "bro country" rebuttal "Girl in a Country Song," reveling in its wordplay, and the Betty Boop-like RaeLynn displayed a flair for entertaining. Meanwhile, Guyton, a crowd favorite, exhibited a maturity that belied her years, even tearing up at the end of her song. And Kramer showed off a unique, complex voice that distinguished her from her peers.


"I do have a different voice and for a long time I was embarrassed of that," says Kramer, who originally pursued acting (she starred on One Tree Hill) because she wasn't confident she'd fit in with a field of singers who didn't sound like she does. But being a part of the Next Women group is "all about girl power," she says, using the catchphrase of the afternoon. "It is important to stick together."


Country-crossover singer/songwriter Jewel was named mentor for the new group of Next Women and delivered an open letter to the singers, while encouraging the industry to take more chances with female artists. Addressing radio, Jewel said, "It's okay to play women back-to-back."







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Miranda Lambert Eyes Entertainer Win: 'I'm Representing for the Girls'

Today could very well be one of the most memorable days in Miranda Lambert's life. The country megastar is nominated in nine categories at tonight's 48th annual CMA Awards, more than any other artist this year, and pundits are predicating multiple wins.



"I don't think it's set in that I have nine nominations," Lambert remarked to Rolling Stone Country earlier this week. "When I heard that, I sort of had to think back in my mind: 'What have I done this year to deserve all of this?' I started thinking about everything we have done, and putting out a record and all of that. It just feels like every time you get on the bus and you're gone for 18 straight days and you're away from your family and your husband, it's not for nothing. It matters, and people are paying attention."


When asked if there's one award she really has her eye on winning, Lambert smiles and responds, "I will take any of them! But I am very excited to be in the Entertainer of the Year category and I'm representing for the girls this year."


Lambert is the lone female in the Entertainer category — the night's top honor — which includes her husband Blake Shelton, Keith Urban, George Strait and Luke Bryan. Lambert is also a contender in the Female Vocalist category, which she's won four times. If she picks up her fifth trophy tonight, she'll set a record for the most wins in that category — "which is crazy," she says, shaking her head in disbelief.


"I'm very nervous and I don't ever think of anything smart in thank you speeches. I start crying, and my tough girl image is out the window. I've been crying a lot lately. It means so much to me, and I'm so overwhelmed with my job. I get to do the most amazing job in the world, and then I get an award for it. It's crazy."


One of the things she's most looking forward to tonight is performing "All About That Bass" with Meghan Trainor. "I didn't hesitate at all," Lambert says of being asked to perform with the pop sensation. "I love that song! It's one of those songs that my whole band and crew would come in and dance to it. It's got a special place in my heart because it was our tour song. So I didn't even have to go 'Oh, gotta learn it.'"


Will Lambert put a little country spin on the pop megahit? "Maybe a little bit just because everything I sing is country," she says, then excitedly explaining the song's appeal. "It's about positive body image in a fun way. It's not cramming it down your throat, but it's a really positive message."


When country music's biggest night is over, Lambert is looking forward to a little relaxation. She and Shelton are boarding their tour buses right after the show, to head home to Oklahoma. "Blake's been filming in L.A. and I have been running around crazy and getting ready for the [Redemption Ranch animal] shelter to open November 22. And I opened a Bed & Breakfast, the Ladysmith, and now this stuff with CMA week. So I'm looking forward to just being together at home," says the "Platinum" singer. "We go back to normal when we go back to Oklahoma. There's none of the glitz and glam. We get to share these moments together, but at the end of the day we're just going to be on our porch drinking a beer."







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Tuesday, November 4, 2014

Miranda Lambert Cherishes Anonymity of Working With Pets

In the midst of all the interviews, rehearsals and hectic activities of CMA Awards Week, Miranda Lambert found a furry oasis on Monday afternoon at Nashville’s Music City Center. Lambert spent time playing with puppies and spreading the word about adopting shelter dogs at the Pedigree adoption suite.



"They are the cutest things," Lambert remarked to Rolling Stone Country as she cuddled a little brown terrier named Waylon. "I've already been instructed, 'No,' by my husband. He's like, 'Oh god, you're going to see adoptable dogs. Do not look too closely!'"


Well known for her love of all animals, Lambert already owns seven dogs. "I have seven rescues. I brought three of them with me on this trip," she smiles. "And I did a rescue not that long ago in Oklahoma and there were two Chihuahuas from a puppy mill. I sent Ashley Monroe a picture, so she adopted one of them, and then felt bad and didn't want to separate them, so she adopted both of them. I brought them on the bus with me too. So I brought five dogs on the bus to the CMAs. It was a little crazy.”


In addition to playing with the pups in the Pedigree suite, Lambert met with VIPs to talk about the "See what good food can do" campaign. "I started a foundation in 2009 called MuttNation Foundation and then I met Pedigree a couple of years ago and I realized our goals were the same, which is to raise awareness for shelter pets and to improve shelters," Lambert says of her partnership with the pet food company. "Pedigree donated 500,000 pounds of food this year and that fed 13,000 dogs and renovated 48 shelters. The goals that we have as MuttNation Foundation, myself and Pedigree, it's all the same, so I felt like what better partnership."


Pedigree played a huge part in helping rebuild the shelter in Lambert's adopted hometown of Tishomingo, Oklahoma, where she lives with husband Blake Shelton. And there's a documentary about the project that shows what a labor of love it was for Lambert. "I get really emotional," she admits. "I've been really trying to work with them for six years now. It was a city shelter. We took it over and Pedigree came and renovated it and did some amazing things… It's called Redemption Ranch. It opens on November 22nd in Tishomingo. I am there quite often and I just really love the way that it's turning out because there are so many great animals there. I can't wait till people come get them through the adoptions."


The opening of Redemption Ranch will be a big event in Tishomingo, where Lambert also owns and operates the boutique the Pink Pistol and the Ladysmith, a bed and breakfast. "We're going to have an adoption drive obviously," she says. "There is going to be wine tasting and hot dogs for donations. It will be our little mini carnival. We'll have cotton candy and I want people to see what we've been able to do and see where their money, if they donated, has gone."


Since its launch, MuttNation has raised more than $1.5 million to assist animals in need and this year the organization has helped shelters in all 50 states. "What I like about it is that I have control, my mom and I. It's a very small board,” she says of the charity. "It's five girls and we have control over where every dime goes. We know every dollar, how it's spent…. We bought a beagle a wheelchair a couple of years ago whose back legs didn't work. We get to pick wherever it goes."


The singer's dedication to helping dogs extends beyond donating money and working at her local shelter. Lambert been known to sprawl out on the highway and try to coax a stray to safety. "I laid on the side of the road for 30 minutes one time trying to get this dog," she recalls. "People were stopping and saying, 'Are you okay?' I was like, 'Yeah, just go away. I've almost got him!' I picked him up and actually my keyboard player has him now. His name is Batman."


In addition to her seven dogs, Lambert also has five rescue cats, horses, mini horses, pigs and chickens. What does she see as the best perk of pet ownership? "They don't know who Miranda Lambert is or care," she says with a smile. "They just love me because I'm their mom."







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Monday, November 3, 2014

Rob Hatch Named SESAC Nashville's Songwriter of the Year

Jerrod Niemann had some 500 partygoers raising their glasses to "Drink to That All Night," as he opened SESAC’s Nashville Music Awards at the Country Music Hall of Fame and Museum Sunday night with an acoustic performance of his chart-topper. The intimate fete — which kicks off four straight nights of country music awards in Music City, culminating at Wednesday's CMA Awards — honored preeminent songwriters and publishers in the country and Americana worlds. "Drink to That All Night" was named SESAC's Song of the Year, with Tim McGraw making a surprise appearance to present the award to one of the tune's four co-writers, Lance Miller (who happens to be signed to McGraw's StyleSonic Publishing company).



Rob Hatch was named Songwriter of the Year, while his publishing company, Magic Mustang Music was honored with the Publisher of the Year accolade. Lee Brice and Randy Houser serenaded Hatch with acoustic versions of tunes he co-wrote with them: Brice's "I Don't Dance" and Houser's "Goodnight Kiss."


SESAC's Most Performed Songs of the Year were Lady Antebellum's "Bartender," co-written by SESAC writer Hillary Scott, Dustin Lynch's "Where It's At," co-written by SESAC's Cary Barlowe, and Thompson Square's "Everything I Shouldn't Be Thinking About," co-written by SESAC songwriter Keifer Thompson.


Americana song honors went to Victoria Shaw, Adam Chaffins, Pete Sallis, Jim Lauderdale, Rick Scott and Bob Dylan (who was not present).


SESAC is a performing rights organization that has worked on behalf of music publishers and songsmiths since the 1930s.







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Jedward Gets 'Ferocious' on New Single

X Factor U.K. twins John and Edward Grimes, aka Jedward, are known for their wacky antics. (Remember their "Ghostbusters" cover from Movie Night? Or their shiny red Britney suits? Or their Vanilla Ice duet?) But on their new single "Ferocious" — premiering in full here on Yahoo Music — they're getting serious, tackling the hot topic of bullying.


"We were inspired by life experiences and wanted to make a song that would lift people up who are down and let them know we understand," says Edward, who along with his brother has been on the receiving end of some hate himself (most notably from non-believer Simon Cowell). "We support anti-bullying and want to help people find their voice and rise out of the difficulty in their lives."


"It doesn't matter if you are a teenager or an adult, you will find negativity put upon you. We created a song to overcome that and evoke your emotions — that you are bigger than life, and to help you communicate your feelings," adds John.


"Ferocious," the first single solely penned and produced by the Grimes twins themselves, was inspired by letters from Jedward fans writing about their own bullying troubles. "Life is never easy/Don't ever pack it in/Deal with all the highs and lows/Don't let them say you can't/You’ve come out of the dark/Found the courage within/Now I know for a fact I can face anything," the boys sing in their new Jepic empowerment anthem.


However, don't worry about Jedward getting too serious: The forthcoming "Ferocious" video will star Tara Reid and William Shatner, so clearly the Grimes brothers haven't lost their cheeky sense of humor.


"Ferocious" will be available on iTunes Oct. 24, but enjoy the first listen here!


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Hear Chrissie Hynde's Heartfelt Cover of the Beatles' 'Let It Be'

Chrissie Hynde's reverent, heartfelt cover of the Beatles' "Let It Be," which will appear on the upcoming, star-studded Paul McCartney tribute comp The Art of McCartney, is now streaming online. The recording finds the Pretenders frontwoman stretching her delicate voice across lush textures of piano, gospel backup vocals and, at its apex, a full rock band, complete with a bluesy guitar solo; at its most delicate, Hynde sings over a Beatlesesque acoustic guitar part. A behind-the-scenes video revealed that the singer specifically chose "Let It Be," which The Wall Street Journal premiered, as her contribution to the comp.



"'Let It Be' sounds like a hymn, and because it says 'mother Mary,' people assume it's a religious song, but it isn't," Beatles historian Mark Lewisohn said in a behind-the-scenes clip. "'Mother Mary' is Paul's mother Mary – his mother was Mary McCartney – and Paul was 26 when he wrote this. He was 14 when his mother died, so only 12 years earlier that she had died..... [In the song] he's in trouble, he's having a troubled moment, and his mother comes to him and says, 'Don't worry, son, everything will be all right. The answer will come. Let it be, let the answer be.'"


Elsewhere in the clip, Lewisohn also revealed that McCartney had originally offered the song to Aretha Franklin, but that the Beatles released their version first. "Let It Be" was the last single the group would release before its breakup.


The Art of McCartney finds a number of notable musicians contributing their renditions of tracks from throughout the singer-songwriter's careers with the Beatles, Wings and his solo work. Bob Dylan, Kiss, Alice Cooper, Brian Wilson, Billy Joel, Willie Nelson and more all contributed recordings to the compilation. The full album, which comes in 34-track and 42-song editions, will come out on November 18th.







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